Adventureland

• From thedirector of SUPERBAD comes ADVENTURELAND, a smart, witty comedy we canall relate to. When James Brennan (Jesse Eisenberg) has to cancel hisdream summer vacation and make some money for grad school, the only jobhe can get is at Adventureland, a tacky amusement park where the gamesare rigged and the rides make you hurl. But it's where he meets Em(Kristen Stewart, TWILIGHT), and his rollercoa

When James Brennan (Jesse Eisenberg) has to cancel his dream summer vacation and make some money for grad school, the only job he can get is at Adventureland, a tacky amusement park where the games are rigged and the rides make you hurl. But it's where he meets Em (Kristen Stewart) and his roller coaster ride to nowhere turns into the best summer ever. Filled with a carnival of colorful characters and set to a killer soundtrack, Adventureland is the kind of adventure we could all use more of!A sweet! and slap-happy mix of indie coming-of-age drama and Judd Apatow’s scatological but heartfelt manchild comedies, Greg Mottola’s Adventureland is a winning look at the pleasures and frustrations of dead-end jobs and teenage kicks as viewed through a filter of mid-‘80s pop culture. The underutilized and always watchable Jesse Eisenberg (The Squid and the Whale) is a sheltered, introspective New York college grad who discovers that his parents’ financial woes will not only quash his dream of a summer in Europe (to enjoy its more “sexually permissive” nations) but require a move to Pittsburgh, where he lands a job at a dilapidated amusement park. There, he’s thrown in with a motley crew of eccentrics, small-town types and a few genuine free spirits, most notably co-worker Em (Kristen Stewart), whose complicated past proves irresistible to his repressed psyche. Mottola, who directed Superbad and episodes of the well-loved Freaks and Geeks, and who once worked in a similar park as a teen, doesn’t ! shy from the crude laughs that make Apatow’s features so popular, but he tempers it with a wistful tone and layered characters that hew closer to his earliest work, The Daytrippers. Though ill-matched at first, Eisenberg and Stewart make a likable on-screen couple, and they’re well-supported by a terrific cast that includes such die-hard scene-stealers as Bill Hader and Kristen Wiig as the park’s offbeat owners, Martin Starr as a Russian lit aficionado, and Ryan Reynolds as a former town tamer, now reduced to working as the park’s handyman. A soundtrack performed by underground faves Yo La Tengo and filled with a smart mix of hip cuts (Hüsker Dü, the New York Dolls, the Replacements) and period faves (Falco’s “Rock Me Amadeus”) underscores the film’s blend of tentative emotions and broad laughs. -- Paul GaitaADVENTURELAND - DVD MovieA sweet and slap-happy mix of indie coming-of-age drama and Judd Apatow’s scatological but heartfelt manchild comedie! s, Greg Mottola’s Adventureland is a winning look at the pleasures and frustrations of dead-end jobs and teenage kicks as viewed through a filter of mid-‘80s pop culture. The underutilized and always watchable Jesse Eisenberg (The Squid and the Whale) is a sheltered, introspective New York college grad who discovers that his parents’ financial woes will not only quash his dream of a summer in Europe (to enjoy its more “sexually permissive” nations) but require a move to Pittsburgh, where he lands a job at a dilapidated amusement park. There, he’s thrown in with a motley crew of eccentrics, small-town types and a few genuine free spirits, most notably co-worker Em (Kristen Stewart), whose complicated past proves irresistible to his repressed psyche. Mottola, who directed Superbad and episodes of the well-loved Freaks and Geeks, and who once worked in a similar park as a teen, doesn’t shy from the crude laughs that make Apatow! ’s features so popular, but he tempers it with a wistful ton! e and la yered characters that hew closer to his earliest work, The Daytrippers. Though ill-matched at first, Eisenberg and Stewart make a likable on-screen couple, and they’re well-supported by a terrific cast that includes such die-hard scene-stealers as Bill Hader and Kristen Wiig as the park’s offbeat owners, Martin Starr as a Russian lit aficionado, and Ryan Reynolds as a former town tamer, now reduced to working as the park’s handyman. A soundtrack performed by underground faves Yo La Tengo and filled with a smart mix of hip cuts (Hüsker Dü, the New York Dolls, the Replacements) and period faves (Falco’s “Rock Me Amadeus”) underscores the film’s blend of tentative emotions and broad laughs. -- Paul Gaita

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Touch the Sound - A Sound Journey With Evelyn Glennie

• In RIVERS AND TIDES, German documentarian Thomas Riedelsheimer explored the enchanting and hypnotic "nature" art-installations of Andy Goldsworthy. Now, with TOUCH THE SOUND, he turns his camera on nearly deaf percussionist Evelyn Glennie, who experiences sound as a kind of touching or vibration. Using Glennie's unique musical sensibilities as a jumping-off point, Riedelsheimer introduces the

From the director of Driving Miss Daisy comes this compelling, heartwarming and inspiring true story of a father (Pierce Brosnan) who faces impossible odds to keep his family together. Times are tough in Dublin, Ireland. But no one has it tougher than Desmond Doyle when his wife runs off and his beloved daughter Evelyn and two young sons are sent to an orphanage by the government.Enlisting the help of loyal friends (Julianna Margulies, Stephen Rea) and a feisty American lawyer (Aidan Quinn), he takes his! case to Ireland's Supreme Court in a history-making quest to topple an ironclad law and win back the custody of his children!With a gentle tug at the heartstrings, Evelyn tells the true story of an imperfect father whose devotion brought much-needed change to rigid Irish law. It's a labor of love for star and coproducer Pierce Brosnan, who brings just the right touch of Everyman charm to his role as Desmond Doyle, a struggling Dublin tradesman, father of three, and chronic pub-crawler whose wife abandons their family the day after Christmas, 1953. Desmond's a loving father who's boyishly irresponsible; Irish law dictates the removal of his children to stern Catholic orphanages, and his battle for custody is aided by two lawyers (Stephen Rea, Aidan Quinn) who seize this opportunity to revolutionize the courts. With straightforward, unobtrusive style, director Bruce Beresford draws fine performances from Brosnan, Julianna Margulies (as a barmaid who inspires Desmond's! sobriety), and especially young Sophie Vavasseur in the title! role as Desmond's bright, determined daughter. Sentimental without being saccharine, Evelyn is simple, well made, and bursting with genuine Irish spirit. --Jeff ShannonIncludes an afterword by award-winning author Neil Gaiman! Enthusiasts of genuine tragedy and celebrity intrique, gird your mental loins for an authentic tale of unbelievable hardship and epic catastrophe! This wholly true and accurate account details the extraordinary lives of Evelyn and Evelyn, a darling but unfortunate pair of conjoined twins who brave extreme circumstances of calamity and adversity, such as the bizarre and bloody night of their birth and subsequent orphaning; their early years on a chicken farm; shocking encounters with depraved gentlemen; life in the circus; the terrible fates of their dearest friends; and concluding with the sisters'' rise to international fame via the internet!TOUCH THE SOUND - DVD MovieSubtitled "A Sound Journey with Evelyn Glennie," German director Thomas Rie! delsheimer's exquisite Touch the Sound is nominally a portrait of the Scottish musician known as "the first full-time solo percussionist." Glennie is certainly a fascinating subject. Profoundly deaf since childhood, she disdains the use of hearing aids and sign language, relying instead on lip reading and, more crucially, on the use of all of her senses, especially touch, to "hear" with her entire body. The film reveals Glennie's extraordinary skills in a variety of settings: playing a snare drum for bemused New Yorkers in cavernous Grand Central Station; improvising with guitarist Fred Frith in an empty warehouse in Cologne, Germany (their final vibes-guitar duet is one of the film's musical highlights); working with hearing-impaired students in her native Aberdeenshire; jamming with taiko drummers in Japan, and later delighting customers in a Tokyo bar with a spontaneous workout involving chopsticks, dishes, cans, and glassware (the woman can make music with virtua! lly anything). But Riedelsheimer, who was also the film's edit! or and c inematographer, has a broader agenda here--namely, to intensify our awareness of the sounds that surround us everywhere, in every moment. From the streets of New York to the beaches of Santa Cruz, from the rocky Scottish coastline to a tranquil Japanese rock garden, he links heightened audio, as clear and natural as the best ECM recordings, to a succession of gorgeous visual images to create a balance of complex detail and overall sparseness, resulting in a kind of Zen feast. Even more of the same is found in a "making of" featurette that's the highlight of the bonus material, making Touch the Sound easily one of the most rewarding documentaries in recent years. --Sam Graham

