Tuesday, November 29, 2011

How to Eat Fried Worms (New Line Platinum Series)

  • Author Thomas Rockwell's hugely popular book, "How to Eat Fried Worms", is now brought to the big screen! On his first day at a new school, eleven-year-old Billy goes up against the school bully in a challenge that ends up with a total gross-out date.to eat 10 worms in one day! As the pressure mounts, Billy must summon all his strength to meet the dare, all the while keeping his weak stomach from
Because of a bet, Billy is in the uncomfortable position of having to eat fifteen worms in fifteen days. The worms are supplied by his opponent, whose motto is "The bigger and juicier, the better!" At first Billy's problem is whether or not he can swallow the worm placed before him, even with a choice of condiments from peanut butter to horseradish. But later it looks as if Billy will win, and the challenge becomes getting to the worm to eat it. Billy's family, after checking with the doctor, takes e! verything in stride. They even help Billy through his gastronomic ordeal, which twists and turns with each new day, leaving the outcome of the bet continually in doubt.


From the Paperback edition.How to Eat Fried Worms has happily repulsed children since its original publication in 1973. Now youngsters can experience this classic story in a whole new yucky way, by listening to it on audiocassette. Narrator Jay O. Sanders gives extra kick and vitality to this already lively yarn. He throws himself into the role of a 10-year-old boy, facing the most revolting bet of his life. Billy must eat 15 worms in 15 days--but the reward will be worth it: $50 for a shiny new minibike. Luckily, Billy's friends cook up these fat juicy grubs in a variety of appetizing ways--drenched in ketchup and mustard, fried in butter and cornmeal, and the pièce de résistance, a Whizband Worm Delight (an ice-cream worm cake). Sanders derives obvious pleasure from re! ading (and singing) out loud the hilarious rhymes and childis! h chants concocted from the mind of the book's author, Thomas Rockwell.

"Trout, Salmon, flounder, perch,
I'll ride my minibike into church.
Dace, tuna, haddock, trout,
Wait'll you hear the minister shout."

How to Eat Fried Worms is a ghastly gastronomical treat that will dazzle young listeners. (Running time: two hours, two cassettes) --Naomi GesingerAuthor Thomas Rockwell's hugely popular book, "How to Eat Fried Worms", is now brought to the big screen! On his first day at a new school, eleven-year-old Billy goes up against the school bully in a challenge that ends up with a total gross-out date...to eat 10 worms in one day! As the pressure mounts, Billy must summon all his strength to meet the dare, all the while keeping his weak stomach from betraying him and his big mouth from getting him in even more trouble!The popular 1973 kid's book How to Eat Fried Worms gets a respectful, straightforward translation with this 2006 movie. When bu! llies put worms in his thermos, Billy fights back--and only gets in deeper trouble when he makes a stomach-churning bet that he can eat ten worms. Using a variety of cooking schemes, the pack of bullies make a slimy meal even more repulsive, but Billy--to his own surprise--takes on everything they throw at him. As the disgustingness escalates, he discovers that not everyone is what they seem. Though many story elements are changed from the book, How to Eat Fried Worms treats the situation and characters with intelligence and integrity. There are a few cartoonish moments (including some inventive animated sequences), but overall the movie is down-to-earth and sincere, delivering some simple and unforced messages about courage and friendship along with the gross-out humor. The kids--including Luke Benward (Because of Winn-Dixie) as Billy and Hallie Kate Eisenberg (probably best known from a series of popular Pepsi ads) as a too-tall girl who shares Billy's outs! ider status--aren't overly slick, and the scenes between Billy! and his father (Tom Cavanaugh, from the TV show Ed) feel honest and unpatronizing. A modest but heartfelt movie. --Bret Fetzer

