Saturday, November 12, 2011

Qualatex 260 Balloons (100/bag) Assorted Pink, Pastel Blue, White, Onyx Black, Quartz Purple, Sapphire Blue, Emerald Green, Ruby Red, Citrine Yellow and Mandarin Orange

American Cannibal - The Documentary

Casablanca (Two-Disc Special Edition)

  • 2003 - Casablanca - 60th Anniversary - DVD Set
  • 2-Disc Special Edition - Rated PG - Bonus Materials
  • Humphrey Bogart, Ingrid Bergman, Claude Rains
  • Standard Version - 102 Minutes - Oscar Winner
  • Collectible - Warner Bros. - Classic
Casablanca: easy to enter, but much harder to leave, especially if you're wanted by the Nazis. Such a man is Resistance leader Victor Laszlo (Paul Henreid), whose only hope is Rick Blaine (Humphrey Bogart), a cynical American who sticks his neck out for no one, especially Victor's wife Ilsa (Ingrid Bergman), the ex-lover who broke his heart. Ilsa offers herself in exchange for Laszlo's transport out of the country and bitter Rick must decide what counts more - personal happiness or countless lives hanging in the balance.A truly perfect movie, the 1942 Casablanca still wows viewers today, and for good reason. Its unique story of a ! love triangle set against terribly high stakes in the war against a monster is sophisticated instead of outlandish, intriguing instead of garish. Humphrey Bogart plays the allegedly apolitical club owner in unoccupied French territory that is nevertheless crawling with Nazis; Ingrid Bergman is the lover who mysteriously deserted him in Paris; and Paul Heinreid is her heroic, slightly bewildered husband. Claude Rains, Sydney Greenstreet, Peter Lorre, and Conrad Veidt are among what may be the best supporting cast in the history of Hollywood films. This is certainly among the most spirited and ennobling movies ever made. --Tom KeoghCASABLANCA:SPECIAL EDITION - DVD MovieA truly perfect movie, the 1942 Casablanca still wows viewers today, and for good reason. Its unique story of a love triangle set against terribly high stakes in the war against a monster is sophisticated instead of outlandish, intriguing instead of garish. Humphrey Bogart plays the allegedl! y apolitical club owner in unoccupied French territory that i! s nevert heless crawling with Nazis; Ingrid Bergman is the lover who mysteriously deserted him in Paris; and Paul Heinreid is her heroic, slightly bewildered husband. Claude Rains, Sydney Greenstreet, Peter Lorre, and Conrad Veidt are among what may be the best supporting cast in the history of Hollywood films. This is certainly among the most spirited and ennobling movies ever made. --Tom KeoghNo description available for this title.
Item Type: BLU-RAY DVD Movie
Item Rating: NR
Street Date: 09/15/09
Wide Screen: yes
Director Cut: no
Special Edition: no
Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: no
Re-Release: no
Packaging: SleeveA truly perfect movie, the 1942 Casablanca still wows viewers today, and for good reason. Its unique story of a love triangle set against terribly high stakes in the war against a monste! r is sophisticated instead of outlandish, intriguing instead of garish. Humphrey Bogart plays the allegedly apolitical club owner in unoccupied French territory that is nevertheless crawling with Nazis; Ingrid Bergman is the lover who mysteriously deserted him in Paris; and Paul Heinreid is her heroic, slightly bewildered husband. Claude Rains, Sydney Greenstreet, Peter Lorre, and Conrad Veidt are among what may be the best supporting cast in the history of Hollywood films. This is certainly among the most spirited and ennobling movies ever made. --Tom KeoghCasablanca: easy to enter, but much harder to leave, especially if you're wanted by the Nazis. Such a man is Resistance leader Victor Laszlo (Paul Henreid), whose only hope is Rick Blaine (Humphrey Bogart), a cynical American who sticks his neck out for no one - especially Victor's wife Ilsa (Ingrid Bergman), the ex-lover who broke his heart. Ilsa offers herself in exchange for Laszlo's transport out of the countr! y and bitter Rick must decide what counts more - personal happ! iness or countless lives hanging in the balance.

