HOME OF THE BRAVE - Format: [Blu-Ray Movie]

• Condition: New
• Format: Blu-ray
• Color; Widescreen

A man I helped to settle here
taught me a saying from Africa.
I’ll bet you would like it:
A cow is God with a wet nose.

Kek comes from Africa where he lived with his mother, father, and brother. But only he and his mother have survived. Now she’s missing, and Kek has been sent to a new home. In America, he sees snow for the first time, and feels its sting. He wonders if the people in this new place will be like the winterâ€"cold and unkind. But slowly he makes friends: a girl in foster care, an old woman with a rundown farm, and a sweet, sad cow that reminds Kek of home. As he waits for word of his mother’s fate, Kek weathers the tough Minnesota winter by finding warmth in his new friendships, strength in his memories, and belief in his new country.

When a humanitarian mis! sion in Iraq is derailed by an explosive ambush, a small band of American soldiers find themselves fighting for their lives.The fact that Home of the Brave is about soldiers coming home from a war that isn't even over is just one of the things that's off in this film; director Irwin Winkler and screenwriter Mark Friedman's 2006 tale of the problems faced by the men and women returning from Iraq is also hampered by thoroughly predictable storytelling, sub-par acting, and sometimes painfully on-the-nose dialogue, reducing what could have been a provocative and challenging effort into so much TV movie fodder. When Army medic Will Marsh (Samuel L. Jackson, who does his best to rise above the level of the material) and soldiers Vanessa Price (Jessica Biel) and Tommy Yates (Brian Presley) return to Spokane, Washington, major readjustment problems loom, mostly due to a chaotic ambush in a small Iraqi town (occurring less than two weeks before they were to be sent home, the ! incident is so unsurprising that anyone could have seen it com! ing). Wi ll and his angry teenage son wage their own war, while Dad takes to the bottle; Vanessa's learning to cope with a prosthetic hand, while Tommy's grieving over the best buddy who died in the ambush and the loss of his job, girlfriend, and self-respect. Those matters and the clichéd, unconvincing way in which they're handled, along with the film's refusal to take a strong stand either for or against the war, obscure the potentially much more interesting issues. Are these soldiers patriots, or merely pawns? Were they doing their righteous duty by serving in this conflict, or were they victims sent off to suffer and perhaps die by a bunch of men in suits who never saw a minute of combat themselves? Other home-from-war films, from 1946's The Best Years of Our Lives to 1978's Coming Home to 1989's Born on the Fourth of July, have dealt with these and other issues a good deal more effectively than the earnest and well-intentioned but not very compelling Hom! e of the Brave. --Sam Graham

In dreamlike sequences, a man symbolically confronts the trauma of his family’s incarceration in the Japanese internment camps during World War II. This infamous event is made emotionally clear through his meeting a group of children all with strange name tags pinned to their coats. The man feels the helplessness of the children. Finally, desperately he releases the name tags like birds into the air to find their way home with the hope for a time when Americans will be seen as one people—not judged, mistrusted, or segregated because of their individual heritage.
Sixty years after thousands of Japanese Americans were unjustly imprisoned, the cogent prose and haunting paintings of renowned author and illustrator Allen Say remind readers of a dark chapter in America’s history.

When a humanitarian mission in Iraq is derailed by an explosive ambush, a small band of American soldiers find themselves fighting for their li! ves.The fact that Home of the Brave is about soldiers c! oming ho me from a war that isn't even over is just one of the things that's off in this film; director Irwin Winkler and screenwriter Mark Friedman's 2006 tale of the problems faced by the men and women returning from Iraq is also hampered by thoroughly predictable storytelling, sub-par acting, and sometimes painfully on-the-nose dialogue, reducing what could have been a provocative and challenging effort into so much TV movie fodder. When Army medic Will Marsh (Samuel L. Jackson, who does his best to rise above the level of the material) and soldiers Vanessa Price (Jessica Biel) and Tommy Yates (Brian Presley) return to Spokane, Washington, major readjustment problems loom, mostly due to a chaotic ambush in a small Iraqi town (occurring less than two weeks before they were to be sent home, the incident is so unsurprising that anyone could have seen it coming). Will and his angry teenage son wage their own war, while Dad takes to the bottle; Vanessa's learning to cope with a prosthe! tic hand, while Tommy's grieving over the best buddy who died in the ambush and the loss of his job, girlfriend, and self-respect. Those matters and the clichéd, unconvincing way in which they're handled, along with the film's refusal to take a strong stand either for or against the war, obscure the potentially much more interesting issues. Are these soldiers patriots, or merely pawns? Were they doing their righteous duty by serving in this conflict, or were they victims sent off to suffer and perhaps die by a bunch of men in suits who never saw a minute of combat themselves? Other home-from-war films, from 1946's The Best Years of Our Lives to 1978's Coming Home to 1989's Born on the Fourth of July, have dealt with these and other issues a good deal more effectively than the earnest and well-intentioned but not very compelling Home of the Brave. --Sam Graham