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The bestselling author of Los Alamos and Alibi returns to 1945. Hitler has been defeated, and Berlin is divided into zones of occupation. Jake Geismar, an American correspondent who spent time in the city before the war, has returned to write about the Allied triumph while pursuing a more personal quest: his search for Lena, the married woman he left behind. When an American soldier's body is found in the Russian zone during the Potsdam Conference, Jake stumbles on the lead to a murder mystery. The Good German is a story of espionage and love, an extraordinary re-creation of a city devastated by war, and a thriller that asks the most profound ethical questions in its exploration of the nature of justice, and what we mean by good and evil in times of peace and of war.

 Now a ! Major Motion Picture The bestselling author of Los Alamos and Alibi returns to 1945. Hitler has been defeated and Berlin is divided into zones of occupation. Jake Geismar, an American correspondent who spent time in the city before the war, has returned to write about the Allied triumph while pursuing a more personal quest: his search for Lena, the married woman he left behind. The Good German is a story of espionage, love, and murder, an extraordinary re-creation of a city devastated by war, and a thriller that asks the most profound ethical questions in its exploration of the nature of justice and what we mean by good and evil in times of peace and of war.

This compelling thriller is both a touching love story and a masterful portrayal of the struggle for geopolitical control of postwar Germany. Network correspondent Jake Geismar, who covered Berlin before the war, has returned to the devastated city, ostensibly to cover the Potsdam Co! nference but actually to find the woman he loves. Miraculous! ly, Lena Brandt, Jake's wartime mistress, has survived. However, her mathematician husband is missing, and both the American and Russian intelligence services are hunting him. When the bullet-ridden body of an American soldier washes up on the shores of Potsdam in front of Jake's eyes just as Truman, Churchill, and Stalin convene the first postwar conference, Jake is plunged into a maelstrom of intrigue, corruption, and betrayal.

A brilliantly evoked portrait of a unique moment in history (the end of one war and the beginning of another), The Good German amply fulfills the promise shown by Joseph Kanon in his two earlier novels, Los Alamos and The Prodigal Spy. --Jane Adams

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Watching the Detectives

• Actors: Cillian Murphy, Lucy Liu, Josh Pais, Mark Harelik, Heather Burns.
• Format: Widescreen, NTSC.
• Language: English.
• Region: Region 1 (U.S. and Canada only).
• Run Time: 94 minutes. Not Rated.

BREAKFAST ON PLUTO - DVD MovieBoth epic and intimate, Breakfast on Pluto uses the life of Patrick "Kitten" Braden (Cillian Murphy, Batman Begins), a queer orphan boy, to explore the hidden worlds that lie beneath so-called "normal" society--the subcultures of homosexuals, the Irish Republican Army, and prostitutes. At odds with his conservative Irish town, Patrick rebels with the fearlessness of someone whose life feels worthless. When he leaves for London, where he hopes to find his mother, he joins a touring rock band, is almost murdered, becomes assistant to a magician (Stephen Rea, The Crying Game), is arrested as an IRA terrorist, and joins a pee! p show--and those are only half of the markers on his odyssey (the movie struggles to encompass the novel by Patrick McCabe). Though the first half of the movie feel almost weightless in the headlong rush of events, a rich emotional heft sneaks up on you; by the end, Breakfast on Pluto has become almost unbearably sad and wonderfully buoyant. Murphy's superb performance is both delicate and willful, ably supported by an excellent cast, including Liam Neeson (Kinsey), Brendan Gleeson (Harry Potter and the Goblet of Fire), and Ian Hart (Backbeat), as well as rock stars Gavin Friday and Bryan Ferry (who has a particularly creepy cameo as a serial killer). --Bret FetzerWidescreen DVD

Breakfast on Pluto, Patrick McCabe's lyrical and haunting new novel, became a #1 bestseller in Ireland, stayed on the bestseller list for months, and was nominated for the Booker Prize, one of the world's most prestigious literary awards. With wonderful ! delicacy and subtle insight and intimation, McCabe creates Mr.! Patrick "Pussy" Braden, the enduringly and endearingly hopeful hero(ine) whose gutsy survival and yearning quest for love resonate in and drive the glimmering, agonizing narrative in which the troubles are a distant and immediate echo and refrain. Twenty years ago, her ladyship escaped her hometown of Tyreelin, Ireland, fleeing her foster mother Whiskers (prodigious Guinness-guzzler, human chimney) and her mad household, to begin a new life in London. There, in blousey tops and satin miniskirts, she plies her trade, often risking life and limb amongst the flotsam and jetsam that fill the bars of Piccadilly Circus. But suave businessmen and lonely old women are not the only dangers that threaten Pussy. It is the 1970's and fear haunts the streets of London and Belfast as the critical mass of history builds up, and Pussy is inevitably drawn into a maelstrom of violence and tragedy destined to blow his fragile soul asunder. Brilliant, startling, profound and soaring, Breakfast on P! luto combines light and dark, laughter and pain, with such sensitivity, directness and restraint that the dramatic impact reverberates in our minds and hearts long after the initial impression.

Patrick McCabe hit pay dirt with his third novel, The Butcher Boy, which was short-listed for the 1992 Booker Prize, filmed by Neil Jordan, and acclaimed as "a masterpiece of literary ventriloquism." In his fifth, Breakfast on Pluto, also on the Booker shortlist, McCabe produces another inimitable voice to amuse and infuriate, mimicking perfectly the overwrought, near-hysterical style of a character whose emotional processes were cruelly halted somewhere around the age of 14, and whose tale requires English literature's highest concentration of exclamation marks.

Patrick "Pussy" Brady is recording her memoirs for the mysterious Dr. Terence, and it's quite some story. After randy Father Bernard gets carried away with his temporary housekeeper, a ! dead ringer for Mitzi Gaynor, the result is Patrick Braden, a! bandoned on a doorstep in a Rinso box and condemned to a foster home with the alcoholic Hairy Braden. Escape comes in fantasies of Vic Damone and the occasional glitzy frock, and eventually, inevitably, the rebaptised "Pussy" heads for life as a transvestite rent boy on Piccadilly's Meat Rack. But this is not just Pussy's story; as hitherto-muffled paramilitary violence blows up in her face, Pussy falls apart, providing a vivid and unsettling final comment on the human price paid in 1970s Ireland. --Alan StewartNeil (Cillian Murphy) works in a vintage video store and wishes his life could be as exciting as the movies he watches night and day. Enter Violet (Lucy Liu), a real-life femme fatale who brings enough adventure into Neil's world to make him think he has suddenly stepped into one of his favorite movies. Being with Violet might just turn out to be a lot of fun - if he lives through it.

Cellular (New Line Platinum Series)

• SUSPENSE IS ON THE LINE! After getting a frantic call on his cell phone from a kidnapped woman, a young man must battle his way through a ruthless world of lies and murder to rescue her. A fast-paced thriller in the vein of Phone Booth and Speed that will keep you riveted with edge-of-your-seat car chase scenes.Running Time: 95 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating:&nbs

SUSPENSE IS ON THE LINE! After getting a frantic call on his cell phone from a kidnapped woman, a young man must battle his way through a ruthless world of lies and murder to rescue her. A fast-paced thriller in the vein of Phone Booth and Speed that will keep you riveted with edge-of-your-seat car chase scenes.