Code Name - The Cleaner

  • The laughs fly like bullets in this action comedy about a man with amnesia who can't remember whether he's a super spy.or a janitor.Jake Rogers (Cedric the Entertainer) just woke up in a hotel room next to a dead CIA agent and a briefcase full of money. Things go from bad to worse when his blonde bombshell wife (Nicollette Sheridan) arrives to inform him that he's a Special Forces Operative entan
The laughs fly like bullets in this action comedy about a man with amnesia who can't remember whether he's a super spy...or a janitor. Jake Rogers (Cedric the Entertainer) just woke up in a hotel room next to a dead CIA agent and a briefcase full of money. Things go from bad to worse when his blonde bombshell wife (Nicollette Sheridan) arrives to inform him that he's a Special Forces Operative entangled in a high-level Government conspiracy. But nothing seems to add up as Jake digs deeper into the ca! se. Teaming up with another beauty from a past he can't remember (Lucy Liu), this custodian of comedy needs to get a clue before the bad guys take him out with the trash!Code Name: The Cleaner squeaks by in living up to the reputation of its star, Cedric the Entertainer. The movie does entertain, but just barely and pretty much only because of the skill we've come to expect from Cedric as an entertainer. In another actor's hands, this freewheeling spy spoof could easily have turned into a schizophrenic dud. The movie still has a little split-personality problem between its aspirations to be a tense, Bourne Identity-like thriller or out-and-out comic caper. Fortunately, the entertainer in him gives Cedric the credibility to juggle both genres with only a few dropped balls. When Cedric, as ordinary Joe (maybe) Jake Rodgers, wakes up in a hotel room with amnesia, a dead FBI agent, and a bag stuffed with cash, at least two people show unusual interest in a ! prized missing microchip, the money, and him -- in that order.! Nicolle tte Sheridan is a bit too desperate in claiming to be his housewife as she whisks him "home" to their huge mansion. Showing the first shades of skepticism (and comic brilliance), the still-amnesiac Jake wonders, "I'm rich, I live in a big house and I'm married to a white woman. Am I Lionel Richie?" He also wonders if the gun-toting, butt-kicking Lucy Liu really is his mistress, as she claims to be. It all seems to good to be true. But the bad guys who just want the microchip don't care, and the genuine thriller mayhem and laugh riot gags that fly by don't give Jake much time to think that maybe he is just an ordinary janitor who has wrong-manned his way into a massive spy vs. spy cliche. There are a couple of fantastically funny supporting roles for additional distraction. DeRay Davis steals the spotlight as Jake's wannabe-rapper janitor pal, and Niecy Nash (of Reno 911! fame) also chomps hard on the scenery as a sex-crazed security guard. Food Network fans will get a! n unintended chuckle from seeing Mark Dacascos, the suave and sybaritic "Kitchen Stadium Chairman" from Iron Chef America playing head cheese of the bad guy contingent. In all, it's not worth the audience spending too much time thinking all this through either, especially when Cedric's doing his thing (the clog dance and grandma-spanking scenes are highlights). Maybe someday they'll let Cedric off the thinking leash altogether -- perhaps in Code Name: The Entertainer? --Ted Fry

Dust Tactics Core Set

  • 9 double-sided boards to customize your own battle
  • A deep and engaging setting
  • A battle book including eight unique scenarios
  • Quick-start rules to get into the action quickly
A hungry alien substance has traveled to Earth following a doomed Lunar mission, and it's consuming everything it touches, leaving behind drifts of gray death. No life form stands a chance, but Clyde Jackson is tougher than most. He's seen war and he's been in plenty of foxholes. Now he's living through the end of the world one day at a time in a panic room that has become his only refuge. It's only a matter of time before the ventilation fails, and it'll only take a single gray speck to end it all...

Originally featured in The Absent Willow Review e-zine, DUST is the haunting meditation of a man recalling the final days of a once mighty and hopeful planet now quickly eroding to nothin! g under drifts of gray.A hungry alien substance has traveled to Earth following a doomed Lunar mission, and it's consuming everything it touches, leaving behind drifts of gray death. No life form stands a chance, but Clyde Jackson is tougher than most. He's seen war and he's been in plenty of foxholes. Now he's living through the end of the world one day at a time in a panic room that has become his only refuge. It's only a matter of time before the ventilation fails, and it'll only take a single gray speck to end it all...

Originally featured in The Absent Willow Review e-zine, DUST is the haunting meditation of a man recalling the final days of a once mighty and hopeful planet now quickly eroding to nothing under drifts of gray.CD reissue of the debut album from the American Rockers, a mixture of British-influenced Hard Rock and Prog. The album was originally released on the Kama Sutra label in 1971, introducing a group of young players to the world at large, mos! t of whom would move on to bigger things. The rhythm section f! eatured drummer Marc Bell, who would later join New York Punkers Richard Hell & The Voidoids, while bassist Kenny Aaronson would join labelmates Stories by their third album. The songwriting team of producer Kenny Kerner and singer/guitarist Richie Wise would go on to produce the third Stories album. Seven tracks. Repertoire.1947. The Second World War rages on. Unfathomable artillery machines march across the globe leaving a wake of destruction. In Antarctica a secret research base forms the center of a covert battle between allied and axis forces. will you protect the secrets of this hidden base from the invading Allies or liberate its contents from the hands of the Axis? Based on DUST comics world created by Paolo Parente Dust Tactics introduces an exciting alternate vision of WWII with amazing machines roughneck grunts and stalwart commando leaders each dedicated to the cause patriots in the war for world domination. This boxed set comes with two ready-to-play armies as well as a! scenario booklet and modular board.

