Freud EB-090 Double Edge Trimmer for Hand Banding

• Trims top and bottom of edge banding in one pass
• Cuts a flush or beveled edge
• Spring loaded with replaceable knives
• Manufacturer's 1-year limited warranty
• Covered by Freud's limited one year power tool warranty

The Freud Hand Trimmer for Edge Banding trims the top and bottom of the edge banding in one pass. This hand trimmer cuts a flush or beveled edge. Spring loaded with replaceable knives, this hand trimmer is covered by Freud's 1-year limited warranty.

Smith & Wesson CK105H Extreme Ops Knife

• Stainless steel blade
• Aluminum handle
• Folding spearpoint blade
• Comes with a pocket clip

A TELEVISION COMMERCIAL SHOOT IN AUSTRIAN ALPS FEATURINGEXTREME SKIING GOES TERRIBLY WRONG WHEN THE FILM CREW UNKNOWINGLY CAPTURES A WANTED SERBIAN WAR CRIMINAL ON FILM. IT'S A BATTLE FOR SURVIVAL BETWEEN THE WAR CRIMINAL AND THE EXTREME SPORTS ENTHUSIASTS.When an extreme-sports filmmaking team sets out to make a commercial featuring a gold-medal skier outrunning an avalanche, they run afoul of a Serbian war criminal hiding out in a mountain resort. So it's snowboards vs. bullets on steep slopes of snow--and if that's your thing, Extreme Ops is for you. There are also subplots about the high-class skier (Bridgette Wilson-Sampras, House on Haunted Hill) trying to prove herself with the rough-and-tumble snowboard scamps, and various romantic sparks flying, but the! only real point to this movie is lengthy shots of stuntpeople zipping down the mountainsides. Though it could stand to have less plot and more action, there's a good dose of spectacle nonetheless. Rufus Sewell (Dark City), Devon Sawa (Final Destination), and the cast do a serviceable job, but poor Brit Rupert Graves (excellent in Mrs. Dalloway) was forced to act through a terrible American accent. --Bret FetzerATTRIBUTES Blade Detail: Plain Edge Blade Length (inches): 3.19 Blade Material: 440C Carry System: Pocket Clip Handle Material: Aluminum Lock Style: Liner Lock Overall Length (inches): 7.38
!

Dust To Glory SCORE Baja 1000 Documentary DVD

• From Dust To Glory SCORE Baja 1000 Documentary DVD

Don't be surprised if you feel a dry, tickling sensation in the back of your throat after watching the slam-bang racing documentary Dust to Glory. It's probably from the lingering sand and silt spewed from the knobby wheels of an array of machines that skitter from one end of the Baja Peninsula to the other. Using 90 cameras in a variety of formats, director Dana Brown captures the giddy danger of the race with truly visceral force. In 1967, a few California thrill-seekers had the Eureka spirit to take their homemade race cars for some whooping-up in the wide-open land just a few hours away. Since then, the Baja 1000 has turned into a party-fueled happening that's more akin to Burning Man than the Indy 500. It's billed as the world's longest nonstop race, running point-to-point for 1,000 miles through the Mexican desert from Tijuana to La Paz! --pretty much the entire length of Baja.
Dana Brown is the son of Bruce Brown, whose 1966 film The Endless Summer sparked a surfing craze, and still holds up as an incomparable ode to the existential surfing lifestyle. Dust to Glory is by no means so profound and uses more of a Warren Miller thrill-marketing style (he of the annual throwaway extreme-skiing films). Cameras swoop down from helicopters, careen through silt, and are put into tracks over which vehicles pass at extreme speeds. In spite of the adrenaline rush, Dust to Glory is ultimately more about what people think about the higher implications of the competition.

From the creators of Step Into Liquid comes this absolutely exhilarating film about the most notorious and dangerous race in the world: the Tecate SCORE Baja 1000. Showcasing Mario Andretti, Robby Gordon, Johnny Campbell and J.N. Roberts, and packed with awesome helicopter footage, in-your-face POV shots and stories of raw courage, Dust to G! lory follows a wild assortment of motorcycles, dune buggies, A! TV quads and tricked-out trucks in a 32-hour dash across 1,000 miles of unforgiving terrain and delivers such pulse-pounding thrills that you feel like you've been there . Don't be surprised if you feel a dry, tickling sensation in the back of your throat after watching the slam-bang racing documentary Dust to Glory. It's probably from the lingering sand and silt spewed from the knobby wheels of an array of machines that skitter from one end of the Baja Peninsula to the other. Using 90 cameras in a variety of formats, director Dana Brown captures the giddy danger of the race with truly visceral force. In 1967, a few California thrill-seekers had the Eureka spirit to take their homemade race cars for some whooping-up in the wide-open land just a few hours away. Since then, the Baja 1000 has turned into a party-fueled happening that's more akin to Burning Man than the Indy 500. It's billed as the world's longest nonstop race, running point-to-point for 1,000 miles through the ! Mexican desert from Tijuana to La Paz--pretty much the entire length of Baja.

Dana Brown is the son of Bruce Brown, whose 1966 film The Endless Summer sparked a surfing craze, and still holds up as an incomparable ode to the existential surfing lifestyle. Dust to Glory is by no means so profound and uses more of a Warren Miller thrill-marketing style (he of the annual throwaway extreme-skiing films). Cameras swoop down from helicopters, careen through silt, and are put into tracks over which vehicles pass at extreme speeds. In spite of the adrenaline rush, Dust to Glory is ultimately more about what people think about the higher implications of the competition. One veteran finisher describes it this way: "It's like having all 10,000 close calls of your life in one day. It makes regular life feel like slow-motion." --Ted FryJoin Dr. Sproul on a unique study tour as he explores the major themes, events, and people that are brought to life in th! e Bible. Dust to Glory provides a panorama of biblical truth a! nd a sta rting point to help you understand the content of the Bible. Dust to Glory can energize your study of the Bible, provide you with new insights, and improve your ability to read, understand, and apply Scripture to your life.

"I believe that Dust to Glory is the most important teaching tool Ligonier has produced. It is our prayer that it will serve you in your desire to grow in the knowledge and love of God. As Christians, we are called to be people of the Word. My hope is that Dust to Glory will encourage, stimulate, and assist you to master the Scriptures so that the Scriptures may master you."
- Dr. R.C. Sproul

Fifty-seven 23-Minute MessagesStudio: Monterey Home Video Release Date: 09/04/2007 Run time: 88 minutesFrom Dust To Glory SCORE Baja 1000 Documentary DVD

Basic

• DVD

An ex-Army ranger and DEA agent is brought in to investigate the disappearance of an Army Ranger Drill Instructor and a group of cadets.
Item Type: DVD Movie
Item Rating: R
Street Date: 02/03/04
Wide Screen: yes
Director Cut: no
Special Edition: no
Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: no
Re-Release: no
Packaging: SleeveIf you thought The Recruit was full of surprises, Basic will spin your head around. Assuming that cleverness is its own reward, this military mystery shares many of The Recruit's strengths and weaknesses, offering multi-layered deception as its dramatic raison d'etre. Copping plenty of machismo attitude befitting a semi-effective thriller from Die Hard director John McTiernan, John T! ravolta stars as an ex-Army Ranger-turned-DEA agent, recruited by an Army investigator (Connie Nielsen) to solve the fratricide of a reviled Sergeant (Samuel L. Jackson) who was allegedly killed while commanding a Special Forces training mission in the hurricane-swept rainforests of Panama. Two survivors (Giovanni Ribisi in a showboat role, and Brian Van Holt) recall the ill-fated mission as the truth unfolds, Rashomon-style, in a series of repetitive flashbacks. Tricky enough to hold one's attention as it grows increasingly irrelevant, Basic is so enamored of its bogus ingenuity that its ultimate twist is a letdown. A second viewing might prove rewarding, if only to confirm that it all holds together. --Jeff Shannon

Duma (Full Screen Edition)

• Carroll Ballard (The Black Stallion, Fly Away Home) directs the exciting story of 12-year-old Xan (Alexander Michaletos), who decides to return the cheetah he raised from a cub to the wild instead of allowing pursuers to place it in captivity. Harsh South African landscapes, stalking lions, crocodiles, river rapids and a mysterious drifter (Eamonn Walker) who may intend to turn the big cat in for