DVD Features:
Audio Commentary:with Director David Ellis, writers Larry Cohen and Chris Morgan
DVD ROM Features:Script-to-Screen
Deleted Scenes:w/optional Direct! or commentary
Featurette:3 Exciting Featurettes! "Celling Out"A look at cellphones in today's culture "Dialing Up Cellular"Making of The Film "Code of Silence: Inside the Rampart Scandal"
Theatrical Trailer

Just when you think it's getting silly, Cellular serves up another tantalizing twist. In the time-honored tradition of Sorry, Wrong Number and Wait Until Dark, Kim Basinger is well-cast as a resourceful damsel-in-distress who thwarts her kidnappers by connecting with a n'er-do-well cell-phone user (Chris Evans, later seen in The Fantastic Four) who races against time to rescue her from afar. One good cop (William H. Macy) assembles clues to uncover conspiracy, while first-time writer Chris Morgan and pulp-movie master Larry Cohen (who conceived the plot, similar to his own Phone Booth screenplay) serve up a consistently satisfying string of high-tension surprises. Jason Statham continues to prove his rising-s! tar status as the film's tenacious villain, and director David! Ellis ( Final Destination 2) takes advantage of his experience as a veteran stunt coordinator and second-unit director, making good use of locations in his native Santa Monica, and wringing credible suspense from a deliriously far-fetched premise. --Jeff Shannon

About a Boy [Blu-ray]

• UK Import
• Blu-ray
• Region-Free

ABOUT A BOY - DVD MovieA box-office smash in England, About a Boy went on to charm the world as another fine adaptation (following High Fidelity) of a popular Nick Hornby novel. While High Fidelity transplanted its London charm to Chicago, this irresistible comedy was directed by Americans Chris and Paul Weitz (American Pie) with its British pedigree intact. Better yet, Hugh Grant is perfectly cast as Will, a self-absorbed trust-fund slacker who tries to improve his romantic odds by preying on desperate single mothers. His cynical strategy backfires when he recruits the misfit son (Nicholas Hoult) of a suicidal mother (Toni Collette) to pose as his own son, thus proving his parental prowess to his latest single-mom target (Rachel Weisz). The kid has a warming effect on this ultimate cad, and what could have been a sappy! tearjerker turns into a subtle, frequently hilarious portrait of familial quirks and elevated self-esteem. From start to finish, it's a genuine treat. --Jeff ShannonWill lightman is a good-looking smooth-talking bachelor whose primary goal in life is avoiding any kind of responsibility. But when he invents an imaginary son in order to meet attractive single moms will gets a hilarious lesson about life from a bright but hopelessly geeky 12-year-old named marcus. Studio: Uni Dist Corp. (mca) Release Date: 08/01/2006 Starring: Hugh Grant Toni Collette Run time: 102 minutes Rating: Pg13 Director: Chris Weitz/paul WeitzA box-office smash in England, About a Boy went on to charm the world as another fine adaptation (following High Fidelity) of a popular Nick Hornby novel. While High Fidelity transplanted its London charm to Chicago, this irresistible comedy was directed by Americans Chris and Paul Weitz (American Pie) with its British ped! igree intact. Better yet, Hugh Grant is perfectly cast as Will! , a self -absorbed trust-fund slacker who tries to improve his romantic odds by preying on desperate single mothers. His cynical strategy backfires when he recruits the misfit son (Nicholas Hoult) of a suicidal mother (Toni Collette) to pose as his own son, thus proving his parental prowess to his latest single-mom target (Rachel Weisz). The kid has a warming effect on this ultimate cad, and what could have been a sappy tearjerker turns into a subtle, frequently hilarious portrait of familial quirks and elevated self-esteem. From start to finish, it's a genuine treat. --Jeff ShannonWill Freeman, a shallow thirty-something bachelor, lives a carefree life courtesy of his deceased father's fortune. Will is terrified of commitment and so decides that single mothers will make the easiest romantic targets... His world is turned around when he meets Marcus, a twelve year old boy. Marcus teaches Will that there is much more to life than loafing around in his London flat and worrying a! bout the latest trends and fashions... Based on the best selling novel by Nick Hornby.

Evergreen

• ISBN13: 9780440132783
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Evergreen combines carefully crafted instruction, high-interest readings and student models, and plentiful practice exercises, to provide the most effective paragraph-to-essay-level developmental writing text on the market. The ninth edition includes expanded and revised coverage of writing essays, including an additional essay chapter and numerous additional student models. Photos enhance high-interest readings and promote critical viewing as well as critical thinking and clear writing.

---

About This Edition

The ninth edition includes expanded and revised coverage of writ! ing essays, including an additional essay chapter and numerous additional student models. The new sections follow author Susan Fawcett's MAP (Model-Analysis-Practice) format, which provides an example of a concept followed by clear description and analysis, and then the opportunity for immediate hands-on practice. Photographs and a colorful design, as well as high-interest readings by diverse authors, engage and motivate students and have special appeal to the visual learner. This edition is available with an interactive ebook that includes audio and video segments and online exercises. An annotated instructor's edition provides answers for every exercise as well as teaching tips and ESL tips. An impressive suite of print and online supplements includes an instructor's manual, a comprehensive test-bank with diagnostic and mastery tests, a special teaching manual for using Evergreen with ESL students, and creative classroom exercises. Resources for students include ad! ditional practice exercises, student models, and information o! n avoidi ng plagiarism.

New Features

• Expanded coverage of essay writing includes a new chapter on types of essays, additional student models for each writing pattern, and graphic organizer diagrams that lead students through the process of writing an essay.


• Additional content for the visual learner includes 20 new photographs to challenge and engage students, a color-coded essay template, and a colorful design that draws attention to main points and key features.


• New student models throughout the text and in the writer's workshops at the end of each unit provide realistic models for students' own writing.


• New "learning styles" annotations in the annotated instructor's edition point out how information about a student's learning style can be used to facilitate learning.


• Seven new reading selections in Unit 8 feature diverse topics and authors, with high-interest selections su! ch as Jessica Bennett's "The Flip Side of Internet Fame," Wang Ping's "Book War," and Andrew Sullivan's "Why the M Word Matters to Me."

Additional Features

• Susan Fawcett's tested MAP format (Model-Analysis-Practice) first provides an example of the concept presented, then discusses the concept, and immediately provides an opportunity for hands-on practice.


• Numerous student models provide students with real, attainable examples of paragraphs and essays in the writing patterns.


• Full-color photographs and diagrams reinforce learning and help students learn to study and analyze visual images.


• Superior ESL coverage includes integrated practice opportunities for grammar and spelling, an ESL appendix that focuses on particular ESL stumbling blocks, ESL tip annotations in the annotated instructor's edition that suggest how and when to provide ESL instruction, and a separate guide! to teaching evergreen with ESL students that provides specifi! c assist ance in teaching English language learners.

A dying grandfather tells the story of the first Christmas tree to a family wrenched by strife.A dying grandfather tells the story of the first Christmas tree to a family wrenched by strife.The towering modern classic of passion and  ambition that forever changed the way we see the  courageous immigrants who came to America's shores -- the  story of Anna Friedman transfixes us with the  turbulent emotions of a woman and her family touched  by war, tragedy, and the devastating secrets of one  forbidden love... bittersweet and evergreen.


From the Paperback edition.The towering modern classic of passion and  ambition that forever changed the way we see the  courageous immigrants who came to America's shores -- the  story of Anna Friedman transfixes us with the  turbulent emotions of a woman and her family touched  by war, tragedy! , and the devastating secrets of one  forbidden love... bittersweet and evergreen.