Aurora Borealis Swarovski Crystal Pendant Necklace Fashion Jewelry

Invictus

  • Format: DVD
  • Rating: PG-13
  • Release Date: 5/18/10
  • Run Time: 133 min
  • Director: Clint Eastwood
Imagine Harrison Ford as a rogue scientist exploring not ancient artifacts of lost arks, but biochemical research to help cure rare diseases. In "Extraordinary Measures", Ford manages to keep some of that wry rebellious Indiana Jones energy as he plays Dr. Robert Stonehill, a fringe researcher whose findings just might help keep alive the two children of John Crowley, played with heart and sobriety by Brendan Fraser. "Extraordinary Measures" is based on a true story, one chronicled in the gripping book "The Cure: How a Father Raised $100 Million--and Bucked the Medical Establishment--in a Quest to Save His Children", by "Wall Street Journal" reporter Geeta Anand. The cast is excellent, with Ford tamping down his occasional urge to vamp for the camera, and Fraser grounded ! in his first true adult role. The supporting cast is also strong, including Keri Russell as Crowley's frantic wife, facing the near-certain death of both of her children; Dee Wallace, Jared Harris, and Courtney B. Vance also appear as strong supporting characters. Director Tom Vaughan switches gears from his wildly successful romp "What Happens in Vegas" to turn in a crisply paced and suspenseful family drama. As Crowley and Dr. Stonehill team up to raise money to support Stonehill's research, Crowley says, "Who's going to be half as motivated as the dad who's trying to save his own kids?" "Extraordinary Measures" brings to mind similar dramas like "Lorenzo's Oil", but its heart and drive are unique to the story of the Crowleys, a very special family indeed. "--A.T. Hurley" \n\n \n\n\n Stills from "Extraordinary Measures" (Click for larger image)Imagine Harrison Ford as a rogue scientist exploring not ancient artifacts of lost arks, but biochemical research to help cure rar! e diseases. In Extraordinary Measures, Ford manages to ! keep som e of that wry rebellious Indiana Jones energy as he plays Dr. Robert Stonehill, a fringe researcher whose findings just might help keep alive the two children of John Crowley, played with heart and sobriety by Brendan Fraser. Extraordinary Measures is based on a true story, one chronicled in the gripping book The Cure: How a Father Raised $100 Million--and Bucked the Medical Establishment--in a Quest to Save His Children, by Wall Street Journal reporter Geeta Anand. The cast is excellent, with Ford tamping down his occasional urge to vamp for the camera, and Fraser grounded in his first true adult role. The supporting cast is also strong, including Keri Russell as Crowley's frantic wife, facing the near-certain death of both of her children; Dee Wallace, Jared Harris, and Courtney B. Vance also appear as strong supporting characters. Director Tom Vaughan switches gears from his wildly successful romp What Happens in Vegas to turn in a crisply pace! d and suspenseful family drama. As Crowley and Dr. Stonehill team up to raise money to support Stonehill's research, Crowley says, "Who's going to be half as motivated as the dad who's trying to save his own kids?" Extraordinary Measures brings to mind similar dramas like Lorenzo's Oil, but its heart and drive are unique to the story of the Crowleys, a very special family indeed. --A.T. Hurley




Stills from Extraordinary Measures (Click for larger image)








Studio: Sony Pictures Home Ent Release Date: 05/18/2010 Run time: 106 minutes Rating: PgImagine Harrison Ford as a rogue scientist exploring not ancient artifacts of lost arks, but biochemical research to help cure rare diseases. In Extraordinary Measures, Ford manages to keep some of that wry rebellious Indiana Jones energy as he plays Dr. Robert Stonehill, a fringe researcher whose findings just mig! ht help keep alive the two children of John Crowley, played with heart and sobriety by Brendan Fraser. Extraordinary Measures is based on a true story, one chronicled in the gripping book The Cure: How a Father Raised $100 Million--and Bucked the Medical Establishment--in a Quest to Save His Children, by Wall Street Journal reporter Geeta Anand. The cast is excellent, with Ford tamping down his occasional urge to vamp for the camera, and Fraser grounded in his first true adult role. The supporting cast is also strong, including Keri Russell as Crowley's frantic wife, facing the near-certain death of both of her children; Dee Wallace, Jared Harris, and Courtney B. Vance also appear as strong supporting characters. Director Tom Vaughan switches gears from his wildly successful romp What Happens in Vegas to turn in a crisply paced and suspenseful family drama. As Crowley and Dr. Stonehill team up to raise money to support Stonehill's research, Crowl! ey says, "Who's going to be half as motivated as the dad who's! trying to save his own kids?" Extraordinary Measures brings to mind similar dramas like Lorenzo's Oil, but its heart and drive are unique to the story of the Crowleys, a very special family indeed. --A.T. Hurley