Carroll Ballard (The Black Stallion, Fly Away Home) directs the exciting story of 12-year-old Xan (Alexander Michaletos), who decides to return the cheetah he raised from a cub to the wild instead of allowing pursuers to place it in captivity. Harsh South African landscapes, stalking lions, crocodiles, river rapids and a mysterious drifter (Eamonn Walker) who may intend to turn the big cat in for cash - all will test Xan's courage and resolve. Join him in this tale of growing up and letting go. It's ! a journey you won't want to miss.This African tale follow the rhythms of director Carroll Ballard's earlier films The Black Stallion and Fly Away Home, namely a child is drawn into the mysteries and magic of an animal. Xan (newcomer Alexander Michaletos) is a 12-year-old living in South Africa with his parents (Campbell Scott and Hope Davis, who appeared as a much different couple three years earlier in The Secret Life of Dentists) when they find an abandoned baby cheetah. They bring it up as their own and name it the Swahili word for cheetah, Duma. After some time, the creature is too big to stay domesticated and Dad tells the boy they will have to journey back to Duma's home to set him free. A sickness makes the family pull up stakes and head to the city where Xan and Duma don't fare well. Xan must take Duma on his own to set him free. To tell more would be a crime. As with any Ballard film, the story is subtext, the visuals rule. First-time cinemato! grapher Werner Maritz fills the screen with the desert landsca! pe and i s able to capture the magnificent speed of the cheetah. Ballard's films seem to build on their own inertia, creating scenes that seem to be simply happening instead of scripted, although this often suffers in the balance of wonderment versus all-too-lucky occurrences. Based on the children's picture book/memoir How It Was with Dooms by Xan and Carol Cawthra Hopcraft, this is a film worth seeking out, especially for families and kids above 5 years old. --Doug Thomas

Dark City (Director's Cut)

• Condition: New
• Format: DVD
• Color; Director's Cut; DVD; Widescreen; NTSC

Exciting stars Jennifer Jason Leigh (The Machinist), Jude Law (Repo Men), Willem Dafoe (Daybreakers) Ian Holm (The Aviator) and Sarah Polley (Splice) challenge the boundaries of reality in this futuristic, critically-acclaimed thriller.

During the first closed-door demonstration of an amazing new virtual reality game called eXistenZ, the system's brilliant designer, Allegra Geller (Leigh), is violently attacked by a crazed assassin intent on killing her and destroying her creation. Forced into hiding, Allegra enlists a young assistant (Law) to help her in testing the damaged system...by convincing him to join her inside eXistenZ. The action explodes as their world's real-life dangers begin to merge with the fantasy of the game.! Director David Cronenberg's eXistenZ is a stew of corporate espionage, virtual reality gaming, and thriller elements, marinated in Cronenberg's favorite Crock-Pot juices of technology, physiology, and sexual metaphor. Jennifer Jason Leigh is game designer Allegra Geller, responsible for the new state-of-the-art eXistenZ game system; along with PR newbie Ted Pikul (Jude Law), they take the beta version of the game for a test drive and are immersed in a dangerous alternate reality. The game isn't quite like PlayStation, though; it's a latexy pod made from the guts of mutant amphibians and plugs via an umbilical cord directly into the user's spinal column (through a BioPort). It powers up through the player's own nervous system and taps into the subconscious; with several players it networks their brains together. Geller and Pikul's adventures in the game reality uncover more espionage and an antigaming, proreality insurrection. The game world makes it increasingly diff! icult to discern between reality and the game, either through ! the game 's perspective or the human's. More accessible than Crash, eXistenZ is a complicated sci-fi opus, often confusing, and with an ending that leaves itself wide open for a sequel. Fans of Cronenberg's work will recognize his recurring themes and will eat this up. Others will find its shallow characterizations and near-incomprehensible plot twists a little tedious. --Jerry RenshawEXISTENZ - DVD MovieDirector David Cronenberg's eXistenZ is a stew of corporate espionage, virtual reality gaming, and thriller elements, marinated in Cronenberg's favorite Crock-Pot juices of technology, physiology, and sexual metaphor. Jennifer Jason Leigh is game designer Allegra Geller, responsible for the new state-of-the-art eXistenZ game system; along with PR newbie Ted Pikul (Jude Law), they take the beta version of the game for a test drive and are immersed in a dangerous alternate reality. The game isn't quite like PlayStation, though; it's a latexy pod made from th! e guts of mutant amphibians and plugs via an umbilical cord directly into the user's spinal column (through a BioPort). It powers up through the player's own nervous system and taps into the subconscious; with several players it networks their brains together. Geller and Pikul's adventures in the game reality uncover more espionage and an antigaming, proreality insurrection. The game world makes it increasingly difficult to discern between reality and the game, either through the game's perspective or the human's. More accessible than Crash, eXistenZ is a complicated sci-fi opus, often confusing, and with an ending that leaves itself wide open for a sequel. Fans of Cronenberg's work will recognize his recurring themes and will eat this up. Others will find its shallow characterizations and near-incomprehensible plot twists a little tedious. --Jerry Renshaw13TH FLOOR - DVD MovieComputer scientist Hannon Fuller (Armin Mueller-Stahl) finds something extrem! ely important. Knowing that he's marked for assassination, he ! leaves a message in the virtual reality world he's designed, hoping it will be found by colleague Douglas Hall (Craig Bierko). Hall is a suspect in Fuller's murder and indeed finds a bloody shirt in his house, with no recollection of what he did the night before. Hall plunges headlong into Fuller's world (a re-creation of 1937 Los Angeles) to try to unravel the slaying and is soon knee-deep in confusion and trouble. What this film lacks in character depth and plot cohesiveness it makes up for in special effects and high concept. Fans of films like Blade Runner, Dark City, eXistenZ, and even the game Sim City should find this appealing. Of course, there's the question of letting the computers do all the heavy lifting in films while the humans walk through the plot (an all-too-familiar scenario in 1999), but the re-creation of '30s Los Angeles is certainly something to see, pallid script and acting or not. The Thirteenth Floor is a stylish modern-day noir t! hat raises questions about technology versus reality, all the while wrapped up in a murder-mystery story line. --Jerry Renshaw Spider has been allowed a second chance at life after a long stay in a mental institution and sent to a halfway house under the stern watch of Mrs. Ilkenson.