Bonus Collectibles:
- Exclusive Passport Holder and Luggage Tag
- 48-Page Photo Book
- 10 One-Sheet Reproduction Cards
- Archival CorrespondenceA truly perfect movie, the 1942 Casablanca still wows viewers today, and for good reason. Its unique story of a love triangle set against terribly high stakes in the war against a monster is sophisticated instead of outlandish, intriguing instead of garish. Humphrey Bogart plays the allegedly apolitical club owner in unoccupied French territory that is nevertheless crawling with Nazis; Ingrid Bergman is the lover who mysteriously deserted him in Paris; and Paul Heinreid is her heroic, slightly bewildered husband. Claude Rains, Sydney Greenstreet, Peter Lorre, and Conrad Veidt are among what may be the best supporting cast in the history of Hollywood films. This is certainly among the most spirited and ennobling movies ever made. --T! om KeoghA truly perfect movie, the 1942 Casablanca still wows viewers today, and for good reason. Its unique story of a love triangle set against terribly high stakes in the war against a monster is sophisticated instead of outlandish, intriguing instead of garish. Humphrey Bogart plays the allegedly apolitical club owner in unoccupied French territory that is nevertheless crawling with Nazis; Ingrid Bergman is the lover who mysteriously deserted him in Paris; and Paul Heinreid is her heroic, slightly bewildered husband. Claude Rains, Sydney Greenstreet, Peter Lorre, and Conrad Veidt are among what may be the best supporting cast in the history of Hollywood films. This is certainly among the most spirited and ennobling movies ever made. --Tom KeoghThe story of a struggle among individuals who have sought refuge in Casablanca after fleeing Nazi occupied Europe.
Genre: Feature Film-Drama
Rating: PG
Release Date: 7-JUN-2005
Media Type: DVDA truly perfect movie, the 1942 Casablanca still ! wows vie wers today, and for good reason. Its unique story of a love triangle set against terribly high stakes in the war against a monster is sophisticated instead of outlandish, intriguing instead of garish. Humphrey Bogart plays the allegedly apolitical club owner in unoccupied French territory that is nevertheless crawling with Nazis; Ingrid Bergman is the lover who mysteriously deserted him in Paris; and Paul Heinreid is her heroic, slightly bewildered husband. Claude Rains, Sydney Greenstreet, Peter Lorre, and Conrad Veidt are among what may be the best supporting cast in the history of Hollywood films. This is certainly among the most spirited and ennobling movies ever made. --Tom KeoghConsidered by many to be the greatest Hollywood movie ever made, this WW2 classic takes place in war-torn Casablanca and tells the tale of mysterious nightclub owner Bogart and his old Flame (Bergman), her husband, underground leader (Heinreid), and other skeletons from his past. Won 3 Os! cars - Best Picture, Director, and Screenplay.A truly perfect movie, the 1942 Casablanca still wows viewers today, and for good reason. Its unique story of a love triangle set against terribly high stakes in the war against a monster is sophisticated instead of outlandish, intriguing instead of garish. Humphrey Bogart plays the allegedly apolitical club owner in unoccupied French territory that is nevertheless crawling with Nazis; Ingrid Bergman is the lover who mysteriously deserted him in Paris; and Paul Heinreid is her heroic, slightly bewildered husband. Claude Rains, Sydney Greenstreet, Peter Lorre, and Conrad Veidt are among what may be the best supporting cast in the history of Hollywood films. This is certainly among the most spirited and ennobling movies ever made. --Tom Keogh

Blow Faux Dry Dry Shampoo 2.4 oz (68 g)

  • Directions: Shake well. Holding bottle upright 6-8 inches away from hair, divide hair into sections and squeeze the middle of bottle until translucent "poufs" of fine powder appear. Massage into scalp and brush or comb hair as usual.
  • Blow tip: For added body, instead of using a brush, use your fingers to work poofs of powder through hair from root to tips. Style stays fresh an extra day.
  • Free of sulfates, parabens, sodium chloride, and artificial fillers
  • Safe for color-treated hair
  • 2.4 oz travel friendly size
  • Never tested on animals
  • Keratin compliant
Starring Rachael Leigh Cook (SHE'S ALL THAT), Josh Hartnett (PEARL HARBOR), and Alan Rickman (GALAXY QUEST) in a great ensemble cast -- the Academy Award(R)- nominated writer of THE FULL MONTY has crafted a hilarious story about the things everyone wants in life: love, happiness, and great hair! A! s the National Hair Championships descend upon a small town in England, the country's top stylists aren't expecting much from the local talent. But they didn't count on Phil Allen (Rickman), the retired golden boy of the competition circuit, entering the fray! Also starring Natasha Richardson (THE PARENT TRAP), Rachel Griffiths (MY BEST FRIEND'S WEDDING), and supermodel Heidi Klum -- laugh along as the locals dazzle the out-of-towners with some hair dos ... and don'ts.Despite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are suitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The relationships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and! Sandra (Rachel Griffiths), "the other woman," could be more f! ully dev eloped but are affecting nonetheless.

The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces him to give it a go.