From the Paperback edition.The towering modern classic of passion and  ambition that forever changed the way we see the  courageous immigrants who came to America's shores -- the  story of Anna Friedman transfixes us with the  turbulent emotions of a woman and her family touched  by war, tragedy, and the devastating secrets of one  forbidden love... bittersweet and evergreen.

Gandhi (BD Live) [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen

Mohandas K. Gandhi is one of the most inspiring figures of our time. In his classic autobiography he recounts the story of his life and how he developed his concept of active nonviolent resistance, which propelled the Indian struggle for independence and countless other nonviolent struggles of the twentieth century.

In a new foreword, noted peace expert and teacher Sissela Bok urges us to adopt Gandhi's "attitude of experimenting, of tesing what will and will not bear close scrutiny, what can and cannot be adapted to new circumstances,"in order to bring about change in our own lives and communities.

All royalties earned on this book are paid to the Navajivan Trust, founded by Gandhi, for use in carrying on his work.Gandhi's nonviolent struggles in South Africa and India had already! brought him to such a level of notoriety, adulation, and controversy that when asked to write an autobiography midway through his career, he took it as an opportunity to explain himself. Although accepting of his status as a great innovator in the struggle against racism, violence, and, just then, colonialism, Gandhi feared that enthusiasm for his ideas tended to exceed a deeper understanding. He says that he was after truth rooted in devotion to God and attributed the turning points, successes, and challenges in his life to the will of God. His attempts to get closer to this divine power led him to seek purity through simple living, dietary practices (he called himself a fruitarian), celibacy, and ahimsa, a life without violence. It is in this sense that he calls his book The Story of My Experiments with Truth, offering it also as a reference for those who would follow in his footsteps. A reader expecting a complete accounting of his actions, h! owever, will be sorely disappointed.

Although Gandhi pres! ents his episodes chronologically, he happily leaves wide gaps, such as the entire satyagraha struggle in South Africa, for which he refers the reader to another of his books. And writing for his contemporaries, he takes it for granted that the reader is familiar with the major events of his life and of the political milieu of early 20th-century India. For the objective story, try Yogesh Chadha's Gandhi: A Life. For the inner world of a man held as a criminal by the British, a hero by Muslims, and a holy man by Hindus, look no further than these experiments. --Brian Bruya A critical masterpiece, GANDHI is an intriguing story about activism, politics, religious tolerance and freedom. But at the center of it all is an extraor- dinary man who fought for a nonviolent, peaceful existence, and set an entire nation free. Winner of 8 Academy Awards® including Best Picture, Best Director (Lord Richard Attenborough) and Best Actor (Sir Ben Kingsley), GAND! HI’s highly acclaimed cast also includes Candice Bergen, Edward Fox, Sir John Gielgud, Roshan Seth and Martin Sheen.

The extras include more than 90 minutes of new material, including interviews with director Lord Richard Attenborough; actors Geraldine James, Saeed Jaffrey, and Edward Fox; Diana Hawkins (Director of Publicity), Terry Clegg (Executive in charge of production), Billy Williams (Cinematographer) and Stuart Craig (Production Designer). The DVD includes a Director’s commentary with Attenborough, who also filmed a personal introduction to the film. The featurettes include In Search of Gandhi, Reflections on Ben, Madeleine Slade: An Englishwoman Abroad, The Funeral, Shooting an Epic In India, Looking Back, Designing Gandhi (3 mini featurettes) and From the Director’s Chair (2 mini featurettes). Sir Richard Attenborough's 1982 multiple-Oscar winner (including Best Picture, Best Director, and Best Actor for Ben Kingsley) is an engrossing, reverential look a! t the life of Mohandas K. Gandhi, who introduced the doctrine ! of nonvi olent resistance to the colonized people of India and who ultimately gained the nation its independence. Kingsley is magnificent as Gandhi as he changes over the course of the three-hour film from an insignificant lawyer to an international leader and symbol. Strong on history (the historic division between India and Pakistan, still a huge problem today, can be seen in its formative stages here) as well as character and ideas, this is a fine film. --Tom Keogh

Stills from Gandhi (click for larger image)

Beyond Gandhi on Amazon.com

Other Oscar Winners a! t Oscar Central

More Biographies on DVD

The Films of Ben Kingsley

Mohandas K. Gandhi, called Mahatma (“great soul”), was the father of modern India, but his influence has spread well beyond the subcontinent and is as important today as it was in the first part of the twentieth century and during this nation’s own civil rights movement. Taken from Gandhi’s writings throughout his life, The Essential Gandhi introduces us to his thoughts on politics, spirituality, poverty, suffering, love, non-violence, civil disobedience, and his own life. The pieces collected here, with explanatory head notes by Gandhi biographer Louis Fischer, offer the clearest, most thorou! gh portrait of one of the greatest spiritual leaders the world has known.
“Gandhi was inevitable. If humanity is to progress, Gandhi is inescapable. . . . We may ignore him at our own risk.” â€"Dr. Martin Luther King, Jr.

With a new Preface drawn from the writings of Eknath Easwaran

In the annals of spirituality certain books stand out both for their historical importance and for their continued relevance. The Vintage Spiritual Classics series offers the greatest of these works in authoritative new editions, with specially commissioned essays by noted contemporary commentators. Filled with eloquence and fresh insight, encouragement and solace, Vintage Spiritual Classics are incomparable resources for all readers who seek a more substantive understanding of mankind's relation to the divine.His triumph changed the world forever. Sir Richard Attenborough's sweeping biography of Mohandas Gandhi, who rose from simple lawyer to worldwide symbol of peace and u! nderstanding. Gandhi earned eight Academy Awards(r) i! ncluding Best Picture, Best Director and Best Actor.Sir Richard Attenborough's 1982 multiple-Oscar winner (including Best Picture, Best Director, and Best Actor for Ben Kingsley) is an engrossing, reverential look at the life of Mohandas K. Gandhi, who introduced the doctrine of nonviolent resistance to the colonized people of India and who ultimately gained the nation its independence. Kingsley is magnificent as Gandhi as he changes over the course of the three-hour film from an insignificant lawyer to an international leader and symbol. Strong on history (the historic division between India and Pakistan, still a huge problem today, can be seen in its formative stages here) as well as character and ideas, this is a fine film. --Tom Keogh

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• 30 oz. Magnet Structure
• Freq. Response 100Hz-18Hz

Special Forces soldiers are daring, seasoned troops from America's heartland, selected in a tough competition and trained in an extraordinary range of skills. They know foreign languages and cultures and unconventional warfare better than any U.S. fighters, and while they prefer to stay out of the limelight, veteran war correspondent Linda Robinson gained access to their closed world. She traveled with them on the frontlines, interviewed them at length on their home bases, and studied their doctrine, methods and history. In Masters of Chaos she tells their story through a select group of senior sergeants and field-grade officers, a band of unforgettable characters like Rawhide, Killer, Michael T, and Alan -- led by the unflappable Lt. C! ol. Chris Conner and Col. Charlie Cleveland, a brilliant but self-effacing West Pointer who led the largest unconventional war campaign since Vietnam in northern Iraq.

Robinson follows the Special Forces from their first post-Vietnam combat in Panama, El Salvador, Desert Storm, Somalia, and the Balkans to their recent trials and triumphs in Afghanistan and Iraq. She witnessed their secret sleuthing and unsung successes in southern Iraq, and recounts here for the first time the dramatic firefights of the western desert. Her blow-by-blow story of the attack on Ansar al-Islam's international terrorist training camp has never been told before.

The most comprehensive account ever of the modern-day Special Forces in action, Masters of Chaos is filled with riveting, intimate detail in the words of a close-knit band of soldiers who have done it all.