Revisiting his old neighborhood reawakens memories of where his mother and his father raised him. He soon begins to uncover the real truth shifting seamlessly back and forth between the tragic events that polarized a boy's adolescence to the shell of a man enduring the surreal plausible reality of today.Internal madness is hypnotically externalized in David Cronenberg's Spider, a disturbing portrait of schizophrenia. Adapted by Patrick McGrath from his celebrated novel, this no-frills production begins when "Spider" Cleg (Ralph Fiennes, in a daring, nearly nonverbal role) returns to his childhood neighborhood in London's dreary East End, where a traumatic event from his pa! st percolates to the surface of his still-erratic consciousnes! s. Relea sed from a mental institution and left to fend for himself, he pursues elusive memories while staying in a halfway house run by a stern matron (Lynn Redgrave), unable to distinguish between past, present, and psychological fabrication. The distorting influence of Spider's mind is directly reflected in Cronenberg's cunning visual strategy, presenting a shifting "reality" that's deliberately untrustworthy, until the veracity of nearly every scene is called into question. With an impressive dual-role performance by Miranda Richardson, Spider falls prey to its own lugubrious rhythms, but like the acclaimed 1995 indie film Clean, Shaven, it's a compelling glimpse of mental illness, seen from the inside out. --Jeff ShannonVIDEODROME - DVD MovieLove it or loathe it, David Cronenberg's 1983 horror film Videodrome is a movie to be reckoned with. Inviting extremes of response from disdain (critic Roger Ebert called it "one of the least entertainin! g films ever made") to academic euphoria, it's the kind of film that is simultaneously sickening and seemingly devoid of humanity, but also blessed with provocative ideas and a compelling subtext of social commentary. Giving yet another powerful and disturbing performance, James Woods stars as the operator of a low-budget cable-TV station who accidentally intercepts a mysterious cable transmission that features the apparent torture and death of women in its programming. He traces the show to its source and discovers a mysterious plot to broadcast a subliminally influential signal into the homes of millions, masterminded by a quasi-religious character named Brian O'Blivion and his overly reverent daughter. Meanwhile Woods is falling under the spell, becoming a victim of video, and losing his grip--both physically and psychologically--on the distinction between reality and television. A potent treatise on the effects of total immersion into our mass-media culture, Videodro! me is also (to the delight of Cronenberg's loyal fans) a s! howcase for obsessions manifested in the tangible world of the flesh. It's a hallucinogenic world in which a television set seems to breathe with a life of its own, and where the body itself can become a VCR repository for disturbing imagery. Featuring bizarre makeup effects by Rick Baker and a daring performance by Deborah Harry (of Blondie fame) as Wood's sadomasochistic girlfriend, Videodrome is pure Cronenberg--unsettling, intelligent, and decidedly not for every taste. --Jeff ShannonThe critically-acclaimed triumph from visionary director Alex Proyas (I, Robot, The Crow) is back with a brand new directors cut featuring enhanced picture and sound, never-before-seen footage and three commentary tracks that take you deeper than ever before into the world of one of sci-fis most exciting and revered tales. When John Murdoch (Rufus Sewell) wakes with no memory at the scene of a grisly murder, he soon finds himself hunted by the police, a woman claiming to be his wife an! d a mysterious group of pale men who seem to control everything and everyone in the city. Starring Rufus Sewell (The Illusionist), Jennifer Connelly (A Beautiful Mind), William Hurt (A History of Violence) and Kiefer Sutherland (TVs 24).If you're a fan of brooding comic-book antiheroes, got a nihilistic jolt from The Crow (1994), and share director Alex Proyas's highly developed preoccupation for style over substance, you might be tempted to call Dark City an instant classic of visual imagination. It's one of those films that exists in a world purely of its own making, setting its own rules and playing by them fairly, so that even its derivative elements (and there are quite a few) acquire their own specific uniqueness. Before long, however, the film becomes interesting only as a triumph of production design. And while that's certainly enough to grab your attention (Blade Runner is considered a classic, after all), it's painfully clear that Da! rk City has precious little heart and soul. One-dimensiona! l charac ters are no match for the film's abundance of retro-futuristic style, so it's best to admire the latter on its own splendidly cinematic terms. Trivia buffs will be interested to know that the film's 50-plus sets (partially inspired by German expressionism) were built at the Fox Film Studios in Sydney, Australia, home base of director Alex Proyas and producer Andrew Mason. The underground world depicted in the film required the largest indoor set ever built in Australia. --Jeff Shannon

Crocodile Dundee in Los Angeles

• Exclusive cast and crew interviews
• Interactive Menus
• Scene Selection
• Widescreen
• Dolby Digital 5.1 Surround

Adventures of Crocodile Dundee as he travels from the Australian outback to Los Angeles for the first time.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 18-SEP-2001
Media Type: DVDHow long has it been since Paul Hogan's grizzled but charming alter ego appeared in a new movie? Well, long enough for the character, Crocodile Dundee, and his American companion, Sue Charleton (Hogan's real-life wife, Linda Kozlowski), to have raised a 9-year-old son, Mikey (Serge Cockburn), in the rough-and-tumble Australian outback that Dundee calls home. As with its two predecessors, however, Crocodile Dundee in Los Angeles is no domestic comedy but a fish-out-of-water comic adventure, this time finding Dundee and his mate! Jacko (Alec Wilson) relocated in balmy Southern California to help journalist Sue investigate a crooked studio executive. The jokes are predictable (L.A. traffic, Hollywood phonies, yoga) but fun, anyway, and there are some celebrity cameos to spice things up. Australian director Simon Wincer, who worked with Hogan on Lightning Jack, is very effective at keeping this light material briskly moving along even if he can't make it any more memorable than it has a right to be. All in all, this is a pleasant but forgettable experience, a far cry from the Capra-esque leanings of Hogan's first screen outing as Crocodile Dundee. --Tom Keogh

August Rush

• There?s music in the wind and sky. Can you hear it? And there?s hope. Can you feel it? The boy called August Rush can. The music mysteriously draws him, penniless and alone, to New York City in a quest to find ? somehow, someway ? the parents separated from him years earlier. And along the way he may also find the musical genius hidden within him.Experience the magic of this rhapsodic epic of the

Originally published in 1983, this bestseller is a compelling portrait of a young woman's experience in psychotherapy.AUGUST follows Tom Sterling (Josh Hartnett) as an aggressive, young dot-com entrepreneur who fights to keep his start-up company afloat. Tom finds himself on a personal and professional downward spiral as he struggles to reunite with girlfriend Sarrah (Naomie Harris), attempts to regain control of his company from his apathetic investor Ogilvie (David Bowie), and must deal with age-o! ld family wounds with his father, David (Rip Torn) and his brother Joshua (Adam Scott). The film also stars Emmanuelle Chriqui as Morela and Andre Royo as Dylan.The specter of September 11th looms over August--there are numerous indications that it’s set in 2001, and the title alone is an ominous indication of the imminence of that awful day--but watching this 2008 offering, one gets the feeling that even if Tom Sterling knew 9/11 was coming, he wouldn’t change a thing. As written by Howard A. Rodman, directed by Austin Chick, and portrayed by John Hartnett, Tom is almost completely unlikable. A dot-com entrepreneur in those heady days before the techno bubble burst and internet companies like his Land Shark went directly south, Tom’s hipper than his neck tattoo, disdainful of his competition, borderline abusive to his younger, meeker brother (the technical brains behind the company they founded together), hostile to his parents, and a jerk to his former girlfr! iend, the one person he actually seems to care about. He’s a! lso a ma ster at talking loud and saying absolutely nothing. One of the filmmakers’ conceits is that we’re never told exactly what it is that Land Shark does; Tom mouths some nonsense about providing "bleeding-edge, mission-critical, cross-platform, robust, scale-able architectures," but the company’s principal function, as his dad (Rip Torn) puts it, seems to be to provide office space for his young employees to eat Oreos and play computer solitaire, and when Land Shark meets the fate of others of its ilk, it’s mighty hard to care. No flies on Hartnett--the guy is a star, and rarely less than watchable. But August is a cold film, in both look and feel, and even a brief but memorable scene near the end with David Bowie as the one character who seems able to talk straight won’t keep you from wanting to take a shower when it’s all over. --Sam GrahamAutumn hasn’t even begun to deal with the fallout from the Solstice Party when she is dealt another blow, court! esy of the one person she is starting to trust above all others: Holt Roth himself.

Now she’s left to enjoy the rest of her summer on her own. Alone, that is, until something sinister washes up on the shores of Castleton. Autumn doesn’t know what’s going on, but it soon becomes clear that her life is in danger and the Fairies, led by Samuel, will have to come together to help her, whether she likes it or not.Autumn hasn’t even begun to deal with the fallout from the Solstice Party when she is dealt another blow, courtesy of the one person she is starting to trust above all others: Holt Roth himself.

Now she’s left to enjoy the rest of her summer on her own. Alone, that is, until something sinister washes up on the shores of Castleton. Autumn doesn’t know what’s going on, but it soon becomes clear that her life is in danger and the Fairies, led by Samuel, will have to come together to help her, whether she likes it or not.There’s music in th! e wind and sky. Can you hear it? And there’s hope. Can you f! eel it? The boy called August Rush can. The music mysteriously draws him, penniless and alone, to New York City in a quest to find â€" somehow, someway â€" the parents separated from him years earlier. And along the way he may also find the musical genius hidden within him. Experience the magic of this rhapsodic epic of the heart starring Freddie Highmore (as August), Keri Russell, Jonathan Rhys Meyers, Terrence Howard and Robin Williams. "I believe in music the way some people believe in fairy tales," August says. Open your heart and listen. You’ll believe, too.Music has long been considered a universal language with the power to bring people together, but can the simple act of playing music possibly unite a child with a mother and father who live in two different cities and don't even know of the child's existence? Having shared one extraordinary night, classical cellist Lyla Novacek (Keri Russell) and Irish singer and songwriter Louis Connelly (Jonathan Rhys Meyers) were a uni! on meant to be that was torn apart by circumstances and a protective father (William Sadler). After eleven years, both Lyla and Louis have given up performing only to find that they are unhappy and searching for a sense of fulfillment that will ultimately lead both artists back to music and performing. Evan (Freddie Highmore) is an 11-year old orphan who's grown up hearing music in everything around him and is convinced that his real parents want him and will find him with the help of music. Driven by his innate musical genius and a powerful compulsion to perform before the world, Evan runs away from the orphanage and is initially taken in by a street man known as Wizard (Robin Williams) who encourages his musical talent and renames him August Rush and, later, by a local priest who arranges for August to receive a Julliard education. August is a child prodigy who excels beyond even the wildest expectations and earns the opportunity of a lifetime--a chance to perform in ! front of an enormous audience in New York's Central Park. The! questio n is; can his performance possibly reach the audience August really craves? While elements of this film are completely unbelievable (take August's instant prowess on the guitar or his immediate and sophisticated grasp of musical notation and musical theory), the message of the universality of music and the notion that "the music is all around us, all you have to do is listen" is both compelling and powerful. --Tami Horiuchi

HOME OF THE BRAVE - Format: [Blu-Ray Movie]

• Condition: New
• Format: Blu-ray
• Color; Widescreen

A man I helped to settle here
taught me a saying from Africa.
I’ll bet you would like it:
A cow is God with a wet nose.