Hartnett and Rachael Leigh Cook (She's All That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Simon Beaufoy of Full Monty fame. Although not up to that standard--and certainly no match for Shampoo (the greatest hairdressing movie of all time)--Blow Dry is still a good showcase for the talents of its three leads. --Kathleen C. Fennessy Studio: Lions Ga! te Home Ent. Release Date: 05/17/2011 Run time: 90 minutes Rating: RDespite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are suitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The relationships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and Sandra (Rachel Griffiths), "the other woman," could be more fully developed but are affecting nonetheless.

The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces! him to give it a go.

Hartnett and Rachael Leigh Cook (She's A ll That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Simon Beaufoy of Full Monty fame. Although not up to that standard--and certainly no match for Shampoo (the greatest hairdressing movie of all time)--Blow Dry is still a good showcase for the talents of its three leads. --Kathleen C. Fennessy Despite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are suitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The rela! tionships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and Sandra (Rachel Griffiths), "the other woman," could be more fully developed but are affecting nonetheless.

The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces him to give it a go.

Hartnett and Rachael Leigh Cook (She's All That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Simon Beaufoy of Full Monty fame. Although not up to that standard--and certainly no match for Shampoo (t! he greatest hairdressing movie of all time)--Blow Dry i! s still a good showcase for the talents of its three leads. --Kathleen C. Fennessy A sexy take on SHAMPOO, this big-budget artsy New York comedy tells the story of Pepe, an ambitious, virile hairdresser who dreams of opening his own salon, while sleeping his way to the top.

DVD features Re-Mastered feature film (1.66:1) and commentary by cult film star R. Bolla (Cannibal Holocaust, Cannibal Ferox).Despite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are suitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The relationships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and Sandra (Rachel Griffiths), "the other woman," could be more fully de! veloped but are affecting nonetheless.

The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces him to give it a go.

Hartnett and Rachael Leigh Cook (She's All That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Simon Beaufoy of Full Monty fame. Although not up to that standard--and certainly no match for Shampoo (the greatest hairdressing movie of all time)--Blow Dry is still a good showcase for the talents of its three leads. --Kathleen C. Fennessy Starring Racha! el Leigh Cook (SHE'S ALL THAT), Josh Hartnett (PEARL HARBOR), ! and Alan Rickman (GALAXY QUEST) in a great ensemble cast -- the Academy Award(R)- nominated writer of THE FULL MONTY has crafted a hilarious story about the things everyone wants in life: love, happiness, and great hair! As the National Hair Championships descend upon a small town in England, the country's top stylists aren't expecting much from the local talent. But they didn't count on Phil Allen (Rickman), the retired golden boy of the competition circuit, entering the fray! Also starring Natasha Richardson (THE PARENT TRAP), Rachel Griffiths (MY BEST FRIEND'S WEDDING), and supermodel Heidi Klum -- laugh along as the locals dazzle the out-of-towners with some hair dos ... and don'ts.Despite a gifted Anglo-American cast, Blow Dry strikes an uneasy balance between sentiment and camp. It aims for the same sort of high-wire act that Strictly Ballroom and Priscilla, Queen of the Desert pulled off so effortlessly, but melodrama wins the day. The comic moments are s! uitably over-the-top (as expected in a film about dueling hairdressers), but rarely as amusing as intended. The relationships between barbershop owner Phil (Alan Rickman), ex-wife Shelley (Natasha Richardson), and Sandra (Rachel Griffiths), "the other woman," could be more fully developed but are affecting nonetheless.

The setting is West Yorkshire. The event that brings them together is the British National Hairdressing Championships. Phil initially resists the urge to compete as it reminds him of the success he and Shelley once enjoyed, but his son Brian (Pearl Harbor's Josh Hartnett) convinces him to give it a go.