The wars in Afghanistan and Iraq have given the U.S. Army's Special Forces, also known as the Green Be! rets, a central role in American military action like never be! fore. Se veral hundred U.S. Special Forces operators helped a motley band of Afghan rebels orchestrate a stunning rout when they overthrew the Taliban after 9/11. In Iraq, as journalist Linda Robinson explains in Masters of Chaos: The Secret History of the Special Forces, Special Forces units were the main U.S. elements on the ground in the northern and western regions of the country, where they defeated government forces that outnumbered them many times over. Robinson tells the story of the Special Forces through the eyes of a few of its more colorful personalities, men with call signs like Rawhide and Killer. She follows them around the world from Panama and El Salvador to Somalia, Kosovo, and, finally, Afghanistan and Iraq. Surprisingly, however, she devotes only a few pages to the Green Beret-led victory in Afghanistan, even though it was arguably their greatest achievement since they were created after World War II.

Critics and supporters of the recent American inte! rventions alike should find the technical proficiency of the Special Forces interesting and impressive. Each 12-soldier team may marshal more than a century of combined experience in weapons, foreign languages, intelligence, communications, air control, and trauma medicine. For a book about such an action-packed subject, though, Robinson's effort is somewhat dry, and she devotes more time to mundane background biographies than to the dramatic battle scenes in which the Special Forces invariably find themselves. In addition, Robinson's "secret history" is an authorized and sympathetic one, and readers may be left wondering what she may have left out of her accounts in order to maintain her access. --Alex RoslinBoss Audio CH6530 Chaos Series 6.5" 3-way Speaker

Frontrunners

• FRONTRUNNERS is a smart and funny political documentary that follows the student council presidential campaign at one of the country s most prestigious public high schools: Stuyvesant High School in New York City. Follow 4 charming and idiosyncratic candidates as they navigate an electoral process that is said to be one of the most competitive at the high school level. These teenaged candidates fa

FRONTRUNNERS - DVD MovieCaroline Suh’s directorial debut, Frontrunners, is a charming, candid, and almost scary glimpse into the advanced levels of student sophistication in America’s top high schools. In this case, Suh, who has copious experience as a documentary producer, put her documentary research skills to use at Stuyvesant High School in Manhattan, an elite school in which students who aren’t admitted to Top Ten colleges are considered total rejects by their peers. Frontrunner! s charts the arc of the student government elections, starring four kids who want the presidency. Mike Zaytsev, Hannah Freiman, Alex Leonard, and George Zisiadis each select running mates and crave victory with varying degrees of conviction. The documentary is comprised of interview footage with the candidates at school, at home, and sometimes features the parents of the chosen few, expressing concerns about the pressures that are placed upon their children to succeed. The levels of competition are astounding; one scene capturing their "televised" debates shows how this school simulates real-life for hardcore training. Though the interviews are often hilarious, what really carries the film is ample footage of the candidates planning and enacting strategies. George, who seems to have been born to become president, cooks up political platforms as naturally as a thuggish student may shoot spitwads onto the classroom’s ceiling. Hannah, whose office bulletin board commemor! ates her trips to film festivals and theater events, is extrem! ely well -poised in front of a camera, resulting from what some may attribute to having been privy from her early years to a cultured lifestyle. So, as the presidential race unfurls, one sees not only a cutthroat teenage contest but also the ways in which students are shaped by their home lives. Frontrunners should provide proof to parents and public schools alike that youth will indeed succeed if one sets expectations and opportunity high. Bravo to Oscilloscope Laboratories (owned by Beastie Boy Adam Yauch) for releasing this humorously inspiring film. --Trinie Dalton

Disney Princess Beauty Tote (Hang Tag)

• Disney Princess art featuring Cinderella, Sleeping Beauty and Belle
• Battery-operated play hair dryer really blows cool air
• Set includes play brush, play curling iron, play hair dryer, play straightener, play hair spray bottle and 2 curlers

Queen Latifah heads an "excellent ensemble" cast in this "warm, funny, empowering" (New York Post) comedy from the producers of Barbershop and the producer of Bringing Down the House! Co-starring Alicia Silverstone, Andie MacDowell, Alfre Woodard, Mena Suvari and Djimon Hounsou - and featuring Kevin Bacon in a hilarious performance - Beauty Shop "will slap a smile on your face and keep it there" (Premiere)! When Jorge (Bacon), the egotistical boss at a posh salon, pushes his star stylist, Gina(Latifah), a hair too far, Gina leaves and opens a beauty shop of her own. Inheriting an opinionated group of stylists, a colorful clientele and a sex! y upstairs neighbor, Gina proves that you can't keep a good woman down - and you can't keep a shopful of outrageous women from speaking their minds!With Queen Latifah holding court over a cast of sassy females, Beauty Shop continues the Barbershop franchise in entertaining style. Reprising her role from Barbershop 2: Back in Business, Latifah plays Gina the big-booty stylist, now on her own (she's a widow) and moving from Chicago to Atlanta, where she gets sick of her flamboyantly bitchy boss (played by... Kevin Bacon?), inherits her two best clients (Andie MacDowell and Mena Suvari) and her popular formula for "hair crack" conditioner, and opens her own styling shop with a $30,000 loan and a rainbow coalition of hairdressers played by Golden Brooks, Sherri Shepherd, Alfre Woodard and Alicia Silverstone. While it lacks the frank, sharply observant racial humor of Barbershop, this easygoing comedy moves along at an agreeable pace, with a supportin! g cast of beauty-shop customers (and a love interest, played b! y Djimon Hounsou) who play off Queen Latifah's effortless appeal with energy to spare. Sure it's conventional, and most of the characters are thinly developed, but Beauty Shop is a fun place to visit for 105 hassle-free minutes. --Jeff ShannonMagic mirror on the wall, who is the fairest one of all? Our Disney Princess Beauty Play Set lets her answer the question after a royal make-over. Hours of fanciful fun with 7 princess toy hair accessories.

Cronicas

• "One Hour with the Truth" is broadcast nightly from Miami across Latin America, carrying the hardest sensationalistic stories it can find. Star anchorman Manolo Bonilla (John Leguizamo) has flown down to a small town in Ecuador with producer Marisa (Leonor Watling) and cameraman Ivan (Jos Mari Yazpik) on the trail of a child serial killer and rapist, "The Monster of Babahoyo." The accidental de

John Leguizamo stars as Manolo Bonilla, a tabloid TV reporter who traveled from Miami with his news crew on the trail of a story about a serial killer striking a small town in Ecuador. Convinced this story could be the ‘big one’ that makes him a network star, he is willing to bend the rules to get the facts. But the closer he gets to uncovering the truth, the more he finds his carefully planned story spinning dangerously out of control. Soon, Bonilla and his crew find themselves at the center of! a frightening situation where even the best intentions can backfire.In twisty thriller Crónicas, John Leguizamo (Moulin Rouge) finally lands a lead role worthy of his talent. The Columbian-born actor is Manolo Bonilla, an ambitious Miami-based reporter for a Spanish-language news outlet. When a serial killer devastates a small town in Ecuador, he and his crew, Marisa (Leonor Watling, Talk to Her) and Iván (José María Yazpik, Innocent Voices), fly down to cover the story. Shortly after their arrival, Bonilla saves the life of shifty-looking salesman Vinicio Cepeda (Damián Alcázar). His intentions aren't as honorable as they seem. Cepeda claims to have information regarding the "Monster of Babahoyo" and Bonilla will do anything to keep him talking. Soon his star begins to rise as Cepeda provides him with more and more ratings-grabbing details. Then Bonilla discovers something even the authorities don't know about--another body. His decision ! to follow the lead on his own could make his career...or compl! etely de stroy it. Worse yet, another child may lose his life if Bonilla fails. Featuring Alfred Molina (Frida) as Marisa's TV host husband (seen only via monitor). Written and directed by Sebastián Cordero and produced by Guillermo del Toro and Alfonso Cuarón, Crónicas was nominated for the Grand Jury Prize at the 2005 Sundance Film Festival. --Kathleen C. Fennessy

Red Devil 3040 Scraper, Double Edge

• Red Devil
• 3040
• Utility Knives

An American couple on their honeymoon walks into a bar in Guadalajara, Mexico. Unbeknownst to them they capture the attention of Belu, a creature that sits without form in the shadows of the bar. Belu, sensing they have what he needs to help him take over the world, slips into their minds and transforms himself into the object of both of their desires. The couple, unable to resist, takes Belu back to their room for a rapturous Devil's Threesome where Belu extract from them something more valuable to him then their soul.