Kek comes from Africa where he lived with his mother, father, and brother. But only he and his mother have survived. Now she’s missing, and Kek has been sent to a new home. In America, he sees snow for the first time, and feels its sting. He wonders if the people in this new place will be like the winterâ€"cold and unkind. But slowly he makes friends: a girl in foster care, an old woman with a rundown farm, and a sweet, sad cow that reminds Kek of home. As he waits for word of his mother’s fate, Kek weathers the tough Minnesota winter by finding warmth in his new friendships, strength in his memories, and belief in his new country.

When a humanitarian mis! sion in Iraq is derailed by an explosive ambush, a small band of American soldiers find themselves fighting for their lives.The fact that Home of the Brave is about soldiers coming home from a war that isn't even over is just one of the things that's off in this film; director Irwin Winkler and screenwriter Mark Friedman's 2006 tale of the problems faced by the men and women returning from Iraq is also hampered by thoroughly predictable storytelling, sub-par acting, and sometimes painfully on-the-nose dialogue, reducing what could have been a provocative and challenging effort into so much TV movie fodder. When Army medic Will Marsh (Samuel L. Jackson, who does his best to rise above the level of the material) and soldiers Vanessa Price (Jessica Biel) and Tommy Yates (Brian Presley) return to Spokane, Washington, major readjustment problems loom, mostly due to a chaotic ambush in a small Iraqi town (occurring less than two weeks before they were to be sent home, the ! incident is so unsurprising that anyone could have seen it com! ing). Wi ll and his angry teenage son wage their own war, while Dad takes to the bottle; Vanessa's learning to cope with a prosthetic hand, while Tommy's grieving over the best buddy who died in the ambush and the loss of his job, girlfriend, and self-respect. Those matters and the clichéd, unconvincing way in which they're handled, along with the film's refusal to take a strong stand either for or against the war, obscure the potentially much more interesting issues. Are these soldiers patriots, or merely pawns? Were they doing their righteous duty by serving in this conflict, or were they victims sent off to suffer and perhaps die by a bunch of men in suits who never saw a minute of combat themselves? Other home-from-war films, from 1946's The Best Years of Our Lives to 1978's Coming Home to 1989's Born on the Fourth of July, have dealt with these and other issues a good deal more effectively than the earnest and well-intentioned but not very compelling Hom! e of the Brave. --Sam Graham

In dreamlike sequences, a man symbolically confronts the trauma of his family’s incarceration in the Japanese internment camps during World War II. This infamous event is made emotionally clear through his meeting a group of children all with strange name tags pinned to their coats. The man feels the helplessness of the children. Finally, desperately he releases the name tags like birds into the air to find their way home with the hope for a time when Americans will be seen as one people—not judged, mistrusted, or segregated because of their individual heritage.
Sixty years after thousands of Japanese Americans were unjustly imprisoned, the cogent prose and haunting paintings of renowned author and illustrator Allen Say remind readers of a dark chapter in America’s history.

When a humanitarian mission in Iraq is derailed by an explosive ambush, a small band of American soldiers find themselves fighting for their li! ves.The fact that Home of the Brave is about soldiers c! oming ho me from a war that isn't even over is just one of the things that's off in this film; director Irwin Winkler and screenwriter Mark Friedman's 2006 tale of the problems faced by the men and women returning from Iraq is also hampered by thoroughly predictable storytelling, sub-par acting, and sometimes painfully on-the-nose dialogue, reducing what could have been a provocative and challenging effort into so much TV movie fodder. When Army medic Will Marsh (Samuel L. Jackson, who does his best to rise above the level of the material) and soldiers Vanessa Price (Jessica Biel) and Tommy Yates (Brian Presley) return to Spokane, Washington, major readjustment problems loom, mostly due to a chaotic ambush in a small Iraqi town (occurring less than two weeks before they were to be sent home, the incident is so unsurprising that anyone could have seen it coming). Will and his angry teenage son wage their own war, while Dad takes to the bottle; Vanessa's learning to cope with a prosthe! tic hand, while Tommy's grieving over the best buddy who died in the ambush and the loss of his job, girlfriend, and self-respect. Those matters and the clichéd, unconvincing way in which they're handled, along with the film's refusal to take a strong stand either for or against the war, obscure the potentially much more interesting issues. Are these soldiers patriots, or merely pawns? Were they doing their righteous duty by serving in this conflict, or were they victims sent off to suffer and perhaps die by a bunch of men in suits who never saw a minute of combat themselves? Other home-from-war films, from 1946's The Best Years of Our Lives to 1978's Coming Home to 1989's Born on the Fourth of July, have dealt with these and other issues a good deal more effectively than the earnest and well-intentioned but not very compelling Home of the Brave. --Sam Graham

The Cost of Discipleship

• ISBN13: 9780684815008
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From the New York Times bestselling author of Amazing Grace, a groundbreaking biography of Dietrich Bonhoeffer, one of the greatest heroes of the twentieth century, the man who stood up to Hitler.

A definitive, deeply moving narrative, Bonhoeffer is a story of moral courage in the face of the monstrous evil that was Nazism.

After discovering the fire of true faith in a Harlem church, Bonhoeffer returned to Germany and became one of the first to speak out against Hitler. As a double-agent, he joined the plot to assassinate the Fuhrer, and was hanged in Flossenberg concentration camp at age 39. Since his death, Bonhoeffer has grown to be one of the most fascinati! ng, complex figures of the 20th century.

Bonhoeffer presents a profoundly orthodox Christian theologian whose faith led him to boldly confront the greatest evil of the 20th century, and uncovers never-before-revealed facts, including the story of his passionate romance.

*2011 ECPA Book of the Year

*2011 Canterbury Medal by the Becket Fund recognizing courage in the defense of religious liberty

*2011 Christopher Award winner highlighting the power of faith, courage, and action

One of the most important theologians of the twentieth century illuminates the relationship between ourselves and the teachings of Jesus

What can the call to discipleship, the adherence to the word of Jesus, mean today to the businessman, the soldier, the laborer, or the aristocrat? What did Jesus mean to say to us? What is his will for us today? Drawing on the Sermon on the Mount, Dietrich Bonhoeffer answers these timeless questions by providing a s! eminal reading of the dichotomy between "cheap grace" and "cos! tly grac e." "Cheap grace," Bonhoeffer wrote, "is the grace we bestow on ourselves...grace without discipleship....Costly grace is the gospel which must be sought again and again, the girl which must be asked for, the door at which a man must know....It is costly because it costs a man his life, and it is grace because it gives a man the only true life."

The Cost of Discipleship is a compelling statement of the demands of sacrifice and ethical consistency from a man whose life and thought were exemplary articulations of a new type of leadership inspired by the Gospel, and imbued with the spirit of Christian humanism and a creative sense of civic duty.