Hartnett and Rachael Leigh Cook (She's All That), as the daughter of Phil's old nemesis, seem like peculiar casting choices for a British film, but Hartnett's accent is passable (Cook plays an American) and they don't embarrass themselves as much as supermodel Heidi Klum, who plays a tacky, two-timing hair model. The screenplay is by Sim! on Beaufoy of Full Monty fame. Although not up to that ! standard --and certainly no match for Shampoo (the greatest hairdressing movie of all time)--Blow Dry is still a good showcase for the talents of its three leads. --Kathleen C. Fennessy Dry, wry and hilariously deadpan, Steven Wright unleashes a torrent of ironic and hysterical thought-provoking one-liners in the quirky stand-up style that has become his trademark. From Toronto's historic Elgin Theater, this Oscar-winning comedian -- #23 on Comedy Central's list of the 100 greatest stand-up performers of all time -- keeps an adoring audience in stitches with random observations on everything from baby monitors as a form of wiretapping to his addiction to placebos. The party continues with a Boston Comedy Club performance from the comic's early career, and Steven explores the meaning of life in his short film One Soldier, which he also wrote and directed.Have you ever heard yourself say this... "I love my hair when I leave the salon, but I have no idea how t! o style it when I get home!" We thought so. Congratulations! It doesn't have to be that way anymore! This DVD seminar was created just for you! It's packed with information you can use immediately. In 65-minutes, you will learn amazing techniques that will change your relationship with your hair forever! There are three complete blow-dries fully explained. The first is, a smooth straight look. Next, learn how to create bouncy movement. And the best part is the last blow-dry. You will watch as Kimberly blow-dries her own hair so you can see how the techniques are applied on yourself. No more feeling defeated before you even begin. These techniques really work! This DVD's unique packaging is made from 100% recycled paperboard. There is a Spanish language option and English subtitles. More information can be found at NowYouKnowHow.com .with pure protein blend
absorbs natural oils and prolongs style without water
created by the hair ex! perts at blow®, the new york blow dry bar™
A dry shampoo! that he lps to instantly remove excess oil and buildup without water. Our exclusive "poof technology" dispenses fine milled powder at the root. This is a must have product for anyone who wants to "reenergizes" day old blow dried hair. Safe for color-treated and processed hair.
This dry shampoo dramatically transforms limp locks with Blow's exclusive pure protein blend of amaranth, lupine and wheat. The perfect solution for the fashionable girl on the go, Faux Dry cleanses hair, absorbs excess oil with micronized corn starch and instantly volumizes at the roots without weighing down locks. Unlike other dry shampoos, Faux Dry won't leave behind a powdery residue or make a mess, thanks to its exclusive fool-proof application. Whether you overslept or simply need a style freshen-upper, Blow's Faux Dry is to the rescue.
Never tested on animals. Free of sulfates, parabens and artificial fillers.
Made in the USA

Cocaine Cowboys

  • The cocaine trade of the 70s and 80s had an indelible impact on contemporary Miami. Smugglers and distributors forever changed a once sleepy retirement community into one of the world s most glamorous hot spots, the epicenter of a $20 billion annual business fed by Colombia s Medellin cartel. By the early 80s, Miami s tripled homicide rate had made it the murder capital of the country, for which a
COCAINE COWBOYS - DVD MovieMore of a real-life exploitation film than a bonafide documentary, Cocaine Cowboys is tailor-made for anyone who worships Brian De Palma's Scarface. It's no surprise that this slick, energetic film found a niche audience among crime-obsessed hip-hoppers; from a journalistic perspective it's an irresponsible mess, but director Billy Corben is obviously more interested in capturing the thrills and danger of the drug trade that transformed Miami, Florida during ! the Miami Vice era of the late 1970s and '80s. Corben has no particular interest in seriously examining the sociopolitical implications of Miami's drug-fueled rise and fall, so Cocaine Cowboys lives up to its title by focusing on some of the most colorful, daring, and outrageously successful survivors of that era, when tons of cocaine were distributed through Miami by the kingpins of Colombia's notorious Medellin cartel. Chief among the many interviewees are Jon Roberts and Mickey Munday (who personally transported over $2 billion worth of cocaine into Miami) and Jorge "Rivi" Ayala, a convicted drug-trade assassin now serving consecutive life terms in prison. They're lively storytellers who are egotistically eager to share their coke-tales, and Corben's only too happy to capture their exploits on film, up to and including the dubious use of violent reenactments that could easily serve as a recruitment film for Tony Montana wannabes.

It's simultaneously dis! gusting and compelling, especially since Corben has a knack fo! r matchi ng swift editing to the pulsing score by TV's original Miami Vice composer Jan Hammer. In the final analysis, it must be said that Cocaine Cowboys succeeds as a brash and breathtaking record of a bygone era, when murder rates were at an all-time high, coke was everywhere, and Miami was financially transformed into a nightlife mecca where criminals were kings. Or queens, as in the case of Griselda Blanco, the ruthless and self-appointed "Godmother" of the cocaine trade, who was responsible for countless murders and as of 2007 remained at large, her whereabouts unknown. All of this deadly life in the fast lane makes for a fascinating movie, but Corben and coproducer David Cypkin's breathless commentary makes it clear that they're young, immature thrill-seekers, and their film makes no apologies for glorifying the drug trade while exploring its bloody and frequently fatal consequences. Their commentary also accompanies an abundance of deleted scenes, and there's a! lso a bonus featurette, "Hustlin' with the Godmother," in which Griselda Blanco's former lover and big-time coke dealer Charles Cosby tells his story, which clearly has all the makings of a Hollywood movie along the lines of Blow. You can bet that film will eventually be made, and don't be surprised if it's Corben who makes it. --Jeff Shannon