4,500 Words


*Please note that this story contains very explicit descriptions of erotic and sexual situations written for extreme genital arousal which will lead to self-pleasure. Mature readers only.


Excerpt:
Belu stared deep into her eyes inserting his tongue into her mouth. With! their two muscles again in a dance, Lilly grabbed at Belu's form fitting black shirt and tore it down the center. Pulling the shirt onto his shoulders she tore one arm through then the other. And with Belu's perfectly sculpted torso free, she lunged for his pants.

Loosening the button, Belu's pants popped open and out slither the tip of his hefty thick c***. Lilly, wanting desperately to have it inside her, threw her hips up enticing it to her cl*t. Unable to get past his stretched denim, her hips collided with his tented jeans causing her bones to rattle with frustration. Belu like this.
An American couple on their honeymoon walks into a bar in Guadalajara, Mexico. Unbeknownst to them they capture the attention of Belu, a creature that sits without form in the shadows of the bar. Belu, sensing they have what he needs to help him take over the world, slips into their minds and transforms himself into the object of both of their desires. The couple, unable t! o resist, takes Belu back to their room for a rapturous Devil'! s Threes ome where Belu extract from them something more valuable to him then their soul.

4,500 Words


*Please note that this story contains very explicit descriptions of erotic and sexual situations written for extreme genital arousal which will lead to self-pleasure. Mature readers only.


Excerpt:
Belu stared deep into her eyes inserting his tongue into her mouth. With their two muscles again in a dance, Lilly grabbed at Belu's form fitting black shirt and tore it down the center. Pulling the shirt onto his shoulders she tore one arm through then the other. And with Belu's perfectly sculpted torso free, she lunged for his pants.

Loosening the button, Belu's pants popped open and out slither the tip of his hefty thick c***. Lilly, wanting desperately to have it inside her, threw her hips up enticing it to her cl*t. Unable to get past his stretched denim, her hips collided with his tented jeans causing her bones to rattle with frustration. Belu ! like this.
In 1987, Latif Yahia was taken to Saddam's headquarters to meet Uday, Saddam's eldest son, and told that a great honour has been bestowed upon him: that because of the great likeness between them, he had been chosen to be Uday's double. For many Iraquis, it would have been the highlight of their lives, but for Latif, a peace-loving man who did not agree with Saddam's brutal regime, it was not. He refused. Following a week of torture and realising he would be killed if he continued to refuse, Latif was forced to accept the role. After a gruesome training programme during which he was made to watch over thirty films of torture, hours of tapes of Uday, and undertake a final remodelling of his appearance, Latif was deemed ready. But it was only after the final test, a meeting with Saddam himself, that Latif made his first public appearance. And so began his life as Uday's double - a life on the perimeter of the inner circle of Saddam's eldest son, a witness to the! horror of his insane life of debauchery, excess and brutality! , and an experience for which he almost paid with his life on more than one occasion.Based on a gripping, unbelievable true story of money, power and opulent decadence, Lionsgate’s THE DEVIL’S DOUBLE takes a white- knuckle ride deep into the lawless playground of excess and violence known as Baghdad, 1987. Summoned from the frontline to Saddam Hussein's palace, Iraqi army lieutenant Latif Yahia (Dominic Cooper) is thrust into the highest echelons of the "royal family" when he’s ordered to become the ‘fiday’ â€" or body double â€" to Saddam's son, the notorious "Black Prince" Uday Hussein (also Dominic Cooper), a reckless, sadistic party-boy with a rabid hunger for sex and brutality. With his and his family’s lives at stake, Latif must surrender his former self forever as he learns to walk, talk and act like Uday. But nothing could have prepared him for the horror of the Black Prince’s psychotic, drug-addled life of fast cars, easy women and impulsive violence. With one! wrong move costing him his life, Latif forges an intimate bond with Sarrab (Ludivine Sagnier), Uday's seductive mistress who’s haunted by her own secrets. But as war looms with Kuwait and Uday’s depraved gangster regime threatens to destroy them all, Latif realizes that escape from the devil’s den will only come at the highest possible cost.After scene-stealing turns in The History Boys and An Education, charismatic Brit Dominic Cooper becomes a leading man--twice. Like Nicolas Cage in Adaptation, he plays two men with similar features and opposing personalities. In 1987, as Iraq is locked in a power struggle with Kuwait, Uday Hussein decides he needs a fiday, or body double, so he selects former classmate Latif Yahia, and doesn't give the army lieutenant a choice. Upright Latif must put his scruples aside to take on the part of an insecure, misogynistic sadist. Though dazzled by the Black Prince's wealth, he finds his behavior horrifying,! and discovers he isn't alone. Uday's security officer, Munem ! (Raad Ra wi), his mistress, Sarrab (Swimming Pool's Ludivine Sagnier), and even his father, Saddam (Philip Quast, surprisingly sympathetic), all think he's off his rocker. When Uday's encounters with a couple of women come to a grim end, Latif runs away with Sarrab, who's just as anxious to make a new life for herself. New Zealand director Lee Tamahori, who came to fame with Once Were Warriors, consistently goes for the big, the bold, and the operatic, leading to an entertaining, if lurid Scarface-like spectacle. The more his camera ogles Uday's snazzy suits and sexy conquests, the more he seems equally bedazzled by this real-life Devil. Fortunately, Cooper rises to the occasion with two impressively divergent performances; he keeps you rapt no matter how ridiculous the proceedings get. --Kathleen C. FennessyBased on a gripping, unbelievable true story of money, power and opulent decadence, Lionsgate’s THE DEVIL’S DOUBLE takes a white- knuckle ride dee! p into the lawless playground of excess and violence known as Baghdad, 1987. Summoned from the frontline to Saddam Hussein's palace, Iraqi army lieutenant Latif Yahia (Dominic Cooper) is thrust into the highest echelons of the "royal family" when he’s ordered to become the ‘fiday’ â€" or body double â€" to Saddam's son, the notorious "Black Prince" Uday Hussein (also Dominic Cooper), a reckless, sadistic party-boy with a rabid hunger for sex and brutality. With his and his family’s lives at stake, Latif must surrender his former self forever as he learns to walk, talk and act like Uday. But nothing could have prepared him for the horror of the Black Prince’s psychotic, drug-addled life of fast cars, easy women and impulsive violence. With one wrong move costing him his life, Latif forges an intimate bond with Sarrab (Ludivine Sagnier), Uday's seductive mistress who’s haunted by her own secrets. But as war looms with Kuwait and Uday’s depraved gangster regime t! hreatens to destroy them all, Latif realizes that escape from ! the devi l’s den will only come at the highest possible cost.After scene-stealing turns in The History Boys and An Education, charismatic Brit Dominic Cooper becomes a leading man--twice. Like Nicolas Cage in Adaptation, he plays two men with similar features and opposing personalities. In 1987, as Iraq is locked in a power struggle with Kuwait, Uday Hussein decides he needs a fiday, or body double, so he selects former classmate Latif Yahia, and doesn't give the army lieutenant a choice. Upright Latif must put his scruples aside to take on the part of an insecure, misogynistic sadist. Though dazzled by the Black Prince's wealth, he finds his behavior horrifying, and discovers he isn't alone. Uday's security officer, Munem (Raad Rawi), his mistress, Sarrab (Swimming Pool's Ludivine Sagnier), and even his father, Saddam (Philip Quast, surprisingly sympathetic), all think he's off his rocker. When Uday's encounters with a couple of women come to a g! rim end, Latif runs away with Sarrab, who's just as anxious to make a new life for herself. New Zealand director Lee Tamahori, who came to fame with Once Were Warriors, consistently goes for the big, the bold, and the operatic, leading to an entertaining, if lurid Scarface-like spectacle. The more his camera ogles Uday's snazzy suits and sexy conquests, the more he seems equally bedazzled by this real-life Devil. Fortunately, Cooper rises to the occasion with two impressively divergent performances; he keeps you rapt no matter how ridiculous the proceedings get. --Kathleen C. FennessyRed Devil 3040 Scraper, Double EdgeUse to remove paint or varnish from furniture, molding, cornices, wooden sashes, etc. Heavy-duty plastic handle.Red Devil 3040 Scraper, Double Edge Features:; 1 1/2" (3.8 cm) Blade; Carded; Made from hardwood for long lasting life; Hardened high-carbon steel blades; Replacement blade 3062 (3673-5355); 7" x 1-1/2"