"When Christ calls a man, he bids him come and die." With these words, in The Cost of Discipleship, Dietrich Bonhoeffer gave powerful voice to the millions of Christians who believe personal sacrifice is an essential component of faith. Bonhoeffer, a German Lutheran pastor and theologian, was an exemplar o! f sacrificial faith: he opposed the Nazis from the first and was eventually imprisoned in Buchenwald and hung by the Gestapo in 1945. The Cost of Discipleship, first published in German in 1937, was Bonhoeffer's answer to the questions, "What did Jesus mean to say to us? What is his will for us to-day?" Bonhoeffer's answers are rooted in Lutheran grace and derived from Christian scripture (almost a third of the book consists of an extended meditation on the Sermon on the Mount). The book builds to a stunning conclusion: its closing chapter, "The Image of Christ," describes the believer's spiritual life as participation in Christ's incarnation, with a rare and epigrammatic confidence: "Through fellowship and communion with the incarnate Lord," Bonhoeffer writes, "we recover our true humanity, and at the same time we are delivered from that individualism which is the consequence of sin, and retrieve our solidarity with the whole human race." --Michael! Joseph Gross

Man Woman & Child

• Screen legends Martin Sheen and Blythe Danner are nothing short of brilliant in this funny, touching, and ultimately life-affirming story of love and redemption. From a masterful script by Love Story author Erich Segal, Man, Woman and Child beautifully, and unflinchingly, tells the story of the perfect family threatened by a dark secret from the distant past. Featuring the gorgeous cinematograp

No children. No future. No hope. In the year 2027, eighteen years since the last baby was born, disillusioned Theo (Clive Owen) becomes an unlikely champion of the human race when he is asked by his former lover (Julianne Moore) to escort a young pregnant woman out of the country as quickly as possible. In a thrilling race against time, Theo will risk everything to deliver the miracle the whole world has been waiting for. Co-starring Michael Caine, filmmaker Alfonso Cuarón’s Children of Men is t! he powerful film Pete Hammond of Maxim calls “magnificent … a unique and totally original vision.”Presenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to ! discover a cure for global infertility. As they carefully navi! gate bet ween the battling forces of military police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonSet in 2027, scientists are at a loss to explain why humans can no longer procreate, but the discovery of a lone pregnant woman leads to a desperate journey to protect her and save the future of mankind.
Genre: Featur! e Film-Drama
Rating: R
Release Date: 4-SEP-2007
Media Type: DVDPresenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to discover a cu! re for global infertility. As they carefully navigate between ! the batt ling forces of military police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonTold with P. D. James’s trademark suspense, insightful characterization, and riveting storytelling, The Children of Men is a story of a world with no children and no future.

The human race has become infertile, and the las! t generation to be born is now adult. Civilization itself is crumbling as suicide and despair become commonplace. Oxford historian Theodore Faron, apathetic toward a future without a future, spends most of his time reminiscing. Then he is approached by Julian, a bright, attractive woman who wants him to help get her an audience with his cousin, the powerful Warden of England. She and her band of unlikely revolutionaries may just awaken his desire to live . . . and they may also hold the key to survival for the human race.Set in 2027, scientists are at a loss to explain why humans can no longer procreate, but the discovery of a lone pregnant woman leads to a desperate journey to protect her and save the future of mankind.
Genre: Feature Film-Drama
Rating: R
Release Date: 4-SEP-2007
Media Type: DVDPresenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riv! eting cautionary tale of potential things to come. Set in the ! crisis-r avaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to discover a cure for global infertility. As they carefully navigate between the battling forces of military police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture th! e action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonUniversal Pictures Children of Men (Combo HD DVD and Standard DVD) In 2027 as humankind faces the likelihood of its own extinction a disillusioned government agent agrees to help transport and protect a miraculously pregnant woman to a sanctuary at sea where her childs birth may help scientists to save the future of mankind.Presenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cauti! onary tale of potential things to come. Set in the crisis-rava! ged futu re of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to discover a cure for global infertility. As they carefully navigate between the battling forces of military police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action wi! th you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonJust when Faela Durante dared to hope that her mission of atonement might succeed, it all shattered with the senseless massacre of the Tereskan healers in Kilrood. None survived the slaughter, not even her son. With her mentor, Ianos Wilkerson, missing and presumed dead, Faela and her new allies must heed Rivka’s dying prophecy in order to stand against the coming darkness. But old allies have turned into bitter enemies, and the darkness is spreading. Will Faela rediscover her! purpose before it’s too late, or will her desire for reveng! e lead t o her end?Growing up during the chaos of the Nabosian War, Faela Durante and her entire generation never knew what it meant to live in a time of peace.  Though the war ended years ago, the devastation has not.  Every decision, no matter how seemingly insignificant, has a consequence and some consequences can never be predicted.  But some are foretold.

Less than a year ago, Faela, the first Tereskan mind healer in generations, disappeared from her family home in Finalaran scared and pregnant. Hunted and living as an outcast, Faela searches for a legend that might be her only hope of gaining atonement and returning to her son. When her journey collides with two strangers and a prophecy, she must choose between trusting those around her or accomplishing her mission.  Haunted by her past, the consequences of Faela's choices may endanger more than her own fate.Screen legends Martin Sheen and Blythe Danner are nothing short of brilliant in this funny, touching, and ! ultimately life-affirming story of love and redemption. From a masterful script by Love Story author Erich Segal, Man, Woman and Child beautifully, and unflinchingly, tells the story of the perfect family threatened by a dark secret from the distant past. Featuring the gorgeous cinematography of Richard H. Kline (Body Heat, King Kong), Man, Woman and Child is a beautiful film of love and forgiveness with exceptional performances and skillful direction.

Casino Royale (Two-Disc Widescreen Edition)

• Condition: New
• Format: DVD
• AC-3; Closed-captioned; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC

Casino Royale introduces James Bond before he holds his license to kill. But Bond is no less dangerous, and with two professional assassinations in quick succession, he is elevated to "00" status. "M" (Judi Dench), head of the British Secret Service, sends the newly-promoted 007 on his first mission that takes him to Madagascar, the Bahamas and eventually leads him to Montenegro to face Le Chiffre, a ruthless financier under threat from his terrorist clientele, who is attempting to restore his funds in a high-stakes poker game at the Casino Royale. "M" places Bond under the watchful eye of the Treasury official Vesper Lynd. At first skeptical of what value Vesper can provide, Bond's interest in her deepens as they brave danger together. Le Chiffre's cunning and crue! lty come to bear on them both in a way Bond could never imagine, and he learns his most important lesson: Trust no one. The most successful invigoration of a cinematic franchise since Batman Begins, Casino Royale offers a new Bond identity. Based on the Ian Fleming novel that introduced Agent 007 into a Cold War world, Casino Royale is the most brutal and viscerally exciting James Bond film since Sean Connery left Her Majesty's Secret Service. Meet the new Bond; not the same as the old Bond. Daniel Craig gives a galvanizing performance as the freshly minted double-0 agent. Suave, yes, but also a "blunt instrument," reckless, and possessed with an ego that compromises his judgment during his first mission to root out the mastermind behind an operation that funds international terrorists. In classic Bond film tradition, his global itinerary takes him to far-flung locales, including Uganda, Madagascar, the Bahamas (that's more like it), and Montenegro, where he i! s pitted against his nemesis in a poker game, with hundreds of! million s in the pot. The stakes get even higher when Bond lets down his "armor" and falls in love with Vesper (Eva Green), the ravishing banker's representative fronting him the money.

For longtime fans of the franchise, Casino Royale offers some retro kicks. Bond wins his iconic Astin-Martin at the gaming table, and when a bartender asks if he wants his martini "shaken or stirred," he disdainfully replies, "Do I look like I give a damn?" There's no Moneypenny or "Q," but Dame Judi Dench is back as the exasperated M, who one senses, admires Bond's "bloody cheek." A Bond film is only as good as its villain! , and Mads Mikkelsen as Le Chiffre, who weeps blood, is a sinister dandy. From its punishing violence and virtuoso action sequences to its romance, Casino Royale is a Bond film that, in the words of one character, makes you feel it, particularly during an excruciating torture sequence. Double-0s, Bond observes early on, "have a short life expectancy." But with Craig, there is new life in the old franchise yet, as well as genuine anticipation for the next one when, at last, the signature James Bond theme kicks in following the best last line ever in any Bond film. To quote Goldie Hawn in Private Benjamin, now I know what I've been faking all these years. --Donald Liebenson

Stills from Casino Royale (click for larger image)

Beyond Casino Royale on Amazon.com

!

On Blu-ray	CD Soundtrack	Why We Love Daniel Craig
The Amazon.com James Bond Store	Where Have I Seen Daniel Craig?	Bond on Set: Filming Casino Royale Book

The Deep End of the Ocean

• Michelle Pfeiffer, Whoopi Goldberg, High School Reunion, Treat Williams, Jonathan Jackson, Cory Buck

A #1 New York Times bestseller, Mitchard's suspenseful and moving novel is now available in trade paperback

Few first novels receive the kind of attention and acclaim showered on this powerful story--a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmare--the disappearance of a child--as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.