The Little Black Book of Violence: What Every Young Man Needs to Know About Fighting

  • What Every Young Man Needs To Know About Fighting
Small-town boy Shawn MacArthur (Channing Tatum, G.I. Joe: The Rise of Cobra, Public Enemies) knows firsthand that every day in New York City is a struggle to survive. So when scam artist Harvey Boarden (Terrence Howard, Iron Man, Hustle and Flow) gives him a chance to be something more in the brutal underground world of bare-knuckle street-fighting, Shawn decides that he has something worth fighting for and puts everything on the line to win. Every knockout brings him closer to the life he’s always wanted, but also traps him in a dangerous web he can’t escape.The last thing you might expect from a movie called Fighting is excellent acting, but that’s what you’ll get. A scam artist named Harvey (Terrence Howard) sees a young would-be hustler named Shawn (Channing Tatum, Step Up, Stop-Loss) in a street scuffle and lures him into a no-rul! es fighting circuit. Shawn’s relentless drive to win leads him to unexpected success, but when he gets put into a big fight with a professional boxer, Harvey asks Shawn to take a dive. The plot sounds like a thousand boxing movies, but the difference is all in the texture. Fighting takes place in a very real New York City, with cramped, make-shift apartments, cluttered streets, and seedy nightclubs. Scenes get knocked sideways by odd bits of life and character quirks that feel organic, not shoehorned in by some clever screenwriter. There’s a marvelous scene where Shawn is trying to woo the Puerto Rican waitress he’s smitten with (Zulay Henao, Feel the Noise), but they keep getting interrupted by her suspicious mother--which sounds like a rom-com cliche, but is completely transformed by the wonderfully human interplay among the actors. Howard has always had a magnetic talent, but Tatum reveals an engaging vulnerability that contrasts nicely with his big-slab-of-beefcak! e look. The movie hearkens back to 1970s classics like Midnigh! t Cowboy and Dog Day Afternoon, and though it doesn’t achieve the same emotional heights, it’s reaching in the right direction. Writer/director Dito Montiel (whose previous film, A Guide to Recognizing Your Saints, also featured Tatum) promises to make some truly memorable movies. --Bret Fetzer

Stills from Fighting (Click for larger image)
Small-town boy Shawn MacArthur (Channing Tatum, G.I. Joe: The Rise of Cobra, Public Enemies) knows firsthand that every day in New York City is a struggle to survive. So when scam artist Harvey Boarden (Terrenc! e Howard, Iron Man, Hustle and Flow) gives him a chance to be something more in the brutal underground world of bare-knuckle street-fighting, Shawn decides that he has something worth fighting for and puts everything on the line to win. Every knockout brings him closer to the life he’s always wanted, but also traps him in a dangerous web he can’t escape.The last thing you might expect from a movie called Fighting is excellent acting, but that’s what you’ll get. A scam artist named Harvey (Terrence Howard) sees a young would-be hustler named Shawn (Channing Tatum, Step Up, Stop-Loss) in a street scuffle and lures him into a no-rules fighting circuit. Shawn’s relentless drive to win leads him to unexpected success, but when he gets put into a big fight with a professional boxer, Harvey asks Shawn to take a dive. The plot sounds like a thousand boxing movies, but the difference is all in the texture. Fighting takes place in a very real New York City, with cramped, ma! ke-shift apartments, cluttered streets, and seedy nightclubs. ! Scenes g et knocked sideways by odd bits of life and character quirks that feel organic, not shoehorned in by some clever screenwriter. There’s a marvelous scene where Shawn is trying to woo the Puerto Rican waitress he’s smitten with (Zulay Henao, Feel the Noise), but they keep getting interrupted by her suspicious mother--which sounds like a rom-com cliche, but is completely transformed by the wonderfully human interplay among the actors. Howard has always had a magnetic talent, but Tatum reveals an engaging vulnerability that contrasts nicely with his big-slab-of-beefcake look. The movie hearkens back to 1970s classics like Midnight Cowboy and Dog Day Afternoon, and though it doesn’t achieve the same emotional heights, it’s reaching in the right direction. Writer/director Dito Montiel (whose previous film, A Guide to Recognizing Your Saints, also featured Tatum) promises to make some truly memorable movies. --Bret Fetzer

Stills ! from Fighting (Click for larger image)
Men commit 80 % of all violent crimes and are twice as likely to become the victims of aggressive behavior. The Little Black Book of Violence is written for men ages 15 to 35, and contains more than mere self-defense techniques. This book provides crucial information about street survival that most martial arts instructors don't even know about. Kane and Wilder explain how to use awareness, avoidance, and de-escalation to help stave off violence.