Holla Horizontal Print Silicone Cap

• Super stretchy latex free silicone provides optimum fit
• Quick easy on-and-off won't snag hair
• Lightweight comfortable performance for competition or fashion
• Contoured shape reduces drag
• Bright geometric print that matches back to one of our women's performance swimsuits

HOLLA - DVD MovieHOLLA THE FAMILY HOUR - DVD MovieWith nearly 50 reproducibles, loads of illustrations, and all kinds of practical, down-to-earth suggestions, this book is the perfect resource for starting to bring differentiation into your whole-group classroom.This deeply personal motivational book features the anecdotes and reflections of 30 men and women from all walks of life who aim to inspire our next generation of leaders.

Among those included in this dynamic collection are Grammy Award winners India Arie, Kirk Franklin, John Legend, Jill Scott, and Salt of Salt-n-Pepa. In ad! dition Hall of Fame track coach Bev Kearney, boxing champion Bernard Hopkins, and Academy Award winner Mo'Nique offer their wisdom. In these pages they touch on topics such as education, family, sex, parents, overcoming physical disability, violence, mental health and self esteem. The life lessons and experiences within these pages are golden for young men and women trying to find their way in the world.This deeply personal motivational book features the anecdotes and reflections of 30 men and women from all walks of life who aim to inspire our next generation of leaders.

Among those included in this dynamic collection are Grammy Award winners India Arie, Kirk Franklin, John Legend, Jill Scott, and Salt of Salt-n-Pepa. In addition Hall of Fame track coach Bev Kearney, boxing champion Bernard Hopkins, and Academy Award winner Mo'Nique offer their wisdom. In these pages they touch on topics such as education, family, sex, parents, overcoming physical disability, viole! nce, mental health and self esteem. The life lessons and exper! iences w ithin these pages are golden for young men and women trying to find their way in the world.The Holla Horizontal Silicone Swim Cap is a great way to show your individuality in the water! In a fun multicolor geometric print, this silicone cap is lightweight, durable, and pulls on and off easily so it won't pull or snag your hair. Look and feel your best as you play, train, or win in Speedo, the choice of champions and the world's #1 swim brand!

Cthulhu Dice

• 2 or more player game
• 5-10 minutes to play
• Cthulhu madness
• Quick to learn and play
• Action packed dice game

Serving Cthulhu is fun . . . except for all those other cultists out to get you. So get them first! Cthulhu Dice lets you drive your rivals mad . . . very, very quickly. Players take turns rolling the big, beautiful, custom 12-sided die, embossed with tentacles, Elder Signs, and more. Destroy your opponents' sanity! Better yet, steal it. But watch out for Cthulhu - when he comes up, he takes sanity from everyone! 18 glass Sanity marbles are included. Lose all your marbles and you're mad. The last sane cultist wins . . . unless everyone goes mad together. Then Cthulhu wins!

Charlie St. Cloud: A Novel

• ISBN13: 9780553386936
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

THE HEBREW HAMMER stars Adam Goldberg in the title role of this holiday farce as a handsome Orthodox stud and man of action who is called upon to save Hanukkah. When Santa Claus’ evil son Damian (Dick) is pushed over the edge by his father’s liberal policies, he murders the Christian patriarch and, stepping into the vacated role, launches a nefarious worldwide campaign to eradicate the Jewish Holiday. The Hammer joins forces with Esther (Greer), the gorgeous daughter of the chief of the Jewish Justice League to topple Damian and save Hanukkah for future generations.A cross between a Kosher Shaft and Airplane!'s shameless gag machine, The Hebrew Hammer is an unabashed burlesqu! e about a streetwise Jewish private detective (a "circumcised dick" in his own parlance) named Mordechai Jefferson Carver (Adam Goldberg). Once ostracized by Gentile children, Mordechai has become a much-feared defender of Jews, so extreme that even the militant Jewish Justice League tosses him out. Until, that is, JJL leader Chief Bloomenbergansteinhal (Peter Coyote) and his lovely daughter Esther (Judy Greer) recruit him to take on the wicked Damien (Andy Dick), a snippy anti-Semite who murders Santa Claus in order to turn Christmas into a Jew-hating holiday. Written and directed by Jonathan Kesselman, this sporadically funny feature is based on a funkier short (included on this DVD) of the same name. The cast is better than the generally obvious material, and Nora Dunn (as Mordechai's mother) and Mario Van Peebles are very good in supporting roles. --Tom Keogh"Hammer breathes a womanÂ’s breath into ancient narratives Â… her collection of new midrashim draws ! on her knowledge of the Bible, the rich tradition of classical! midrash , and on her own imagination." Ââ€" Lilith

This exceptional anthology of 24 stories about the women in the Bible is now available in paperback. Drawing from the ancient tradition of midrash, the author brings to life the inner world and the experiences of these women, weaving rabbinic legends and her own imagination into the biblical texts.

Readers will discover Lilith -- not as the night demon alluded to in Isaiah, but as another aspect of Eve herself. Sarah is a moon priestess and as great a prophet as Abraham. Miriam is not merely a figure of song and dance, but also one of revelation, a source of Torah.

These new stories were written to give biblical women the honor they deserve Ââ€" due them as prophets, rulers, and teachers. The Introduction to Sisters at Sinai offers the rationale and the need for midrash Ââ€" the writing in the margins Ââ€" expressing how it can be liberating as well as deeply comforting. Perfect for womenÂ’s studies courses, adult st! udy groups, confirmation classes and book groups.A cross between a Kosher Shaft and Airplane!'s shameless gag machine, The Hebrew Hammer is an unabashed burlesque about a streetwise Jewish private detective (a "circumcised dick" in his own parlance) named Mordechai Jefferson Carver (Adam Goldberg). Once ostracized by Gentile children, Mordechai has become a much-feared defender of Jews, so extreme that even the militant Jewish Justice League tosses him out. Until, that is, JJL leader Chief Bloomenbergansteinhal (Peter Coyote) and his lovely daughter Esther (Judy Greer) recruit him to take on the wicked Damien (Andy Dick), a snippy anti-Semite who murders Santa Claus in order to turn Christmas into a Jew-hating holiday. Written and directed by Jonathan Kesselman, this sporadically funny feature is based on a funkier short (included on this DVD) of the same name. The cast is better than the generally obvious material, and Nora Dunn (as Mordechai's mother)! and Mario Van Peebles are very good in supporting roles. -! -Tom Keo ghHephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Comedy Central films.Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as! this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Hanukkah.