Stills from Extraordinary Measures (Click for larger image)








What does Nelson Mandela do after becoming president of South Africa? He rejects revenge, forgives oppressors who jailed him 27 years for his fight against apartheid and finds hope of national unity in an unlikely place: the rugby field. Clint Eastwood (named 2009's Best Director by the National Board of Review) directs an uplifting film about a team and a people inspired to greatness. Morgan Freeman (NBR's Best Actor Award winner and Oscar nominee for this role) is Mandela, who asks the national rugby team captain (Best Supportin! g Actor Oscar nominee Matt Damon) and his squad to do the impo! ssible a nd win the World Cup. Prepare to be moved--and thrilled.After South Africa elected Nelson Mandela president, the racially divided country could've easily erupted into civil war. In Clint Eastwood's determinedly populist, yet heartfelt look back at that time, the director examines one of the more ingenious steps Mandela (Morgan Freeman in a performance of sly charm) took to prevent that from happening. Knowing that his country was set to host the Rugby World Cup in 1995, Mandela believed the national team could provide an example of reconciliation in action. Led by François Pienaar (an unbelievably buff Matt Damon), the mostly white Springboks inspired devotion among Afrikaners and disgust among native Africans. Instead of changing their name or colors, Mandela encouraged them to win for the sake of their homeland. During the year leading up to the event, the team learns to work together as never before, just as Mandela's newly integrated security detail, a combination of co! ps and activists, finds a way to bridge their ideological differences. By the time of the big day, the poorly ranked Springboks are well equipped to hold their own against New Zealand's All Blacks (so named for their uniforms, not their racial composition). Drawing from John Carlin's Playing the Enemy, Anthony Peckham's script takes its title, Latin for "unconquerable," from a British poem Mandela held close to his heart during the 27 years he spent in prison. If Damon's accent is more convincing, Freeman serves as the film's heart--and as a timely reminder that reconciliation is never easy, but that it will always trump revenge. --Kathleen C. Fennessy

Hilary and Jackie Poster 27x40 Emily Watson Rachel Griffiths James Frain

  • Approx. Size: 27 x 40 Inches - 69cm x 102cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Hilary and Jackie Style A 27 x 40 Inches Poster
  • Packaged with care and shipped in sturdy reinforced packing material
HILARY AND JACKIE - DVD MovieIt earned Oscar nods, yet this cinematic look at a genius--that of English cellist Jacqueline du Pré, who enraptured audiences with her bold, emblazoned, and wholly unconventional playing style, and who died at age 42--was criticized for its "lapses" in truth by people who purportedly knew du Pré. Some of the controversy revolved around the other main character in Anand Tucker's gorgeous, involving movie--du Pré's sister, Hilary, whose book, A Genius in the Family (cowritten with brother Piers), dished some dirt! on Jackie's sleeping with Hilary's husband. But don't let that deter you from this ebullient movie experience. The film is a bisected story (each sister's tale is told in the same amount of screen time) teeming with heartfelt drama that belies the cheap shots it received from its detractors. It's stirring, reckless, loving, involving, and rife with unconventional passion; passion for music, life, art, and the delicate relationship between these two synchronous, extraordinary sisters as played by brilliant actors Emily Watson and Rachel Griffiths (both of whom earned Oscar nods). Though Watson got the juicy, showy role as Jackie, it's Griffiths who provides the heart, soul, and spine of the film. And director Tucker has that gift of being able to explain through the visual medium what is happening inside of his character's heads. He's helped by a fine screenplay by Frank Boyce Cottrell. No matter what the truth of Hilary and Jackie might really be, this is an e! xceptional, rare film that is defined and graced by fine actin! g and wr iting. --Paula NechakFrom the moment Jacqueline du Pré first held a cello at the age of five, it was clear she had an extraordinary gift. At sixteen, when she made her professional debut, she was hailed as one of the world's most talented and exciting musicians. But ten years later, she stopped playing virtually overnight, when multiple sclerosis removed the feeling in her hands just before a concert. It took fourteen more years for the crippling disease to take its final toll.