10 Things I Hate About You

  • A cool cast of young stars is just one of the things you ll love about this hilarious comedy hit! On the first day at his new school, Cameron (Joseph Gordon Levitt Halloween: H20, TV s 3rd Rock From The Sun) instantly falls for Bianca (Larisa Oleynik The Baby-Sitters Club), the gorgeous girl of his dreams! The only problem is that Bianca is forbidden to date.until her ill-tempered, completely un-
Ellie, a free-spirited and headstrong young woman is left in charge of a residential home over the Christmas holidays. Her youth and inexperience bring her into bitter conflict with the four grumpy old residents. HOW ABOUT YOU deals with the hilarious antics of this uncivilized group, an unlikely romance, and the gradual solidarity that develops between the residents and Ellie, in this critically acclaimed heartwarming and irresistible film.Greenwich Village newlyweds Jamie and Paul Buchman (Academy ! Award winner Helen Hunt and Paul Reiser) reach new heights of hilarity and neurosis in the third season of this Emmy Award-winning comedy series. With lovable characters in both achingly real and hilariously unreal situations, this smartly written sitcom showcases a Manhattan couple trying their hardest to keep love alive in the midst of all the mad, mad, mad, mad, madness that modern marriage can bring!Four years after Mad About You's complete second season was released on DVD (and two years after a highlights collection seemed to signal the end of season-by-season releases), the complete third season of everyone's favorite neurotic couple is finally on DVD. If Paul (Paul Reiser) and Jamie (Helen Hunt) Buchman don't drive each other nuts, they'll do it to their British neighbors, or the whole building, such as when an attempt to steal cable TV goes awry ("Pandora's Box"). Not to mention their whole crazy cast of characters, including Jamie's useless sister Lisa (A! nne Ramsay), Paul's shifty cousin Ira (John Pankow), Paul's pa! rents (C ynthia Harris and Louis Zorich), Jamie's parents (Theresa Fuller and John Carlin, replaced in later years by the stunt casting of Carol Burnett and Carol O'Connor), the building super (Jerry Adler), Jamie's best friend Fran (Leila Kenzie), and supremely clueless waitress Ursula (Lisa Kudrow). Some of the episodes had appeared on the highlights collection, such as the zany Thanksgiving dinner ("Giblets for Murray"), Paul's reality TV show in which he turns the camera on Jamie and himself ("Our Fifteen Minutes"), and Carl Reiner's appearance as a TV legend ("The Alan Brady Show"). But others are finally seeing the DVD daylight, including "The Ride Home," in which Paul and Jamie take a cab ride and recount, from different perspectives, how Fran's birthday party turned into a disaster involving guest stars Wendie Malick and Eric Stoltz. In the two-part "Mad About You," they flash back to the preparation for their wedding, and Paul flashes back to birthdays from hell in "Cake ! Fear." Cyndi Lauper returns as Ira's ex-wife (a guest appearance for which she won an Emmy, as did Reiner) in "Money Changes Everything" and Stoltz turns Jamie into a comic-book character ("My Boyfriend's Back"). Then in the two-part season finale, they're transported It's a Wonderful Life-style into a world in which they'd never met ("Up in Smoke").