"Riveting . . . twists that will spin you arou! nd." --Newsweek

"A drama with the tension of a thriller that moves deeply into the emotional territory of family ties." --People

"Take a deep breath. . . . This riveting story won't let you come up for air." --US magazine Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old Ben Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15th high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a j! ournalist and compassion of someone who has seemingly been th! ere. Int ernational publishing and movie rights sold fast on this one: It's a blockbuster.Few first novels receive the kind of attention and acclaim showered on this powerful storyâ€"a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmareâ€"the disappearance of a childâ€"as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old B! en Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15th high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a journalist and compassion of someone who has seemingly been there. International publishing and movie rights sold fast on this one: It's a blockbuster.Few first novels receive the kind of attention and acclaim showered on this powerful storyâ€"a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmareâ€"the disappearance of a childâ€"as it explores a family's struggle to en! dure, even against extraordinary odds. Filled with compassion,! humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.DEEP END OF THE OCEAN - DVD MovieBeth Cappadora (Michelle Pfeiffer) is at her high school reunion when her 3-year-old son disappears from his brother's care. The little boy never turns up, and the family has to deal with the devastating guilt and grief that goes along with it. Nine years later, the family has relocated to Chicago. By a sheer fluke, the kid turns up, living no more than two blocks away. The authorities swoop down and return the kid to his biological parents, but things are far from being that simple. The boy grew up around what he has called his father, while his new family are strangers to him; the older son, now a teenager, has brushes with the law and behavioral problems. His adjustment to his lost brother is complicated by normal teenage churlishness, and the dad (Treat Will! iams) seems to expect everything to fall into place as though the family had been intact all along. It's a tightrope routine for actors in a story like this, being careful not to chew the scenery while at the same time not being too flaccid or understated. For the most part, the members of the cast deal well with the emotional complexity of their roles. Though the story stretches credulity, weirder things do happen in the real world. The family's pain for the first half of the film is certainly credible, though the second half almost seems like a different movie. Whoopi Goldberg plays the detective assigned to the case; casting her is a bit of a stretch, but she makes it work. All in all, a decent three-hanky movie in the vein of Ordinary People. --Jerry Renshaw

Chocolat

• ISBN13: 9780140282030
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

With movies like Chocolat, it's always best to relax your intellectual faculties and absorb the abundant sensual pleasures, be it the heart-stopping smile of chocolatier Juliette Binoche as she greets a new customer, an intoxicating cup of spiced hot cocoa, or the soothing guitar of an Irish gypsy played by Johnny Depp. Adapted by Robert Nelson Jacobs from Joanne Harris's popular novel and lovingly directed by Lasse Hallström, the film covers familiar territory and deals in broad metaphors that even a child could comprehend, so it's no surprise that some critics panned it with killjoy fervor. Their objections miss the point. Familiarity can be comforting and so can easy metaphors when placed! in a fable that's as warmly inviting as this one.

Driven by fate, Vianne (Binoche) drifts into a tranquil French village with her daughter Anouk (Victoire Thivisol, from Ponette) in the winter of 1959. Her newly opened chocolatier is a source of attraction and fear, since Vianne's ability to revive the villagers' passions threatens to disrupt their repressive traditions. The pious mayor (Alfred Molina) sees Vianne as the enemy, and his war against her peaks with the arrival of "river rats" led by Roux (Depp), whose attraction to Vianne is immediate and reciprocal. Splendid subplots involve a battered wife (Lena Olin), a village elder (Judi Dench), and her estranged daughter (Carrie-Anne Moss), and while the film's broader strokes may be regrettable (if not for Molina's rich performance, the mayor would be a caricature), its subtleties are often sublime. Chocolat reminds you of life's simple pleasures and invites you to enjoy them. --Jeff ShannonCho! colate is the beautiful and captivating comedy from the acclai! med dire ctor of the Cider House Rules! Nobody could have imagined the impact that the striking Vianne(Binoche) would make when she arrived in a tranquil, old-fashioned French town. In her very unusual chocolate shop, Vianne begins to create mouth-watering confections that almost magically inspire the strailaced villagers to abandon themselves to temptation and happiness! But it is not until another stranger, the handsome Roux arrives in town that Vianne is finally able to recognize her own desires!With movies like Chocolat, it's always best to relax your intellectual faculties and absorb the abundant sensual pleasures, be it the heart-stopping smile of chocolatier Juliette Binoche as she greets a new customer, an intoxicating cup of spiced hot cocoa, or the soothing guitar of an Irish gypsy played by Johnny Depp. Adapted by Robert Nelson Jacobs from Joanne Harris's popular novel and lovingly directed by Lasse Hallström, the film covers familiar territory and deals in broad ! metaphors that even a child could comprehend, so it's no surprise that some critics panned it with killjoy fervor. Their objections miss the point. Familiarity can be comforting and so can easy metaphors when placed in a fable that's as warmly inviting as this one.

Driven by fate, Vianne (Binoche) drifts into a tranquil French village with her daughter Anouk (Victoire Thivisol, from Ponette) in the winter of 1959. Her newly opened chocolatier is a source of attraction and fear, since Vianne's ability to revive the villagers' passions threatens to disrupt their repressive traditions. The pious mayor (Alfred Molina) sees Vianne as the enemy, and his war against her peaks with the arrival of "river rats" led by Roux (Depp), whose attraction to Vianne is immediate and reciprocal. Splendid subplots involve a battered wife (Lena Olin), a village elder (Judi Dench), and her estranged daughter (Carrie-Anne Moss), and while the film's broader strokes may be regrettable ! (if not for Molina's rich performance, the mayor would be a ca! ricature ), its subtleties are often sublime. Chocolat reminds you of life's simple pleasures and invites you to enjoy them. --Jeff ShannonGreeted as "an amazement of riches . . . few readers will be able to resist" by The New York Times, Chocolat is an enchanting novel about temptation, pleasure, and the ultimate folly of self-denial. The town of Lansquenet, solemnly preparing for Lent, is set astir when Vianne Rocher and her spirited daughter arrive on the heels of the carnival and open a chocolate shop across the square from the church. Vianne's uncanny ability to perceive her customers' private discontents and alleviate them with just the right chocolate treats quickly charms the villagers--and enrages Pere Reynaud, the conservative local priest. Certain that only a witch could create such magical cures, Reynaud vows to block the chocolate festival Vianne plans for Easter Sunday and to run her out of town forever. Witch or not (she'll never tell), Vian! ne soon sparks a dramatic confrontation between those who prefer the cold comforts of the church and those who revel in their newly discovered taste for pleasure.

"Delectable . . . delicious"-- (USA Today)

"Part fairy tale, part morality tale, laden with high farce and tongue-in-cheek humor . . . suffused with lush detail and finely drawn interesting characters."-- Philadelphia Inquirer

"Harris writes with verve and charm . . . if Colette and Hawthorne had collaborated, the result might have been this serious delight."-- The New Yorker

The perfect treat for Valentine's Day and EasterVianne Rocher and her 6-year-old daughter, Anouk, arrive in the small village of Lansquenet-sous-Tannes--"a blip on the fast road between Toulouse and Bourdeaux"--in February, during the carnival. Three days later, Vianne opens a luxuriant chocolate shop crammed with the most tempting of confections and offering a mouth-watering variety of h! ot chocolate drinks. It's Lent, the shop is opposite the chur! ch and o pen on Sundays, and Francis Reynaud, the austere parish priest, is livid.

One by one the locals succumb to Vianne's concoctions. Joanne Harris weaves their secrets and troubles, their loves and desires, into her third novel, with the lightest touch. There's sad, polite Guillame and his dying dog; thieving, beaten-up Joséphine Muscat; schoolchildren who declare it "hypercool" when Vianne says they can help eat the window display--a gingerbread house complete with witch. And there's Armande, still vigorous in her 80s, who can see Anouk's "imaginary" rabbit, Pantoufle, and recognizes Vianne for who she really is. However, certain villagers--including Armande's snobby daughter and Joséphine's violent husband--side with Reynaud. So when Vianne announces a Grand Festival of Chocolate commencing Easter Sunday, it's all-out war: war between church and chocolate, between good and evil, between love and dogma.