In this uniquely revealing biography, Hilary and Piers du Pré have re-created the life they shared with their sister in astonishing personal detail, unveiling the private world behind the public face. With warmth and candor they recount Jackie's blissful love of the cello, her marriage to the conductor Daniel Barenboim, her compulsions, her suffering, and, above all, the price exacted by her talent on the whole family. For proud as they were of Jackie's enormous success, none of them w! as prepared for the profound impact her genius would have on each of their lives. . . .Jacqueline du Pré saw the outlines of her short, brilliant, and tragic life when she was still very young. The first time she heard a cello (she was 4 years old), she said, "Mummy, I want to make that sound." She got a cello for her 5th birthday and made her professional debut at age 16. She went on to become one of the century's most amazing musicians for 10 years. Then her career was ended by multiple sclerosis. She seems to have foreseen that crippling illness, which killed her at age 42 after years of slow deterioration. She was 9 years old when she confided in her sister, Hilary (who coauthored this biography with their brother, Piers), "Don't tell Mum, but... when I grow up, I won't be able to walk or move." Before she was stricken down, Jacqueline du Pré led a life of unusual richness and complexity. Here that life is examined by her siblings in loving but realistic ! terms, including the flaws and conflicts as well as the achie! vements.

The biography formed the basis for the 1998 film starring Emily Watson. It is a sad chronicle of the pitiless disease that twisted Jackie's personality and sanity as well as her body, but also a joyful book about music, the tenderness and rivalries of family life, and above all a singular, tormented, but buoyant personality. --Joe McLellan It earned Oscar nods, yet this cinematic look at a genius--that of English cellist Jacqueline du Pré, who enraptured audiences with her bold, emblazoned, and wholly unconventional playing style, and who died at age 42--was criticized for its "lapses" in truth by people who purportedly knew du Pré. Some of the controversy revolved around the other main character in Anand Tucker's gorgeous, involving movie--du Pré's sister, Hilary, whose book, A Genius in the Family (cowritten with brother Piers), dished some dirt on Jackie's sleeping with Hilary's husband. But don't let that deter you from this ebu! llient movie experience. The film is a bisected story (each sister's tale is told in the same amount of screen time) teeming with heartfelt drama that belies the cheap shots it received from its detractors. It's stirring, reckless, loving, involving, and rife with unconventional passion; passion for music, life, art, and the delicate relationship between these two synchronous, extraordinary sisters as played by brilliant actors Emily Watson and Rachel Griffiths (both of whom earned Oscar nods). Though Watson got the juicy, showy role as Jackie, it's Griffiths who provides the heart, soul, and spine of the film. And director Tucker has that gift of being able to explain through the visual medium what is happening inside of his character's heads. He's helped by a fine screenplay by Frank Boyce Cottrell. No matter what the truth of Hilary and Jackie might really be, this is an exceptional, rare film that is defined and graced by fine acting and writing. --Paula ! NechakAs might be expected, the soundtrack to Hilary an! d Jackie plays a highly prominent role in this film about the emotionally fraught relationship between two gifted sisters, one of whom is the brilliant cellist Jacqueline Du Pré. Certainly composer Barrington Pheloung--whose credits include the Inspector Morse series and the evocative score to Truly, Madly, Deeply--faced a heady challenge in writing music to be heard alongside Du Pré's rhapsodic, signature interpretation of the Edward Elgar Cello Concerto, not to mention other classical selections. Even so, the resonantly autumnal, neo-Romantic flavor of his score aptly mirrors the narrative's flashback-oriented technique. His insistence on the cello's urgent high register (played by soloist Caroline Dale) creates a poignant musical portrait of its tragically stricken protagonist. Most of the CD, however, is given to the entire Elgar concerto--an especially effective choice as against the usual potpourri of classical snippets. This charged, elegiac, and ea! sily accessible work--Elgar's own valedictory composition for orchestra--becomes a sort of musical metaphor for Du Pré's emotional journey and gains from being heard in its full context. While the performance featured here is conducted by husband Daniel Barenboim, you'll probably be inspired to try Du Pré's never-bettered version of the Elgar on EMI with John Barbirolli. --Thomas MayIt earned Oscar nods, yet this cinematic look at a genius--that of English cellist Jacqueline du Pré, who enraptured audiences with her bold, emblazoned, and wholly unconventional playing style, and who died at age 42--was criticized for its "lapses" in truth by people who purportedly knew du Pré. Some of the controversy revolved around the other main character in Anand Tucker's gorgeous, involving movie--du Pré's sister, Hilary, whose book, A Genius in the Family (cowritten with brother Piers), dished some dirt on Jackie's sleeping with Hilary's husband. But don't ! let that deter you from this ebullient movie experience. The ! film is a bisected story (each sister's tale is told in the same amount of screen time) teeming with heartfelt drama that belies the cheap shots it received from its detractors. It's stirring, reckless, loving, involving, and rife with unconventional passion; passion for music, life, art, and the delicate relationship between these two synchronous, extraordinary sisters as played by brilliant actors Emily Watson and Rachel Griffiths (both of whom earned Oscar nods). Though Watson got the juicy, showy role as Jackie, it's Griffiths who provides the heart, soul, and spine of the film. And director Tucker has that gift of being able to explain through the visual medium what is happening inside of his character's heads. He's helped by a fine screenplay by Frank Boyce Cottrell. No matter what the truth of Hilary and Jackie might really be, this is an exceptional, rare film that is defined and graced by fine acting and writing. --Paula NechakAddresses issues of concern ! in the area of women's studies, aiming to offer fresh perspectives on sexuality, paid work, the development process, equal opportunities legislation, lesbian history and women's writing. The book is also concerned with the politics and practice of women's studies.Addresses issues of concern in the area of women's studies, aiming to offer fresh perspectives on sexuality, paid work, the development process, equal opportunities legislation, lesbian history and women's writing. The book is also concerned with the politics and practice of women's studies.Hilary and Jackie reproduction poster print