More info: Hanukkah (, Tiberian: Ḥănukkāh, nowadays usually spelled חנוכ×" in Modern Hebrew, also romanized as Chanukah), also known as the Festival of Lights, is an eight-day Jewish holiday commemorating the rededication of the Holy Temple (the Second Temple) in Jerusalem at the time of the Maccabean Revolt of the 2nd century BCE, Hanukkah is observed for eight nights, starting on the 25th day of Kislev according to the Hebrew calendar, which may occur at any time from late November to late December in the Gregorian calendar."Hammer breathes a womanÂ’s breath into ancient narratives Â… her collection of new midrashim draws on her knowledge of the Bible, the rich tradition of classical midrash, and on her own imagination." Ââ€" Lilith

This exceptional anthology of 24 stories about the women in the Bible is now! available in paperback. Drawing from the ancient tradition of! midrash , the author brings to life the inner world and the experiences of these women, weaving rabbinic legends and her own imagination into the biblical texts.

Readers will discover Lilith -- not as the night demon alluded to in Isaiah, but as another aspect of Eve herself. Sarah is a moon priestess and as great a prophet as Abraham. Miriam is not merely a figure of song and dance, but also one of revelation, a source of Torah.

These new stories were written to give biblical women the honor they deserve Ââ€" due them as prophets, rulers, and teachers. The Introduction to Sisters at Sinai offers the rationale and the need for midrash Ââ€" the writing in the margins Ââ€" expressing how it can be liberating as well as deeply comforting. Perfect for womenÂ’s studies courses, adult study groups, confirmation classes and book groups."Hammer breathes a womanÂ’s breath into ancient narratives Â… her collection of new midrashim draws on her knowledge of the Bible, the ric! h tradition of classical midrash, and on her own imagination." Ââ€" Lilith

This exceptional anthology of 24 stories about the women in the Bible is now available in paperback. Drawing from the ancient tradition of midrash, the author brings to life the inner world and the experiences of these women, weaving rabbinic legends and her own imagination into the biblical texts.

Readers will discover Lilith -- not as the night demon alluded to in Isaiah, but as another aspect of Eve herself. Sarah is a moon priestess and as great a prophet as Abraham. Miriam is not merely a figure of song and dance, but also one of revelation, a source of Torah.

These new stories were written to give biblical women the honor they deserve Ââ€" due them as prophets, rulers, and teachers. The Introduction to Sisters at Sinai offers the rationale and the need for midrash Ââ€" the writing in the margins Ââ€" expressing how it can be liberating as well as deeply comforting. Perfect for wome! nÂ’s studies courses, adult study groups, confirmation clas! ses and book groups.In a snug New England fishing village, Charlie St. Cloud tends the lawns and monuments of an ancient cemetery where his younger brother, Sam, is buried. After surviving the car accident that claimed his brother's life, Charlie is graced with an extraordinary gift: He can see, talk to, and even play catch with Sam's spirit. Into this magical world comes Tess Carroll, a captivating woman training for a solo sailing trip around the globe. Fate steers her boat into a treacherous storm that propels her into Charlie's life. Their beautiful and uncommon connection leads to a race against time and a choice between death and life, between the past and the future, between holding on and letting go â€" and the discovery that miracles can happen if we simply open our hearts.Questions for Ben Sherwood About Charlie St. Cloud

Q: Did you always imagine your book becoming a movie?
A: In a word...no. I quit a great job at NBC News in New York to write this book. It was a risky career move. I wish I could say the road was easy, but it wasn’t. There were major creative challenges and serious professional setbacks. Indeed, the route from blank page to the finished book might well be described as a near-death publishing experience. Perhaps that’s why I never really imagined this book becoming a movie. Indeed, the very idea of a film adaptation seemed farfetched. As one of my close friends always said: "I’ll believe Charlie St. Cloud is a movie when I’m sitting in the theater and eating popcorn."

Q: How involved were you with the movie and did you write the screenplay?
A: The producers and studio were generous to include me at many stages of the process but I wasn’t involved ! with the movie or screenplay. I was fortunate to visit th! e produc tion twice, once on location in a cemetery and another time on a soundstage in Vancouver. Each time, I relished how filmmakers turned some of the book’s tiniest details into movie reality. For instance, Major League Baseball sent three small Red Sox mitts for Sam to use when he played catch with Charlie. I watched an assistant prop master carry a brand-new red mitt around all day, rubbing it constantly to give it a well-worn appearance.

On another occasion, the director showed me the closing shot of the film. Today, words still fail to describe the exhilarating experience of seeing Charlie and Tess literally sailing into the sunset. Seven years earlier, in the quiet of my little writing room, I had imagined these two young people on a boat aimed at the open ocean. Suddenly, they were on the screen, leaning into each other with wind tousling their hair and sails, steering a Gryphon Solo, one of the world’s fastest fifty-f! oot sailboats, filmed by a camera mounted on a helicopter hovering above.

Q: How does it feel to see your book turned into a movie?
A: Quite simply, I’m filled with gratitude. To create the movie version of Charlie St. Cloud, it took 28 actors, 34 stunt people, and some 250 crew. When I visited the set in Vancouver, I tried my best to thank every single one, including the wrangler responsible for a noisy flock of geese, the messy bane of Charlie’s existence.

When I called my wife in Los Angeles, she asked, "How does it feel?" I thought for a moment. Then I answered: "I want to hug every person I meet."

Q: Did you imagine Zac Efron as Charlie St. Cloud?
A: In candor, I never imagined Zac Efron in the role of Charlie. Wrecked by loss and grief, Charlie was a character who had wasted many years of his precious life. I always imagined Charlie as much older and much sadder.! Thank goodness I’m not a movie producer.

! I salute the studio and producers for realizing that Efron was a perfect choice. Young, dynamic, and charismatic, he embodies the promise of Charlie St. Cloud without the burden and loss. With Efron’s vibrant presence and performance, a sometimes weighty story feels more hopeful and uplifting. As I told Efron when we met in the cemetery in Vancouver, I’m delighted and very thankful that he took the part and filled it with vitality.

Q: How do you feel about the movie being made in Vancouver, Canada instead of Marblehead, Massachussetts, where the novel takes place?
A: I love Marblehead and the people of the town. While researching the book, I traveled to Marblehead several times to walk among the tombstones in Waterside Cemetery, eat breakfast with fishermen at the Driftwood before dawn, drink beers with 'Headers at Maddie's, and compete in my first and only sailboat race.

Vancouver is a country away from the ! wonderful town where I situated the story. But a movie adaptation isn't supposed to be a literal translation of a book. It's an interpretation. While I sincerely hoped that the film would be made in Massachusetts--and while the filmmakers tried their best too--I understood the financial decision to pick Canada, where production costs are significantly lower.

Given this choice, the filmmakers did a great job transplanting Charlie and Sam's story to the Pacific Northwest, which looks absolutely spectacular on film.

Q: Your writing seems to focus on questions of life and death. Why?
A: Maybe it's my age or life experience but I've spent a lot of time thinking about how we overcome grief and loss and make the most of our time on earth. These are subjects that have come to occupy my recent work. Over the last few years, I wrote a nonfiction book called The Survivors Club, exploring the secrets an! d science of the world’s most effective survivors and thrive! rs. Int erviewing survivors around the world, I discovered even more proof that love is a powerful and universal survival tool. In my own life, falling in love with my future wife, Karen, helped unlock the stranglehold of my father’s sudden and untimely death 17 years ago. (That’s why I dedicated the book to both of them.) In Charlie's case, discovering Tess helped him break free of the cemetery and the suffocating grip of grief.

Q: You have two young sons. What do you hope they take away from this book some day?
A: When I was leaving the movie set in Vancouver to fly home to Los Angeles, one of the producers generously asked if I wanted a souvenir from the production. I asked for one of Sam’s red mitts from Major League Baseball. Our two young boys can play catch with it. Then some day when they outgrow it, the glove can sit in my office, a reminder of the power of brotherly love and what happens when you take ! risks, seize life, and set your imagination free.

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