Does it matter that the set has no bonus features? Maybe not so much. The bells and whistles of the Mad About You Collection were nice, but they don't compare to having a complete season's worth of episodes on DVD. We want Paul and Jamie, with their hilarious and touching quirks and chemistry, just as we watched them on TV. That's all we're saying. --David HoriuchiA cool cast of young stars is just one of the things you'll love about this hilarious comedy hit! On the first day at his new school, Cameron (Joseph Gordon-Levitt -- HALLOWEEN: H2O, TV's "3RD Rock From The Sun") instantly falls for! Bianca (Larisa Oleynik -- THE BABY SITTERS CLUB), the gorgeou! s girl o f his dreams. The only problem is that Bianca is forbidden to date ... until her ill-tempered, completely un-dateable older sister Kat (Julia Stiles -- THE BOURNE IDENTITY, SAVE THE LAST DANCE) goes out too! In an attempt to solve his problem, Cameron singles out the only guy who could possibly be a match for Kat: a mysterious bad-boy (Heath Ledger -- A KNIGHT'S TALE, THE PATRIOT) with a nasty reputation of his own! Also featuring a hip soundtrack -- this witty comedy is a wildly entertaining look at exactly how far some guys will go to get a date!It's, like, Shakespeare, man! This good-natured and likeable update of The Taming of the Shrew takes the basics of Shakespeare's farce about a surly wench and the man who tries to win her and transfers it to modern-day Padua High School. Kat Stratford (Julia Stiles) is a sullen, forbidding riot grrrl who has a blistering word for everyone; her sunny younger sister Bianca (Larisa Oleynik) is poised for high school stardom. Th! e problem: overprotective and paranoid Papa Stratford (a dryly funny Larry Miller) won't let Bianca date until boy-hating Kat does, which is to say never. When Bianca's pining suitor Cameron (Joseph Gordon-Levitt) gets wind of this, he hires the mysterious, brooding Patrick Verona (Heath Ledger) to loosen Kat up. Of course, what starts out as a paying gig turns to true love as Patrick discovers that underneath her brittle exterior, Kat is a regular babe. The script, by Karen McCullah Lutz and Kirsten Smith, is sitcom-funny with peppy one-liners and lots of smart teenspeak; however, its cleverness and imagination doesn't really extend beyond its characters' Renaissance names and occasional snippets of real Shakespearean dialogue. What makes the movie energetic and winning is the formula that helped make She's All That such a big hit: two high-wattage stars who look great and can really act. Ledger is a hunk of promise with a quick grin and charming Aussie accent, and ! Stiles mines Kat's bitterness and anger to depths usually unkn! own in t een films; her recitation of her English class sonnet (from which the film takes its title) is funny, heartbreaking, and hopelessly romantic. The imperious Allison Janney (Primary Colors) nearly steals the film as a no-nonsense guidance counselor secretly writing a trashy romance novel. --Mark Englehart

The Gospel According to Jesus: What Is Authentic Faith?

  • ISBN13: 9780310287292
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
John Charles Ryle (May 10, 1816 - June 10, 1900) was an evangelical Anglican clergyman and first Bishop of Liverpool. He was renowned for his powerful preaching and extensive tracts.John Charles Ryle (May 10, 1816 - June 10, 1900) was an evangelical Anglican clergyman and first Bishop of Liverpool. He was renowned for his powerful preaching and extensive tracts.The author of a much-loved two-volume Matthew commentary that he revised and expanded in 2007, Frederick Dale Bruner now offers The Gospel of John: A Commentary â€" the fruit of his lifetime of study and teaching. Rather than relying mainly on recent scholarship, Bruner’s approach honors and draws from the church’s major John commentators th! roughout history, including Augustine, Chrysostom, Aquinas, Luther, Calvin, Henry, Bultmann, Barrett, and more.

Added to this “historical interpretation” is Bruner’s “contemporary interpretation,” which incorporates a clear translation of the text, references to major recent scholarship, and Bruner’s personal application of the Gospel to his own experience. Rich in biblical insights, ecumenical in tone, broadly historical, deeply theological, and lovingly written, Bruner’s Gospel of John promises to be an invaluable resource for pastors and teachers.Carson states he is trying to explain the text of Johns Gospel to those who minister the Word of God to others, either by preaching or by leading Bible studies. It can be used by those laypeople who want personal growth. He looks at the flow of the text;

"The more we study John, the more wealth arises out of it," says William Barclay about the Fourth Gospel. In this volume, the second of two on the boo! k of John, Barclay helps give the reader a sharpened perceptio! n of the emphases of this Gospel. Written during a time when heresies abounded, the Gospel of John clarifies both the humanity and deity of Jesus Christ. Through his imaginative translation and insightful commentary, Barclay uncovers the unlimited riches of this beloved book.

For almost fifty years and for millions of readers, the Daily Study Bible commentaries have been the ideal help for both devotional and serious Bible study. Now, with the release of the New Daily Study Bible, a new generation will appreciate the wisdom of William Barclay. With clarification of less familiar illustrations and inclusion of more contemporary language, the New Daily Study Bible will continue to help individuals and groups discover what the message of the New Testament really means for their lives.The first edition of The Gospel According to Jesus won wide acclaim in confronting the 'easy-believism' that has characterized some aspects of evangelical Christianity. Over the past 50 years, a handful ! of books have become true classics, revered world-wide for their crystal-clear presentation of the Gospel and lauded for their contribution to the Christian faith. These extraordinary books are read, re-read, and discussed in churches, Bible study groups, and homes everywhere. John MacArthur's The Gospel According to Jesus is one of those books. In The Gospel According to Jesus, MacArthur tackles the idea of 'easy believism,' challenging Christians to re-evaluate their commitment to Christ by examining their fruits. MacArthur asks, 'What does it really mean to be saved?' He urges readers to understand that their conversion was more than a mere point in time, that, by definition, it includes a lifetime of obediently walking with Jesus as Lord. This 20th anniversary edition of MacArthur's provocative, Scripture-based book contains one new chapter and is further revised to provide Christians in the 21st century a fresh perspective on the intrinsic relationship between faith a! nd works, clearly revealing Why Jesus is both Savior and Lord ! to all w ho believe.