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Back to the Future Part II

  • Features include: -MPAA Rating: PG -Format: DVD-Runtime: 108 minutes
Getting back was only the beginning as the most spectacular time-travel adventure ever continues in Back to the Future Part II - the sequel that proves that lightning can strike twice! Picking up precisely where they left off, Marty and Doc (Michael J. Fox and Christopher Lloyd) launch themselves to the year 2015 to fine-tune the future and inadvertently disrupt the space time continuum. Now, their only chance to fix the present is by going back to 1955 all over again before it is too late. From the Academy Award-winning filmmakers Steven Spielberg and Robert Zemeckis, Back to the Future Part II proves true excitement is timeless. Starring: Michael J. Fox, Christopher Lloyd, Lea Thompson, Thomas F. Wilson, Casey Siemaszko, Billy Zane, Elisabeth Shue, Elijah Wood Directed by: Robert ZemeckisCritics and audiences didn't seem ! too happy with this inventive, perhaps too clever sequel to the popular 1985 comedy about a high school kid (Michael J. Fox) who travels into the past and has to bring his parents together (or lose his own existence). Director Robert Zemeckis and cast bent over backwards to add layers of time-travel complication to this follow-up, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Fox's character watching his own actions from the first film. --Tom Keogh

Bart Got a Room : Widescreen Edition

  • Widescreen
Nerdy high school senior Danny has spent six hundred bucks on the hotel room, the limo and the tux for his prom. He's only missing one thing - the girl. Hampered by well intentioned but clueless advice from his newly divorced parents and unsympathetic mocking from his best friends, Danny battles peer pressure, teen angst and his own raging hormones as he desperately searches for a prom date. Danny's luckless quest turns to panic when he learns that even Bart - the school's biggest dweeb - has secured not only a date but also a hotel room for the night.Bart Got a Room isn’t the first movie comedy about nerds, high school, and the senior prom, and it undoubtedly won’t be the last. It may not be the best, either, but writer-director Brian Hecker’s 2008 concoction has enough laughs, charm, amusingly-drawn characters, and winning performances to more than hold its own.! For Danny Stein (Steven J. Kaplan), a high school student in Hollywood, Florida, the imminence of the prom is the source of considerable distress; even more distressing is the prospect of booking of a hotel room for himself and his date at the end of the evening. Problem is, Danny (who’s a bit of a schlub, but far from a total, like, loser), doesn’t have a date yet. The obvious choice is his “best friend” Camille (Alia Shawkat), who’s available and clearly interested, but Danny thinks he can do better--say, with Alice (Ashley Benson), the sophomore hottie who drives to school with him every day. Wrong. As the days, then the hours, dwindle down, Danny, whose parents’ separation is an added distraction (William H. Macy and Cheryl Hines are perfect as Ernie, who’s looking for love on the internet, and Beth, who has a new beau), realizes he’s in big trouble, not least because even the titular Bart--a geek so geeky he makes Danny look like Tom Cruise--already ha! s the room thing covered. All of this plays out in ways that a! re neith er surprising nor especially hilarious, but the movie has heart, not to mention a number of cute, quirky scenes (many involving Danny’s well-intentioned, but mostly clueless, family). Movies like Bart Got a Room aren’t really about the destination, anyway; they’re about the journey, and this one’s a fun ride. --Sam Graham

Stills from Bart Got a Room (Click for larger image)