Reminiscent of Herman Hesse's short story "Au! gustus," Chocolat is an utterly delicious novel, coated in the gentlest of magic, which proves--indisputably and without preaching--that soft centers are best. --Lisa Gee, Amazon.co.uk

Frost/Nixon [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen

From Academy Award-winning director Ron Howard comes the electrifying, untold story behind one of the most unforgettable moments in history. When disgraced President Richard Nixon agreed to an interview with jet-setting television personality, David Frost, he thought he’d found the key to saving his tarnished legacy. But, with a name to make and a reputation to overcome, Frost became one of Nixon’s most formidable adversaries and engaged the leader in a charged battle of wits that changed the face of politics forever. Featuring brilliant portrayals by Frank Langella and Michael Sheen, Frost/Nixon is the fascinating and suspenseful story of truth, accountability, secrets and lies.Sounds like a good match: a historical drama from the author of The Queen, but! with an American subject in the generational wheelhouse of director Ron Howard. And so Peter Morgan's Tony-winning play morphs into a Hollywood movie under the wing of the Apollo 13 guy. Morgan's subject is a curious moment of post-Watergate shakeout: British TV host David Frost's long-form interviews with ex-President Richard Nixon, conducted in 1977. It was a big ratings success at the time, justifying the somewhat controversial decision to cut an enormous check for Nixon's services. The movie adds a mockumentary note to the otherwise straightforward style, having direct-to-camera addresses from various aides to Frost and Nixon (played by the likes of Oliver Platt, Sam Rockwell, and Kevin Bacon); these basically tell us things we already glean from the rest of the movie, adding unnecessary melodrama and upping the stakes. In this curious scheme, the success of Frost's career, which could bellyflop if he doesn't get something worthwhile out of the cagey, long-win! ded Nixon, is given somewhat more weight than the actual revel! ations o f the interviews. Even with these questionable storytelling decisions, there's still the spectacle of two actors going at it hammer and tongs, and on that level the movie offers some heat. Michael Sheen, who played Tony Blair not only in The Queen but also in another Morgan-scripted project, The Deal, is adept at catching David Frost's blow-dried charm, as well as the determination beneath it. Frank Langella's physical performance as Nixon is superb, and he certainly can be a commanding actor, though veteran Nixon-watchers might find that he misses a certain depth of self-pity in the man. Both actors were retained from the original stage production, a rare thing in Hollywood--and probably Howard's best decision of the project. --Robert HortonFrom Academy Award-winning director Ron Howard comes the electrifying, untold story behind one of the most unforgettable moments in history. When disgraced President Richard Nixon agreed to an interview with j! et-setting television personality, David Frost, he thought he’d found the key to saving his tarnished legacy. But, with a name to make and a reputation to overcome, Frost became one of Nixon’s most formidable adversaries and engaged the leader in a charged battle of wits that changed the face of politics forever. Featuring brilliant portrayals by Frank Langella and Michael Sheen, Frost/Nixon is the fascinating and suspenseful story of truth, accountability, secrets and lies.Sounds like a good match: a historical drama from the author of The Queen, but with an American subject in the generational wheelhouse of director Ron Howard. And so Peter Morgan's Tony-winning play morphs into a Hollywood movie under the wing of the Apollo 13 guy. Morgan's subject is a curious moment of post-Watergate shakeout: British TV host David Frost's long-form interviews with ex-President Richard Nixon, conducted in 1977. It was a big ratings success at the time, justifyin! g the somewhat controversial decision to cut an enormous check! for Nix on's services. The movie adds a mockumentary note to the otherwise straightforward style, having direct-to-camera addresses from various aides to Frost and Nixon (played by the likes of Oliver Platt, Sam Rockwell, and Kevin Bacon); these basically tell us things we already glean from the rest of the movie, adding unnecessary melodrama and upping the stakes. In this curious scheme, the success of Frost's career, which could bellyflop if he doesn't get something worthwhile out of the cagey, long-winded Nixon, is given somewhat more weight than the actual revelations of the interviews. Even with these questionable storytelling decisions, there's still the spectacle of two actors going at it hammer and tongs, and on that level the movie offers some heat. Michael Sheen, who played Tony Blair not only in The Queen but also in another Morgan-scripted project, The Deal, is adept at catching David Frost's blow-dried charm, as well as the determination beneath it. Fr! ank Langella's physical performance as Nixon is superb, and he certainly can be a commanding actor, though veteran Nixon-watchers might find that he misses a certain depth of self-pity in the man. Both actors were retained from the original stage production, a rare thing in Hollywood--and probably Howard's best decision of the project. --Robert Horton

Clear and Present Danger (Jack Ryan)

• ISBN13: 9780425122129
• Condition: New
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In CLEAR AND PRESENT DANGER, Harrison Ford returns as intrepid CIA agent Jack Ryan. When his mentor, Admiral Greer (Jones), becomes gravely ill, Ryan is appointed acting CIA Deputy Director of Intelligence. His first assignment: investigate the murder of one of the President's friends, a prominent U.S. businessman with secret ties to Colombian drug cartels. Unbeknownst to Ryan, the CIA has already dispatched a deadly field operative (Dafoe) to lead a paramilitary force against the Colombian drug lords. Caught in the crossfire, Ryan takes matters into his own hands, risking his career and life for the only cause he still believes in -- the truth.The third installment in the cinematic incarnation of ! Tom Clancy's CIA analyst Jack Ryan and the second starring Harrison Ford, this follow-up to Patriot Games is a more complex, rewarding, and bolder film than its predecessor. Ford returns as Ryan, this time embroiled in a failed White House bid to wipe out a Colombian drug cartel and cover up the mess. The script, by Clancy and John Milius (Red Dawn), has an air of true adventure about it as Ryan places himself in harm's way to extract covert soldiers abandoned in a Latin American jungle. There are a couple of remarkable set pieces expertly handled by Patriot Games director Phillip Noyce, especially a shocking scene involving an ambush on Ryan's car in an alley. The supporting cast is superb, including Willem Dafoe as the soldiers' leader, Henry Czerny as Ryan's enemy at the CIA, Joaquim de Almeida as a smooth-talking villain, Ann Magnuson as an unwitting confederate in international crime, and James Earl Jones as Ryan's dying boss. The DVD release has a! widescreen presentation, theatrical trailer, closed captionin! g, optio nal French soundtrack, and optional Spanish subtitles. --Tom Keogh Widescreen/Blu-Ray. PG 13.Clear and Present Danger is a 1994 film directed by Phillip Noyce, based on the book of the same name by Tom Clancy. As in the novel, Jack Ryan is appointed Central Intelligence Agency (CIA) Acting Deputy Director and discovers that he is being kept in the dark by colleagues who are conducting a covert war against drug lords in Colombia.The third installment in the cinematic incarnation of Tom Clancy's CIA analyst Jack Ryan and the second starring Harrison Ford, this follow-up to Patriot Games is a more complex, rewarding, and bolder film than its predecessor. Ford returns as Ryan, this time embroiled in a failed White House bid to wipe out a Colombian drug cartel and cover up the mess. The script, by Clancy and John Milius (Red Dawn), has an air of true adventure about it as Ryan places himself in harm's way to extract covert soldiers abandoned in a Latin Americ! an jungle. There are a couple of remarkable set pieces expertly handled by Patriot Games director Phillip Noyce, especially a shocking scene involving an ambush on Ryan's car in an alley. The supporting cast is superb, including Willem Dafoe as the soldiers' leader, Henry Czerny as Ryan's enemy at the CIA, Joaquim de Almeida as a smooth-talking villain, Ann Magnuson as an unwitting confederate in international crime, and James Earl Jones as Ryan's dying boss. The DVD release has a widescreen presentation, theatrical trailer, closed captioning, optional French soundtrack, and optional Spanish subtitles. --Tom Keogh The controversial bestseller from Tom Clancy, the all-time master of the techno-thriller. CIA Deputy Director Jack Ryan joins the war on drugs. And when three American officials are assassinated in Colombia, the U.S. response is swift-and shocking.At the end of the prologue to Clear and Present Danger, Clancy writes, "And so began something t! hat had not quite begun and would not soon end, with many peo! ple in m any places moving off in directions and on missions which they all mistakenly thought they understood. That was just as well. The future was too fearful for contemplation, and beyond the expected, illusory finish lines were things fated by the decisions made this morning--and, once decided, best unseen." In Clear and Present Danger nothing is as clear as it may seem.