Broken Embraces [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen
A luminous Penélope Cruz stars as an actress who sacrifices everything for true love in Broken Embraces, Academy Award -winning filmmaker (2003, Best Writing, Original Screenplay, Talk to Her) Pedro Almodóvar's acclaimed tale of sex, secrets and cinema. When her father becomes gravely ill, beautiful Lena (Cruz) consents to a relationship with her boss Ernesto (José Luis Gómez), a very wealthy, much-older man who pays for her father's hospitalization and provides her a lavish lifestyle. But Lena's dream is to act and soon she falls for the director of her first film - a project bankrolled by her husband to keep her near. Upon his discovery of the affair, Ernesto stops at nothing to ruin Lena's happiness.Pedro Almodóvar continues to reinvent Hollywood's Golden Age for a new era wi! th Broken Embraces. A blind screenwriter in the present day, Mateo Blanco, a.k.a. Harry Caine (Lluís Homar), reminisces about his favorite leading lady to his assistant, Diego (Tamar Novas). In 1992, when Caine met Lena (Penélope Cruz), stockbroker Ernesto (José Luis Gómez) had just made the cash-strapped secretary his mistress. First, Ernesto pays for her mother's medical care; then he supports her dream to act. In the process, Caine casts her in his screwball comedy and falls in love, and a passionate affair begins. Ernesto suspects something is up, so he hires his shifty son, Ernesto Jr. (the off-key Rubén Ochandiano), to film the couple surreptitiously, and a lip reader translates their conversations. Caine's production manager, Judit (Volver's Blanca Portillo), further complicates the scenario. By the end, Caine, whose name serves as a tip of the hat to hard-boiled author James M. Cain (The Postman Always Rings Twice), has lost his vision and ! his girl, and the culprit isn't as obvious as it seems. With Embrac es, Almodóvar riffs on Tinseltown classics where greed and lust lead to death. If less successful than Live Flesh, a prior noir, his jigsaw storytelling remains just as riveting and his principal cast rises to the occasion, particularly Cruz, who plays a more passive character than usual and remains, much like Otto Preminger's Laura before her, a mystery that no one, not even the filmmaker, can ever completely solve. --Kathleen C. Fennessy


Stills from Broken Embraces (Click for larger image)








A luminous Penélope Cruz stars as an actress who sacrifices everything for true love in Broken Embraces, Academy Award -winning filmmaker (2003, Best Writing, Original Screenplay, Talk to Her) Pedro Almodóvar's acclaimed tale of sex, secrets and cinema. When her father becomes gravely ill, beautiful Lena (Cruz) consents to a ! relationship with her boss Ernesto (José Luis Gómez), a very! wealthy , much-older man who pays for her father's hospitalization and provides her a lavish lifestyle. But Lena's dream is to act and soon she falls for the director of her first film - a project bankrolled by her husband to keep her near. Upon his discovery of the affair, Ernesto stops at nothing to ruin Lena's happiness.Pedro Almodóvar continues to reinvent Hollywood's Golden Age for a new era with Broken Embraces. A blind screenwriter in the present day, Mateo Blanco, a.k.a. Harry Caine (Lluís Homar), reminisces about his favorite leading lady to his assistant, Diego (Tamar Novas). In 1992, when Caine met Lena (Penélope Cruz), stockbroker Ernesto (José Luis Gómez) had just made the cash-strapped secretary his mistress. First, Ernesto pays for her mother's medical care; then he supports her dream to act. In the process, Caine casts her in his screwball comedy and falls in love, and a passionate affair begins. Ernesto suspects something is up, so he hires his shifty so! n, Ernesto Jr. (the off-key Rubén Ochandiano), to film the couple surreptitiously, and a lip reader translates their conversations. Caine's production manager, Judit (Volver's Blanca Portillo), further complicates the scenario. By the end, Caine, whose name serves as a tip of the hat to hard-boiled author James M. Cain (The Postman Always Rings Twice), has lost his vision and his girl, and the culprit isn't as obvious as it seems. With Embraces, Almodóvar riffs on Tinseltown classics where greed and lust lead to death. If less successful than Live Flesh, a prior noir, his jigsaw storytelling remains just as riveting and his principal cast rises to the occasion, particularly Cruz, who plays a more passive character than usual and remains, much like Otto Preminger's Laura before her, a mystery that no one, not even the filmmaker, can ever completely solve. --Kathleen C. Fennessy


Stills from ! Broken Embraces (Click for larger image)









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