Bart Got a Room isn't the first movie comedy about nerds, high school, and the senior prom, and it undoubtedly won't be the last. It may not be the best, either, but writer-director Brian Hecker's 2008 concoction has enou! gh laughs, charm, amusingly-drawn characters, and winning perf! ormances to more than hold its own. For Danny Stein (Steven J. Kaplan), a high school student in Hollywood, Florida, the imminence of the prom is the source of considerable distress; even more distressing is the prospect of booking of a hotel room for himself and his date at the end of the evening. Problem is, Danny (who's a bit of a schlub, but far from a total, like, loser), doesn't have a date yet. The obvious choice is his "best friend" Camille (Alia Shawkat), who's available and clearly interested, but Danny thinks he can do better--say, with Alice (Ashley Benson), the sophomore hottie who drives to school with him every day. Wrong. As the days, then the hours, dwindle down, Danny, whose parents' separation is an added distraction (William H. Macy and Cheryl Hines are perfect as Ernie, who's looking for love on the internet, and Beth, who has a new beau), realizes he's in big trouble, not least because even the titular Bart--a geek so geeky he makes Danny look like Tom Cruise--! already has the room thing covered. All of this plays out in ways that are neither surprising nor especially hilarious, but the movie has heart, not to mention a number of cute, quirky scenes (many involving Danny's well-intentioned, but mostly clueless, family). Movies like Bart Got a Room aren't really about the destination, anyway; they're about the journey, and this one's a fun ride.

Sex and the City: The Complete Third Season

  • Condition: New
  • Format: DVD
  • Subtitled; Color; DVD; NTSC
Vince Rizzo (Andy Garcia) is a lifelong resident of the tiny, tradition-steeped Bronx enclave of City Island. A family man who makes his living as a corrections officer, Vince longs to become an actor. Ashamed to admit his aspirations to his family, Vince would rather let his fiery wife Joyce (Julianna Margulies) believe his weekly poker games are a cover for an extramarital affair than admit he’s secretly taking acting classes in Manhattan. When Vince is asked to reveal his biggest secret in class, he inadvertently sets off a chaotic chain of events that turns his mundane suburban life upside down. Winner of the Audience Award at the 2009 Tribeca Film Festival, City Island spins a web of misrepresentations, misinterpretations and misunderstandings into a smart and charming comedy about a family that stops at nothing to ! avoid the truth.
City Island is chock-full of the simple pleasures to be gleaned from a warm, generous, and skillful script, performed with humor and charisma by a talented cast. Vince Rizzo (Andy Garcia, Ocean's Eleven) is a prison guard--or "corrections officer," as he prefers--and has a family full of secrets: his son has some atypical desires and his daughter has been kicked out of school, while his wife Joyce (Julianna Margulies, The Good Wife) is powerfully attracted to the hunky young ex-con on parole that Vince has brought to stay with them. But Vince has some potent secrets of his own, including taking acting classes. He tells Joyce he's playing poker, which leads her to believe he's having an affair--and when she meets his acting partner (Emily Mortimer, Lovely and Amazing), she thinks her fears are confirmed. This plot could easily have been melodramatic or sentimental, but thanks to the relaxed and confident guiding hand of wr! iter-director Raymond De Felitta and the grounded, unfussy per! formance s of the actors, City Island is engaging and thoroughly enjoyable from start to finish. --Bret FetzerVince Rizzo (Andy Garcia) is a lifelong resident of the tiny, tradition-steeped Bronx enclave of City Island. A family man who makes his living as a corrections officer, Vince longs to become an actor. Ashamed to admit his aspirations to his family, Vince would rather let his fiery wife Joyce (Julianna Margulies) believe his weekly poker games are a cover for an extramarital affair than admit he’s secretly taking acting classes in Manhattan. When Vince is asked to reveal his biggest secret in class, he inadvertently sets off a chaotic chain of events that turns his mundane suburban life upside down. Winner of the Audience Award at the 2009 Tribeca Film Festival, City Island spins a web of misrepresentations, misinterpretations and misunderstandings into a smart and charming comedy about a family that stops at nothing to avoid the truth.
City Island is chock-full of the simple pleasures to be gleaned from a warm, generous, and skillful script, performed with humor and charisma by a talented cast. Vince Rizzo (Andy Garcia, Ocean's Eleven) is a prison guard--or "corrections officer," as he prefers--and has a family full of secrets: his son has some atypical desires and his daughter has been kicked out of school, while his wife Joyce (Julianna Margulies, The Good Wife) is powerfully attracted to the hunky young ex-con on parole that Vince has brought to stay with them. But Vince has some potent secrets of his own, including taking acting classes. He tells Joyce he's playing poker, which leads her to believe he's having an affair--and when she meets his acting partner (Emily Mortimer, Lovely and Amazing), she thinks her fears are confirmed. This plot could easily have been melodramatic or sentimental, but thanks to the relaxed and confident guiding hand of writer-director Raymond De Felitta and the! grounded, unfussy performances of the actors, City Island is e ngaging and thoroughly enjoyable from start to finish. --Bret FetzerStudio: Tcfhe/anchor Bay/starz Release Date: 09/20/2011 Rating: Pg13City Island is chock-full of the simple pleasures to be gleaned from a warm, generous, and skillful script, performed with humor and charisma by a talented cast. Vince Rizzo (Andy Garcia, Ocean's Eleven) is a prison guard--or "corrections officer," as he prefers--and has a family full of secrets: his son has some atypical desires and his daughter has been kicked out of school, while his wife Joyce (Julianna Margulies, The Good Wife) is powerfully attracted to the hunky young ex-con on parole that Vince has brought to stay with them. But Vince has some potent secrets of his own, including taking acting classes. He tells Joyce he's playing poker, which leads her to believe he's having an affair--and when she meets his acting partner (Emily Mortimer, Lovely and Amazing), she thinks her fears are confirmed. T! his plot could easily have been melodramatic or sentimental, but thanks to the relaxed and confident guiding hand of writer-director Raymond De Felitta and the grounded, unfussy performances of the actors, City Island is engaging and thoroughly enjoyable from start to finish. --Bret FetzerDisc 1: CHARLIE CHAN IN HONOLULU **Full Frame Feature **Reinventing Chan **Sidney Toler:The Man Who Became Chan **"Charlie Chan? Courage: A Re-creation of a Lost Chan Film" **Restoration Comparison **Still Gallery