The president, unsatisfied with the success of his "war on drugs," decides that he wants some immediate success. But after John Clark's covert strike team is deployed to Colombia for Operation Showboat, the drug lords strike back taking several civilian casualties. The chief executive's polls plummet. He orders Ritter to terminate their unofficial plan and leave no traces. Jack Ryan, who has just been named CIA deputy director of intelligence is enraged when he discovers that has been left out of the loop of Colombian operations. Several of America's most highly trained soldiers are stran! ded in an unfinished mission that, according to all records, never existed. Ryan decides to get the men out.

Ultimately, Clear and Present Danger is about good conscience, law, and politics, with Jack Ryan and CIA agent John Clark as its dual heroes. Ryan relentlessly pursues what he knows is right and legal, even if it means confronting the president of the United States. Clark is the perfect soldier, but a man who finally holds his men higher than the orders of any careless commander.

Along with the usual, stunning array of military hardware and the latest techno-gadgets, Clear and Present Danger further develops the relationships and characters that Clancy fans have grown to love. Admiral James Greer passes the CIA torch to his pupil, Ryan. Mr. Clark and Chavez meet for the first time. Other recurring characters like Robert Ritter and "the President" add continuity to Clancy's believable, alternate reality. This is Clancy at his best.! --Patrick O'Kelley

Holy Man

• The always hilarious Eddie Murphy stars with Jeff Goldblum and Kelly Preston in a refreshingly funny hit that elevates shopping to a nearly religious experience! A stressed-out senior executive at the Good Buy home shopping channel, Ricky Hayman is praying for a miracle that will lift the network s lousy ratings and save his job. Then, from out of nowhere, G walks into his life! An outrageous, sel

They came from far and wide to see the Holy Man, to find new direction in their lives. They walked away, changed for ever by simple words of wisdom so powerful, yet so universal.The Holy Man is a delightful pilgrim's tale set in the modern world. Written with wit and verve, it tells the story of a gentle-natured disciple who, in the space of a week, moves from fear and doubt to joyful enlightenment. Anna's teacher is Joe, a wise and patient sage who sees in her the acolyte he has long b! een seeking. As their relationship grows, she begins to assume his mantle, while he sees her become ever more sure-footed. Watching this relationship unfold is wonderful, and Susan Trott shows uncanny insight into the nature of friendship as well as the interplay between pupil and teacher.

But this novel isn't solely about Anna's progression towards enlightenment, since she doesn't come alone to the holy man's door--she is accompanied by her skeptical husband, Errol, and their two children. They, too, have spiritual journeys to make, and in so doing enrich and instruct both Anna and her mentor. The Holy Man is a charming read and an uplifting one that never veers into the sentimental or trite. --Lucas LoBlack, Amazon.co.ukThe always hilarious Eddie Murphy (DR. DOLITTLE) stars with Jeff Goldblum (JURASSIC PARK) and Kelly Preston (JERRY MAGUIRE) in a refreshingly funny hit that elevates shopping to a nearly religious experience! A stressed-out ! senior executive at the Good Buy home shopping channel, Ricky ! Hayman ( Goldblum) is praying for a miracle that will lift the network's lousy ratings and save his job. Then, from out of nowhere, "G" (Murphy) walks into his life! An outrageous, self-styled inspirational guru with a knack for showing up where he isn't exactly wanted, "G" proceeds to wander in front of the cameras just long enough to exude the irresistible star quality that will make him the sales-boosting savior Ricky's network has been looking for! Also featuring a host of well-known celebrities in a sidesplitting series of comic infomercials -- you're bound to be another satisfied customer with nothing but praise for HOLY MAN!Holy Man could have been a stellar satire in the tradition of Frank Capra, George Stevens, or Preston Sturges. Instead, this well-meaning romantic comedy was bluntly written by Tom Schulman (Dead Poets Society) and broadly directed by Stephen Herek, who fared better with his 1995 drama Mr. Holland's Opus. Their good intentions shine t! hrough, however, and while it's easy to appreciate Eddie Murphy's attempt to shift his career in a more substantial direction, Holy Man delivers some pointed criticism of commercialism and its deadening effect on spiritual well-being.

Murphy plays an enlightened eccentric named "G" (for "guru" or "God"?) who rises to national celebrity when he's enlisted to host a TV shopping network. Jeff Goldblum and Kelly Preston play the show's producer and marketer, respectively, and their formulaic romance provides the movie's lackluster subplot. With skyrocketing ratings and a flurry of cameos by celebrity hucksters (Morgan Fairchild, Florence Henderson, Dan Marino, and even James Brown), G delivers preachy platitudes urging America to stop buying and embrace the finer values of life and love (a hollow message coming from Disney, the most conspicuously commercial of all major Hollywood studios). To its credit, Holy Man occasionally achieves a delicate balance of com! edy and commentary, and receptive viewers will be grateful, at! a time when crude comedies rule the box office, that someone bothered to try. For that reason, this flawed movie deserves to be seen. --Jeff Shannon

Up (Four-Disc Blu-ray/DVD Combo + BD Live) [Blu-ray]

• From the revolutionary minds of Pixar Animation Studios and the acclaimed director of MONSTERS, INC. comes a hilariously uplifting adventure where the sky is no longer the limit. Carl Fredricksen, a retired balloon salesman, is part rascal, part dreamer who is ready for his last chance at high-flying excitement. Tying thousands of balloons to his house, Carl sets off to the lost world of his child

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Andrew and Jeremy Get Married is a 2004 British documentary film written and directed by Don Boyd for the BBC. It tells the story of two Englishmen, Andrew Thomas and Jeremy Trafford, as they plan for their commitment ceremony. Originally commissioned for the BBC Storyville series, the film premiered at the 2004 Toronto International Film Festival.Walt Disney Pictu! res and Pixar Animation Studios take moviegoers up, up and away on one of the funniest adventures of all time with their latest comedy-fantasy. Up follows the uplifting tale of 78-year-old balloon salesman Carl Fredricksen, who finally fulfills his lifelong dream of a great adventure when he ties thousands of balloons to his house and flies away to the wilds of South America. But he discovers all too late that his biggest nightmare has stowed away on the trip an overly optimistic 8-year-old Wilderness Explorer named Russell. Their journey to a lost world, where they encounter some strange, exotic and surprising characters, is filled with hilarity, emotion and wildly imaginative adventure.


At a time when too many animated films consist of anthropomorphized animals cracking sitcom one-liners and flatulence jokes, the warmth, originality, humor, and unflagging imagination of Up feel as welcome as rain in a desert. Carl Fredericksen (voice by ! Ed Asner) ranks among the most unlikely heroes in recent anima! tion his tory. A 78- year-old curmudgeon, he enjoyed his modest life as a balloon seller because he shared it with his adventurous wife Ellie (Ellie Docter). But she died, leaving him with memories and the awareness that they never made their dream journey to Paradise Falls in South America. When well-meaning officials consign Carl to Shady Oaks Retirement Home, he rigs thousands of helium balloons to his house and floats to South America. The journey's scarcely begun when he discovers a stowaway: Russell (Jordan Nagai), a chubby, maladroit Wilderness Explorer Scout who's out to earn his Elderly Assistance Badge. In the tropical jungle, Carl and Russell find more than they bargained for: Charles Muntz (Christopher Plummer), a crazed explorer whose newsreels once inspired Carl and Ellie; Kevin, an exotic bird with a weakness for chocolate; and Dug (Bob Peterson), an endearingly dim golden retriever fitted with a voice box. More importantly, the travelers discover they need each other:! Russell needs a (grand)father figure; Carl needs someone to enliven his life without Ellie. Together, they learn that sharing ice-cream cones and counting the passing cars can be more meaningful than feats of daring-do and distant horizons. Pete Docter (Monsters, Inc. ) and Bob Peterson direct the film with consummate skill and taste, allowing the poignant moments to unfold without dialogue to Michael Giacchnio's vibrant score. Building on their work in The Incredibles and Ratatouille, the Pixar crew offers nuanced animation of the stylized characters. Even by Pixar's elevated standards, Up is an exceptional film that will appeal of audiences of all ages. Rated PG for some peril and action. --Charles Solomon

Stills from Up (Click for larger image)