The Cost of Discipleship

• ISBN13: 9780684815008
• Condition: New
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From the New York Times bestselling author of Amazing Grace, a groundbreaking biography of Dietrich Bonhoeffer, one of the greatest heroes of the twentieth century, the man who stood up to Hitler.

A definitive, deeply moving narrative, Bonhoeffer is a story of moral courage in the face of the monstrous evil that was Nazism.

After discovering the fire of true faith in a Harlem church, Bonhoeffer returned to Germany and became one of the first to speak out against Hitler. As a double-agent, he joined the plot to assassinate the Fuhrer, and was hanged in Flossenberg concentration camp at age 39. Since his death, Bonhoeffer has grown to be one of the most fascinati! ng, complex figures of the 20th century.

Bonhoeffer presents a profoundly orthodox Christian theologian whose faith led him to boldly confront the greatest evil of the 20th century, and uncovers never-before-revealed facts, including the story of his passionate romance.

*2011 ECPA Book of the Year

*2011 Canterbury Medal by the Becket Fund recognizing courage in the defense of religious liberty

*2011 Christopher Award winner highlighting the power of faith, courage, and action

One of the most important theologians of the twentieth century illuminates the relationship between ourselves and the teachings of Jesus

What can the call to discipleship, the adherence to the word of Jesus, mean today to the businessman, the soldier, the laborer, or the aristocrat? What did Jesus mean to say to us? What is his will for us today? Drawing on the Sermon on the Mount, Dietrich Bonhoeffer answers these timeless questions by providing a s! eminal reading of the dichotomy between "cheap grace" and "cos! tly grac e." "Cheap grace," Bonhoeffer wrote, "is the grace we bestow on ourselves...grace without discipleship....Costly grace is the gospel which must be sought again and again, the girl which must be asked for, the door at which a man must know....It is costly because it costs a man his life, and it is grace because it gives a man the only true life."

The Cost of Discipleship is a compelling statement of the demands of sacrifice and ethical consistency from a man whose life and thought were exemplary articulations of a new type of leadership inspired by the Gospel, and imbued with the spirit of Christian humanism and a creative sense of civic duty.

"When Christ calls a man, he bids him come and die." With these words, in The Cost of Discipleship, Dietrich Bonhoeffer gave powerful voice to the millions of Christians who believe personal sacrifice is an essential component of faith. Bonhoeffer, a German Lutheran pastor and theologian, was an exemplar o! f sacrificial faith: he opposed the Nazis from the first and was eventually imprisoned in Buchenwald and hung by the Gestapo in 1945. The Cost of Discipleship, first published in German in 1937, was Bonhoeffer's answer to the questions, "What did Jesus mean to say to us? What is his will for us to-day?" Bonhoeffer's answers are rooted in Lutheran grace and derived from Christian scripture (almost a third of the book consists of an extended meditation on the Sermon on the Mount). The book builds to a stunning conclusion: its closing chapter, "The Image of Christ," describes the believer's spiritual life as participation in Christ's incarnation, with a rare and epigrammatic confidence: "Through fellowship and communion with the incarnate Lord," Bonhoeffer writes, "we recover our true humanity, and at the same time we are delivered from that individualism which is the consequence of sin, and retrieve our solidarity with the whole human race." --Michael! Joseph Gross