Disc 2: CHARLIE CHAN IN RENO **Full Frame Feature **Welcome to Reno: America's Divorce Resort **Reno Memories **Chan's Killer Actress: Kay Linaker **Restoration Comparison **Trailer **Still Gallery

Disc 3: CHARLIE CHAN AT TREASURE ISLAND **Full frame Feature **Commentary by Film CriticKen Hanke & Film Historian John Cork **The Real Treasure Island **Charlie Chan & the Zodiac **Restoration Comparison **Still Gallery

Disc 4: CHARLIE CHAN IN CITY IN DARKNES! S **Full frame Feature **The Making of Charlie Chan in City in! Darknes s **Writing Chan: Robert Ellis & Helen Logan **Restoration Comparison **Trailer **Still GallerySex and the City returns for a third season that is even fresher, funnier and more tastefully dressed than the first two. Join Carrie and her friends Charlotte, Miranda and Samantha as they do weddings, funerals and Bat Mitzvahs, Staten Island, the meat-packing district and the Playboy Mansion. "A-List" celebrity guest appearances include Carrie Fisher, Sarah Michelle Gellar, Hugh Hefner, Donovan Leitch, Matthew McConaughey, Alanis Morissette and Vince Vaughn. So get ready to cross the velvet ropes and enter a world of... Sex and the City.

DVD Features:
Audio Commentary:Audio Commentary of 4 Episodes with Executive Producer Michael Patrick King
Biographies
Episodic Previews
Episodic Recaps
Other:Biographies - Cast, Sarah Jessica Parker, Chris Noth, Darren Starr, Michael Patrick King, and more!
Scene Access
The third season was the charm for one of HBO's gold standard series, which earned its first Emmy for Outstanding Comedy Series to go along with its Golden Globes for Best Comedy Series and Best Actress (Sarah Jessica Parker). The writing is as sharp as ever, with more trendy product placement than a Bret Easton Ellis novel and ribald banter that's a cross between the Algonquin Round Table and the Friars Club. One of this season's two principal story arcs concerned hapless-in-love Charlotte (Kristin Davis) and her pursuit of a husband; enter (if only...) Kyle McLachlan as the unfortunately impotent Trey. Meanwhile, sex columnist Carrie has a brief but memorable fling with a politician who’s golden, but not in the way she anticipated. She then sabotages her too-good-to-be-true relationship with furniture designer Aidan (John Corbett) by having an affair with Mr. Big (Chris Noth), who himself has gotten married.

"Do we need drama to make a relationship work?" Carrie mus! es at one point. Sex and the City needs drama to make i! t work, and Parker and Cynthia Nixon (as career woman Miranda), this ensemble's better half, give the show its pulsating heart as they wrestle with commitment and, in the episode "Don't Ask, Don't Tell," sadder-but-wiser breakups. On the lighter side, the sexual dalliances of "rude and politically incorrect" Samantha (Kim Cattrall) provide great fodder for comedy. Like I Love Lucy, the series benefited from a brief change of scenery with a three-episode jaunt to Los Angeles, where Carrie and company encountered, among others, Matthew McConaughey, Vince Vaughn, Hugh Hefner, and Sarah Michelle Gellar. At its best, to quote one character, Sex and the City is "sharp, edgy, brutal at times, always a little juicy." It may be "very New York," but the sex and relationship issues it tackles are universal. For its devoted fans, the release of this 18-episode, three-disc set is, to quote Gellar's clueless Hollywood junior development exec, "chick flick big." --Donald Liebenson!

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